Can i please get an ID on this opener! :)

Paula Tape's monthly residency on WWFM episode 24
broadcasted on June 2022
welcomes @Mayurashka as special guest of the episode 


more episodes: worldwidefm.net/show/paula-tape/
www.instagram.com/paula.tape/

NO TRACKLIST

Astral Jam with Mayurashka [24] Worldwide FM

Time now for an irresistible blend of long-neglected nuggets thanks to local legend Jimmy Pham aka Walter Majik! A relentless digger and one of the three friendly musketeers behind our favourite listening room @waxflowerbar, Jimmy dons his trusty cape for two hours of deep crate thrombosis, cheekily uncovering hidden jams from their hiding places near and far, giving us a glimpse into his incredible musical treasure trove and soft-spot for tenderised 90s grooves from every corner of the planet.

Click here for our chat with Jimmy: melbournedeepcast.net/portfolio/walter-majik

www.melbournedeepcast.net

Interview

MDC.276 Walter Majik

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side. 

As the cold hits harder than ever before, it’s ever more important to add another layer, both mentally and physically. This audio guide is a sure way to light that fire. Walter Saint is the person in question, a man with a firm grip on the axe, dropping trees to fuel this warm sojourn. 

Walter Saint aka Connor Mackenzie grew up on Gadigal land, it’s where he sharpened his axe, and after a trip to the UK (to sharpen his axe further) he’s back in Eora (thanks covid). Whilst abroad, he caught the ear of London based ‘Bloop’ radio’s director and was quickly made a part of the team, taking up a role as editor and his own show on the channel, dubbed  ‘pacific house’ (TIP!) which keeps him busy to this day.  Now back in Eora full time and making moves on this giant chess board we call life, he’s carving his own way through his masterful approach to DJ’ing as well as working his ass off on a release coming later this year, and damn, this mix is sensational; further proving the hard work Connor has put in over the years, and what he’s truly capable of. 

Personally, I feel as though Walter has gone through my life with a shopping trolley and picked out all the premium produce that has soundtracked all the ups and downs for as far back as I can remember. So many damn hits that bait random emotions back into existence, and I know I’m not alone in this. There’s something special in here that’s going to make everyone feel something, and chances are, that it’s going to be closely related to (thesaurus: ecstasy, hope, elation, bliss, etc). 
The talent displayed in weaving this tapestry is another story all together. Beautifully natural in every way, all these tracks fit together so perfectly that one day they will base puzzles on it. The pure essence of cafe del mar brought back to life in such a spectacular way. Go buy a bag of beach sand from Bunnings, light up a shitty coconut candle and mix up a Margarita, then press play, I-BEE-FAH. 

His sounds >>>> https://soundcloud.com/waltersaint

FHOU

FHUO # 71 // Walter Saint

Welcome our brother from different mother @tornadowallace , one of our favorite producers and DJs out there, to our show @gasolineradio. Can't describe how massive hit for us was his Kookaburra record on @animalsdancing in 2014. Today, he's touring around the world and running @basicspirit label alongside @jamietiller and released a phenomenal solo record Dream Corner this year.

Get the full tracklist at patreon.com/kross_fingers. All the money from it will be donated to volunteers helping people in Ukraine affected by the war.

Stand with Ukraine ✊🇺🇦

KF SHOW W/ TORNADO WALLACE #07 11/09/2022

https://soundcloud.com/marcpinol
Artwork: https://soundcloud.com/dusanlilic / https://soundcloud.com/banda-panda
🔊 https://youtu.be/3q3ZIFsTVl8

A music journalist since 1994 and DJ since ’97, Marc began playing records at the legendary Nitsa Club (Barcelona) in 1999, becoming a mainstay resident since then.

After more than two decades playing extra long sets and state of the art warm-ups for the biggest names in the game he eventually decided not to fit into any particular style and embraced a chameleonic way of DJing which enables him to swing comfortably between genres, ultimately being able to play almost any kind of music or venue without compromising the quality of his sets —a rare ability nowadays.

While being “simply” a resident DJ might seem not that cool today, this is how Marc learned to make smooth transitions between very different acts and able to maintain the energy of the dance floor while keeping the ego in check and focusing in the crowd. Marc believes that adapting to the environment while also taking the crowd by surprise is one of his biggest assets.

After many years focused solely on DJing and refining his technique and style to the highest standards, Marc stepped forward into production, becoming involved with John Talabot’s label Hivern Discs, where he releases his own productions. In addition, he’s been busy producing a wide array of remixes (The xx, Colder, Save! and many more) and with C.P.I., his project with Hugo Capablanca where he’s been able to explore in a more experimental direction fusing leftfield, trance, electro or new beat.

With his name finally getting the recognition it deserves outside his native Spain, Marc plays at some of the world’s top clubs, including Panorama Bar, Lux, Robert Johnson, Trouw, and Space Ibiza, to name just a few.

LAYER number three-o-five displays MArc's interest in the atmospheric side of clubbing, drifting from ambient via submissive melodies for the meek, all the way to harsher dom club sounds.

Play on YouTube

LAYER #305 | Marc Piñol

Mixes by DJ City and Alison Swing on DJ Citys bi-monthly show Blue Monday on Radio 80000.

Next episode airs 23/1 2023

Blue Monday 28 Nov w Alison Swing on Radio 80000

Catch Mimi every 1st and 3rd Tuesday of the month from 15h to 16h [CET]

Rinse France Podcast

Mimi invite Tornado Wallace - 17 Janvier 2023

New year, new massages! Celebrating the show's two years anniversary AND a new year, Telephones pulls his dusty fingers out of the crates for a change, dedicating the first episode of 2023 to strictly new releases. Some from last year or so, and some freshies not yet out. A blueprint for the coming year, with usual eclectic selections ranging from ambient, experimental, jazz, breaks, street soul and balearic, to leftfield pop, dub, house, and techno + some in between, to the left, above and beyond.

Telephones' New Massage 024 [Refuge Worldwide]

Live recording from Fandango in The Lighthouse, Plötzensee, 2023 

Extra long and extra special upload from dear friend @alexfromtokyo <3
This soft sunrise opening set is the first live recording to go up from The Lighthouse series.

On a cold morning in February, Alex warmed up our sunrise dancers in Plötzensee and set the perfect mood for 5 beautiful hours. Listen now xo

LIVE AT FANDANGO - Alex From Tokyo

Guest-mix for Jamie Tiller's radio-show at NTS, broadcasted 21.12.2020. Balearic, dubby vibes, ambient, breaks and house to round off the akward year 2020. Peace and hope to see us all in a better place next year!

TRACKLIST + INFO:
https://www.nts.live/shows/jamie-tiller/episodes/jamie-tiller-21st-december-2020

NTS Radio Show - Episode 18 w/ Telephones

2021's first mix in line comes all the way from sunny Australia by dear friend Lauren Hansom (@laurenhansom). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board Lauren. How was your start of the new year? It's summer where you are now right? That must be nice :)

LH: Hiii! Thanks for having me onboard :) The New Year has been great. Spent time surfing & soaking up sunshine in Australia.

MFM: You moved back to Australia last year. What has been keeping you busy there since? 

LH: I moved from Amsterdam to Berlin at the end of 2019 and went to Oz in February 2020 for a holiday. COVID hit, so I ended up staying. An easy decision with nature, beaches, food etc. Although, I’ve pretty much been living out of a suitcase as the majority of my stuff is in Berlin. I bought a Yamaha RM1X & a Poly800 last year to do some music and learnt The Mandalorian theme tune. I’ve also been learning more about quantum mechanics & biology plus space, which actually led me to find more cosmic sounds in genres from IDM to new wave for example. Imagining space with a multitude of soundscapes is pretty neat. 

MFM: While many DJs jumped on the streaming bandwagon it looks like you kept rather quiet over the last months. Is that for a reason? Did you maybe find other ways to creatively let go, or...?

LH: Thought you wouldn’t have noticed - was secretly trying to pull off a “Homer Simpson disappearing into the hedge”. Streaming is a great way for people to stay connected given the circumstances. For me, having a live crowd is always part of my process. No crowd, no party (or a one person party - not bad for these days, actually...). Also not having any gear here made it hard, especially with lockdown and social distancing.

MFM: Things were going really well for you as a DJ, your career seemed to be in a lift. What do you now hope for when touring becomes an option again? Has 2020 changed your perspective? 

LH: Thank you for saying so. I was pretty overwhelmed by how often I was playing and am grateful for it. It’s still very much a “pinch-my-arm” thought. I really would love to continue sharing tunes & creating musical experiences in some capacity. I’ve been thinking about Music Supervision within film & TV, so have been spending time on the side looking into that.

MFM: I've heard quite a few DJs saying they lost the urgency or need to listen to dance(floor) music. How is that for you? Have you been keeping track with new music lately at all? 

LH: I’m always listening to different styles, especially non-club music as it’s sort of where I started. Although I’ve enjoyed the holiday of not having to find a billion new tracks before every weekend, I’ve still been following new releases & it’s been interesting to hear how music has been shaped by the pandemic.

MFM: How would you describe that shape shifting? 

LH: I noticed more people collaborating from afar due to social distancing, restrictions and general lockdown. I think this allowed for some experimentation in a way and often that leads to something surprising and new. Sonically and stylistically, I think 2020 was really diverse as opposed to previous years where there was definitely a “Sound of Summer” so to say. There were also a great deal of compilations for new music to support artists affected by event cancellations and club closures.

MFM: About the mix, do you actually prefer a mix request to come with some kind of theme or direction to it, or do you value the freedom more? 

LH: Both. It’s nice having a brief as it gives you boundaries & pushes your creativity. Sometimes too much freedom can make it difficult. That said, I’m always imaging stories & daydreaming, so often the imagery in my mind’s eye gives me a good starting point. Once I have an idea, I create a selection of music & work out a way to make it all flow until there is some sense of an emotional ark & musical journey.

MFM Mix 024: Lauren Hansom

📧 infopaulatape@gmail.com
mgmt: CP@285.group

Tour Dates:
27 APR - Native Beach Club, Buenos Aires
03 MAY - Malasana Club, Madrid
04 MAY - Sound IT, Barcelona
10 MAY - Folklore, Lausanne
11 MAY - The Cause, London
17 MAY - Sandbox Festival, El Gouna
19 MAY - Boiler Room, Edinburgh
25 MAY - Outlier x Warehouse Project, Melbourne
26 MAY - Outlier x Warehouse Project, Sydney
01 JUN - Polifonic Festival, Milano
08 JUN - SWEAT Festival, Stuttgart
14 JUN - KM25, Paris
15 JUN - Frankhan, Istanbul
22 JUN - Cova Santa, Ibiza
28 JUN - Lago Lago Festival, Braamt

Astral Jam with Mayurashka [24] Worldwide FM

Paula Tape

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