guava tunnel visions is a definite summer vibe!

My warm up Set for Peter Kruder... Live Recording from Lecabaret Velden, AT.

Enjoy!!!


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Mighty_Mottl - Warm Up Set for Peter Kruder (Lecabaret, Velden AT)

DiscoDaze show broadcasted on Open Tempo FM on Friday 3rd December, 2021. www.opentempofm.com

Tracklisting
1. Studio 54 - The Documentary (Official Audio Trailer)
2. JKriv & Peter Matson - New Friend
3. Dave Mathmos - Addio Ragazza Ciao
4. Da Lukas - Be Freak (80's Mix)
5. 3ILHA - Lamento Do Cavaco
6. 6th Borough Project - Miss World
7. Monsieur Van Pratt - Inner Funk
8. Pavel Svetlove - Jazzy Piano
9. Adham Zahran - Giving
10. Disco Maschio - Calcutta

Cloak Dagger Tracklisting
1. Ingram - DJ's Delight (Mark Knight & Michael Gray Remix)
2. Bobby Caldwell - Do 4 Love (Clubmix)
3. Kryptogram - Woman Like You
4. ED. - El Juego
5. Sebb Junior - Just 2 Be With U (Extended Mix)
6. Get To Know Feat. Femi Santiago - Sunshine (The Reflex Revision)
7. Dutchican Soul - Can We Talk
8. Sunner Soul - After The Rain (Get Up)
9. Dave Mathmos - Disco Is My Religion
10. Siege - Reach Out (Michael Gray & Dr Packer Extended Remix)
11. Tonbe - Always There
12. P-Sol - Tonight
13. Sableige - More Of You (Sabliege Edition)
14. Magic Flowers - Adore
15. Jengi - I'm Back For More (Jengi Remix)

DiscoDaze #221 - 03.12.21 (Resident Mix - Cloak Dagger)

Tracklist - Collective Groove (Hour 1)

Sould Out & The Funk District – Love 2 Dub U [Self Released]
Sould Out – Bassline Fever [Self Released]
Sould Out – Electric Forest [Tropical Disco Records]
Never Dull – Just Feel Good [Self Released]
Delfonic & Kapote – Lazy Rejam [Self Released]
The Magic Track – Suriname Life [Furious Mandrill]
Tuesday Brunch – Back Together [Spinning Around]
Risk Assessment – Highly Addictive [Tropical Disco Records]
Hotmood – Electric Jungle [DOBRO]
Lup Ino – Love Change My Life [Yesenia]
Jazz Mango - Juicy Life [Hive Label]
Pete Maxey – Right On (Art Of Tones Remix) [The Disco Express]
Scruscru, Iner – Three Gigs Night [DOBRO]
John Dean – Show Me A Witness (Mr Doris D-Funk Remix) [Ghetto Disco Records]

Tracklist - Mr Doris (Hour 2)

Voodoo Disco - Chewy Rubs
Talkin Bout Life - Aroop Roy
Back In ‘95 (Fingerman’s Nude Disco remix) - Toby O’Connor
Any Time - Michael The Lion
Las Salles Arc-en-Ciel - We Should Hang Out More
Over (De Gama Re-Built) - AlexNy
The Nebroni (Phil Weeks Remix) - Jerk Boy
Booged Out (Julien Sanza remix) - Phunktastike
Time (Koko Paradisco re-edit) - Light Of The World
Hustle Do Brasil - Aroop Roy
Boogie Bones - Las Inferno
Disco Permanente - Soul Of Hex
Good, Good Feeling (Agent 86 Booster) - WAR
Ultimate Funk - Bob Sinclar 
Balandra - Lex & Locke
Your Love Is True - Nebraska

Soundcloud: @mrdoris
Bandcamp: https://mrdoris.bandcamp.com
Traxsource: www.traxsource.com/artist/306281/mr-doris
Insta: instagram.com/mr_doris
Facebook: www.facebook.com/mrdoris

Mr Doris on That Disco Groove Radio Show 028

Recorded live at Borderline 7th October 2023 @ Niku in south-west London

Another wicked party, great crowd, and 5 hours of top notch party music!

Line up
Even Funkier
Greg Middleton
Pete Maude

**TRACK LISTINGS TO FOLLOW**

ABOUT BORDERLINE
Borderline is a small, perfectly-formed club night in Surbiton, in south-west London.  It was started by Greg Middleton in 2018, inspired by a growing demand from his friends to have a have a proper night out in the local area with great tunes and positive vibes.

This has grown into one of the area's best-kept secrets...where the music is king, the atmosphere is electric and you will only hear about it on the grapevine.

And as you might have guessed, Borderline is named after Madonna's classic song from the eighties. And if you've heard one of Greg’s sets, you will know that an extended, epic version of this track is a guaranteed floor-filler and takes the roof every time. It's a great example of the type of music you'll hear - a classic track that's been reworked for today's dance floors, bringing back happy memories, but with something new.

Borderline is all about feel-good, dance floor fillers...and not much gorgonzola! Expect classic house, disco, soul, funk, boogie, hip-hop, R&B, and maybe just a few 80s and 90s pop treasures for good measure - plus lots of edits and remixes to keep things fresh and unpredictable!

Borderline Events

Live @ Borderline 7th October 2023 (Even Funkier, Greg Middleton and Pete Maude)

Volume 4 - A Vibe

Here's the first part of Greg Wilson's last appearance in Glasgow with Melting Pot on Boxing Day at Hillhead Bookclub.

Greg is back on Friday 26th September at SWG3 with his Super Weird Happening event. 

Part of a series of 5 Super Weird Happenings as summer shifts to autumn (the others taking place in Manchester, Bristol, Liverpool and London), this is an 8 hour event unlike any other, which takes in talk, live art, visuals, photography, a Blind Arcade performance, and a 3 hour Greg Wilson DJ finale.

More info:

https://www.facebook.com/events/527040754063892

http://www.residentadvisor.net/event.aspx?627932

http://www.skiddle.com/whats-on/Glasgow/SWG3-%28Studio-Warehouse-Glasgow%29/A-Super-Weird-Happening-with-Greg-Wilson-Blind-Arcade-amp-Howard-Marks/12239552/

Greg Wilson at Melting Pot 26th December 2013 Part 1

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Facebook: facebook.com/klngmstr
YouTube: youtube.com/@klngmstr
_____________________________________

Key: B Minor
Tempo: 123 BPM

Lyrics:

Light it up
And we smoke
Keep me high up off the ground
In the haze
In the clouds
We ain′t ever coming down
Down
Down
Down
Down
We ain't ever coming down

Like islands in the sky
Living in a paradise
Bottles never running dry
We could stay here you and I
Like islands in the sky
We could stay here you and I

Like islands in the sky
We could stay here you and I

Light it up
And we smoke
Keep me high up off the ground
In the haze
In the clouds
We ain′t ever coming down
Down
Down
Down
Down
We ain't ever coming down

Like islands in the sky
Living in a paradise
Bottles never running dry
We could stay here you and I
Like islands in the sky
We could stay here you and I

Like islands in the sky
We could stay here you and I

Islands in the Sky

Free Download

Drake & Central Cee - Which One (KIDY & DACTI Remix) Filtered Radio

The Dream

To tie-in with my 200th blog post, this was the last mix I ever tape edited, putting it together on my original Revox B77 reel-to-reel, which I’d bought 14 years earlier, back in 1982. See the post with accompanying images at the blog:
http://www.gregwilson.co.uk/2012/11/the-monastic-mix/ 

THE MONASTIC MIX:
‘The Monastic Mix’ was very much a labour of love, gradually assembled in stages, as I bounced between reel-to-reel and DAT in order to add further textures. I did it in collaboration with a young DJ from Liverpool, Matt Shannon, who was into the Trip Hop / D’n’B vibes of the time, which I really liked myself, but didn’t have any of the records (I was, as you might say, on the bones of my arse brassic back then, so I wasn’t in the position to be buying anything other than the bare essentials). We fused Matt’s tunes with mainly older stuff from my own collection for the mix, which appeared on one side of a free cassette that was given away to everyone who attended the launch of 'The Monastery', an experimental monthly club night on Merseyside (plus a couple of Wednesday specials at London's 'Mars Bar' in conjunction with Microdot, the design company ran by Brian Cannon). We made things particularly difficult for ourselves, holding the night on a Sunday, and choosing an off the beaten track venue, Stairways, a Birkenhead Rock club, to which we bussed people through the Mersey Tunnel from Liverpool, as well as attracting others from The Wirral. However, despite all the drawbacks, we somehow managed to keep things afloat for the best part of a year, enjoying some great memories and much musical mayhem along the way.

‘The Monastery’ brought together a collective of DJ’s and musicians who were largely disillusioned with the local dance scene - Derek Kaye, Bernie Connor, DJ Trix, Phil Jones, Desa, Girls On Top, Phil Melia, Kerry Harrison, Ciaron Bell, Matt and myself all played our parts, doing it for the love rather than money, with Martin O’Shea (who, as it would work out, went on to manage the successful girl group, Atomic Kitten) promoting the nights. The basic premise was that we didn't go down the four-on-the-floor path, as this was being played pretty much everywhere else at the time, concentrating instead on groove-based music from the 60's to the 90's.  

Featuring Soul, Funk, Electro-Funk, Hip Hop, Indie-Dance, Trip Hop, Drum & Bass and more, ‘The Monastic Mix’ became cult listening for many of the people who got hold of the cassette, although I’m sure that others found it a bit too eclectic for the time and never gave it a second hearing. I’ve been told that it’s quite a demanding mix to listen to, dark in places and somewhat ‘druggy’ (‘one for the heads’ being a comment made about it back then). 

It’s close to my heart because it reflects my state of mind at the time it was made, which was pretty turbulent. Since my production work had ground to a halt a few years earlier, I was very much in no man’s land, completely detached from the music scene and with no means of expressing myself. I was still totally illiterate as far as computers were concerned and I remember feeling old and out of touch. There were moments when I wanted nothing more to do with the music industry, being punch drunk from the knocks I’d taken during recent years, but, having never had a ‘proper job’ in my life, I was pretty much in a catch 22 situation. I had no money and no prospects, life was passing me by and I was more or less washed out creatively. Suffice to say it was a very bleak period for me.

It was during this time that my friends, seeing how much I was struggling, were urging me to get back into deejaying, telling me that I could make good money by trading on my reputation of old. However, there was a big catch, which was that I’d have to decide what area of dance music to specialise in, which was an alien concept for me, having made my name playing the best of a whole range of styles, rather than just one narrow area. Thankfully (and I can only say this with hindsight) I resisted the temptation to take this option, which would have amounted to selling my DJ soul for a quick cash-in.

The idea behind The Monastery was planted in my mind by my friend, Kermit, who, following on from the Rap Assassins, had hooked-up with former Happy Mondays mainman Shaun Ryder to form the band Black Grape.  Just before they were about to do the final mixes on their debut album, ‘It’s Great When You’re Straight…Yeah’ (which would subsequently top the British charts), Kermit came to see me in Liverpool with a cassette of all their tracks. I was blown away with what they’d come up with, but it also served to highlight my own shortfallings. I commented that he’d done so much while I’d been wasting away at home doing nothing, but he told me that the time I was spending, in relative seclusion, with my music, books and videos, would prove to be time well spent. He likened my existence to being in a monastery – a comment that very much resonated within me and somehow gave me renewed hope for the future.

The following year, when the idea of a putting together a club night was put to me, I suggested it should be called The Monastery, with the music policy and presentation completely unlike anything else that was happening, combining DJ’s with live musicians. When it came to putting the mix together, I wanted to reference as many of my musical influences as I could, even if it only be a tiny snippet. I managed to cram a lot of them in and I can guarantee that, even after numerous plays, you’ll still recognise new elements hidden away in there. There’s a lot of stuff going on in the detail and, listening back to it later down the line, I became aware of a definite autobiographical slant that didn’t seem so obvious then, reflecting the struggle and soul searching that summed up my life at the point it was made. A mix will, obviously, always have something of yourself within it, but this is undoubtedly more personally revealing than anything else I’ve done – there’s some kind of twisted narrative in there, and I can hear me talking to myself via some of the samples I chose (for example, when you hear the words ‘does anyone remember who I am?’, I really meant it, trapped in obscurity as I was). Even the discordant parts, the bits that jar with me now, show me exactly where my head was at.

It was an important personal step for me, and I thank Matt Shannon for what he brought to the table – I didn’t have all the ingredients myself, and he was also pretty handy on the decks, so Matt was, of course, key to this. He no doubt reads it in a different way to me, but I know it has its own special symbolism for him, especially given he never followed the DJ route, and instead carved out a rewarding career working in the computer, rather than in club realm. 

‘The Monastic Mix’ very much informed what I did later, especially the Teenage DJ project, which built on that autobiographical slant I’d stumbled across. It’s echoes can also be heard via my use of samples in a live context - people who know my mixes from more recent times will, no doubt, recognise many of the samples I’ve subsequently used, which are spun from the same tape, but in a different context – from another time and place.

I think it’s a mix that’s most conducive to a chilled-out environment (and state of mind). I might have given the impression that it’s pretty heavy-going, but you’ll find lots of familiar stuff throughout (it makes for a great game of spot the sample) and I’m sure it’ll raise a smile, and perhaps even the spirit, here and there. 

Greg Wilson - November 2012

THE MONASTIC MIX (by greg wilson and matt shannon for the monastery 1996)

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Like this? please make sure you follow Le Visiteur Online for regular house and disco gems.

French producer Vibes4YourSoul is a member of Yuksek’s Partyfine crew. Renowned for his cross-genre DJ sets he mixes disco, rare groove and afro-latin with house and Nu Disco sounds. His productions follow the same lines as is ably demonstrated with his latest release on Too Slow To Disco - Edits 05. 

We caught up with Vibes4yoursoul to ask him our quick questions so we can all get to know this brilliant artist a little better. Check out the interview on LV online: https://levisiteuronline.com/music/the-quick-6-an-intro-to-vibes4yoursoul-2/

Volume 4 - A Vibe

DJ Paul Smith

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