Somehow, you being silly is so apropos...I don't think it was serious, even in the music of the nobility class. Always room to romp, and the lightness of step seems to suggest some fun was had even with starched collars and pretensions otherwise. I like that, and your excellence and skill in developing this arrangement ,makes it all an exquisitely detailed and finely chiselled listening experience. I catch the rhythm instruments creating some percussive interest, while my ears go to the cello and viola bowing under the crisp plucking of the guitars and harpsichord. Gorgeous time-traveling experience. :)

this is excellent . and not easy to mix these tracks to blend correctly . You can hear all the parts well done paul

très belle musique, élégante et délicate. merci pour cette création

Beautifully conceived and realized, Paul. Lovely playing. 👌

Emotional Winter

My imagining the court music in 16th century Spain. Something like Boccherini's (later inspiration)for the Fandango and perceptions on his ventures from Italy.

You get that its intrinsically Spanish hey!   I wrote the harpsichord as a continuo supported by cello/Viola De Gamba.  4 guitar parts and one is baroque guitar. Mostly me being silly in improvising again but it returns to the main theme often enough. if you want to see the master and my inspiration : https://www.youtube.com/watch?v=P95brP_HweU

Concierto De Música Renacentista

Classical flute unaccompanied.
Played by Chris Scheri.
Bach Inventio 4.

Chris Scheri Solo Flute: Bach Inventio 4

Can You Hear Me Calling is composed by Jane Johnson.

Can You Hear Me Calling

Shostakovitch Cello Sonata 3rd Movement
Cello I Cag Ercag
Piano I Zina Asfour 
Live Performance at the Saint Joseph Church in Beirut

Shostakovitch Cello Sonata 3rd Movement

Improvised variations (on a theme of Shostakovich from the Second Movement of his Piano Concerto No. 2, Op. 102).

For my dear friend, British lawyer and novelist David Nathan, who first brought the piece to my attention over dinner. David is the greatest orator I know. A wonderful novelist and raconteur. I am proud to count such a brilliant man amongst my friends.

Improvised variations on Shostakovich Op. 102

We are haunted by memories, sweet and scary, but it will never be like before.
I invite you to listen to my piano improvisation "Nothing Is Going To Be The Same".

Watch the video version on my Youtube channel: https://youtu.be/rd2yQjPwItM

The sheet music of some of my compositions can be downloaded from my website https://pianoimprovictor.com/ Some new works are available on  https://www.sheetmusicplus.com/publishers/victor-birkan-sheet-music/3028943?isPLP=1
Find all my music here: https://linktr.ee/victorbirkan
https://youtu.be/rd2yQjPwItM

Nothing Is Going To Be The Same - Improvised Piano Piece

Barcarolle opus 26 no. 1 - Gabriel Fauré

Lord Winter

Album of my classical guitar compositions I've recorded over the years.
I hope you enjoy these original tunes performed on nylon string guitar.
Listen while studying, relaxing, or just chilling on a summer afternoon.

Shimmering Constellations

Studio recording of Variantions on Paganini's Capriuce No. 24 theme 

Recorded at Lithuanian National Radio recording studio

January 5th, 2015


Martynas Levickis - Accordion

SinChronic Quartet:

Giedre Zarenaite - Violin

Kristina Morozova - Violin

Vytenis Lisauskas - Viola

Igne Pikalaviciute - Cello


Sound Engineers: Aleksandra Suchova and Vilius Keras

Variations on Paganini Caprice No. 24

Classical guitarist/pianist who writes & produces music.  I love crossing boundaries and genres in my original music.  New album on Spotify etc https://open.spotify.com/album/2cnmt2NytLzD9L3AVWwUdW?si=jcpQ5z5IRSmpSySFHQLvug

Concierto De Música Renacentista

Paul Chantrill

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