My new Smackos - Fables from a Silent Wave album conveniently mixed in one giant mix for deep listening, falling asleep to, trip to, wander, hike, work, code, paint, do fitness, forest bathing or whatever you want to do…Available at the Legowelt bandcamp in all sorts of hi quality formats here for paywhatuwant-> https://legowelt.bandcamp.com/album/fables-from-a-silent-wave

Most of this album was recorded around 2017 at the North Sea Institute for the Overmind in The Hague Holland. Early 2022 I finally had some energy to get the artwork, tracks and "mastering" etc. together. 

I went for a bit of a “mid century weird tales Clipper Flying boat LA science Fiction fanclub” vibe with this one as I was reading a lot of that stuff. Synthwise its all over the place... ‘Supernova Cherry Dessert’ is nothing but the Novation Supernova pushing its 12 DSP succulent dripping filter to the max. Also heavy use of the Waldorf Pulse 2 & Blofeld (like on Fluttering into a Pulse storm) There is some JV2080 in there too. “Where the endless minds go” = just one loop on the Roland boutique mini JP08 you can hear the notes cut off sometimes because it can’t cope with too much polyphony and the hands on control gets a bit mucky due do its microscopically sized faders ah well…. “La chaleur sombre d’un S900” which is something like the Dark brooding warmth of the S900 is just that, all sounds sampled into the lower kHz rates of an AKAI S900 for those mesmerizing undusted digital artefacts. The artwork is a painting I made called ‘The golden age of Flying boats’.

Nightwind Records NW032 ©2022 NIGHTWIND RECORDS 
All tracks written and produced by Danny Wolfers 
Instruments used: Novation Supernova, Akai S900, Waldorf Blofeld, Waldorf Pulse 2, Roland JP08 & JV2080 and probably lots more. 
Vocals on Volons Près des Vagues by Cassiopeia Blumenthal
Artwork by Danny Wolfers

Get it here

Smackos 'Fables from a Silent Wave'  complete album in one deep listening mix

Mala Showcase @ Phonox 15.09

INTERVIEW + MIX > https://inverted-audio.com/mix/bjarki/ 

Bjarki Rúnar Sigurðarson is an artist in flux, slipping through definitions as easily as he does genres. His early output on трип suggested a clear trajectory—big-room techno, high-impact, and high-energy. But @bjarki has always been more interested in disruption. He loves veering off the beaten track.

Over the past decade, his identity has splintered across at least twenty documented personas (and perhaps some more hidden from the voyeur's view), each serving a vessel for the unpredictable. He functions in a space of humour and unease—shaping music that is erratic, raw, and wholly untamed.

And there is a lot of it—keyword: a lot. Bjarki doesn’t just release music; he floods the system. His latest album, 'A Guide to Hellthier Life', is a sharp, satirical dismantling of the wellness guru social media economy, where self-care is commodified and monetised at scale.

Stepping up to deliver IA MIX 389, the Icelandic producer extends that same critique—a surreal, self-aware meditation on the absurdity of performative well-being. Dark humour is nothing new for Bjarki, but here, his observations feel more honed, more biting, more necessary.

The mix itself is impossible to bracket, moving through states rather than styles—thoughtful, meditative, ridiculous, and deeply melancholic all at once. It’s a trip, in every sense. And, as always with Bjarki, it’s best not to ask where it’s going.

Read

IA MIX 389 Bjarki

Tripped-out excursions through percussive club music with the Nowadays resident.

Ayesha Chugh, AKA Ayesha, makes club music that activates the body. The Brooklyn-based artist has spent the last few years carving out a distinct lane in modern club music. Her fusion of dubstep, techno and essential '90s rave elements into dynamite club tools that test and support dancers in equal measure. This time though, for her RA Podcast, Chugh purposefully tilts in a "more colorful wonky direction."

Since first turning heads with releases on labels like Fever AM and Kindergarten Records, she’s continued to refine a sound that feels both playful and punishing, marked by writhing basslines, rumbling drums and an innate ability to make bodies move. Her productions capture a kind of kinetic precision—tracks that are slippery yet forceful, balancing psychedelic textures with dubstep-like physicality and club-focused power. As Andrew Ryce wrote of her debut, Rhythm is Memory, her skill is "full of textures that wrap around the otherwise thudding, sub-heavy kick drums." After a serious accident in 2024 stopped her in her tracks, this year marks a full return to global touring with a new vantage point on life and the sound she seeks to push.

RA.983, clocking in at nearly two and a half hours, finds Chugh flexing that club muscle once again. Offering a tour through global club music both old and new, it's based around a set at her home base Nowadays this February. It's a patient but relentless ride: from deep, tunneling psytrance, progressive techno and slippery electro before really turning on the gas at the half mark, moving into slanted UK techno territory.

As she explains in the Q&A, it's a carefully curated selection of tracks that probes "what we perceive as tasteful." It's a mix that speaks to her deep knowledge of dance music’s lineage—and her intuitive ability to push it forward.

@aye5ha
Find the interview and tracklist at ra.co/podcast/983

RA.983 Ayesha

🌐 Refuge Worldwide is a radio station and community space based in Berlin-Neukölln.
➡️ More info, more music: www.refugeworldwide.com

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pi pi pi  - deep creep - 23 Apr 2025

dj kassir

Legowelt is the alias of Dutch producer and electronic musician Danny Wolfers. Known for his lo-fi, analog-heavy sound, Legowelt has been a prominent figure in the underground electronic music scene since the late 1990s. His music blends elements of house, techno, electro, and ambient, often characterized by dreamy melodies and gritty textures.

Hailing from The Hague, Netherlands, Legowelt gained recognition with early releases on Bunker Records and Clone. Over the years, he has released dozens of albums and EPs under various aliases, building a cult following worldwide. Beyond music, he is also known for his visual art, software synthesizer patches, and contributions to synth culture.

Legowelt remains an influential and prolific artist, celebrated for his DIY ethos and dedication to hardware-based music production.

Follow Legowelt_

SoundCloud_ https://soundcloud.com/legowelt-official
Facebook_ https://www.facebook.com/Legowelt?locale=es_ES
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https://www.legowelt.org/

| EPISODE 222 | Legowelt

vnmpire - nobody 2 help

Aphex Twin - Peel Session 1992 /  Live From Sheffield Hallam University 1993

An iconic UK duo craft a hip-hop mix.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=687

@autechreofficial

Resident Advisor podcast

RA.687 Autechre

Recording of Tzusing's set at Dekmantel Festival 2019.

Dekmantel Festival 2019

Tzusing at Dekmantel Festival 2019

Booking : 
Tom Nettleton at Paramount Artists
Tom@paramountartists.com 
South America :
Joe Sigmund
Joe@surefireagency.com
Italy:
Giulio Montanaro
Booking@grvt.it

Aphex Twin - Peel Session 1992 / Live From Sheffield Hallam University 1993

Paul Woolford

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