Energia (generowana przez połączoną i ogromną moc podziałów organów i smyczków) jest przytłaczająca. To poważna praca. niesamowicie piękne. Moja ulubiona część (choć każdy będzie miał swoją ulubioną część) pojawia się w 3:25 i nast., wraz z pojawieniem się smyczków pizzicato. Genialna praca.

as a past timpanist myself it warms my heart to see compositions like this...wonderful work

Powerful, sustained and sustaining throughout; I love it.

This is great! I love the way you build drama!

Another piece created with Polyend Tracker. This song has its own style. I'd love to hear your thoughts in comments - how does this one make you feel?

Threshold of the Abundant Object

Just me again… guitars, ipad, headphones.

Fun excursion into some new territory for me, hope you like it. Thanks for having a listen. Hope you’re finding love in your life. Xxxx K

The Holy Grail

Frozen Moment

Cgmaness – @user-419254289-15129531 – Chris – bass, guitar, synth, main drums, percussion, composition, production and mix
TexMex Shaman– @texmex-shaman –Stephen–  electric sitar
Llanpsych-- @llanpsych -- Tez – electric guitar
J.J. Terrell-- @j-j-terrell—JJ-- organ and electric piano
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– percussion, additional drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – traditional gourd form body sitar and lap steel

 This is a song that Chris wrote on the drums, bass, and guitar and shared with the collective. We all love working on Chris's songs, and got to work on it even more enthusiastically than usual. Josh was up first with his lap steel, which he weaves throughout. He also added the sitar at the beginning and the acoustic sitar at the end. Stephen stepped in and added the gnarly electric sitar at the end. JJ also made his presence heard by adding the thrilling organ and electric piano throughout. Ken then augmented Chris's original drums with his own in expert fashion. Last, but not least, Tez added his electric guitat magic to the stew, as well. 
  Since Chris brought this song to the group, and is a fine producer, he did the honors of the mix and production. 
  This is our latest with Chris, whose music we all adore. If you dig this, you should go check out his page, as it contains lots of wonders to hear. We all hope you enjoy listening to this as much as we enjoyed making it.

New String Theory - The Eclectic Collective

郭公（Cuckoo）

うき我をさびしがらせよかんこ鳥　芭蕉 (1644-1694)　

Cuckoo, make my melancholy heart lonelier.　Basho (1644-1694)　

Art work: Benji Tran via Pixabay

郭公 (Cuckoo)

Not One Is Insignificant (Piano Improv)

Une composition collaborative entre Camille Victoire (https://www.youtube.com/watch?v=x7YCk1DmgJA) (voix) et Fardeau Losange (musique, mixage).

« Tout est construit sur le même plan,
Tout est construit sur le même plan.
Tout est construit sur le même plan,
Tout est construit sur le même plan.
 
Elle essuya précipitamment ses larmes à sa manche.
Tout est construit sur le même plan.
Un départ, un détour, un retour,
D’un automne à l’autre.

C’est toujours un jardin,
C’est toujours un jardin.

Tout est construit sur le même plan,
Tout est construit sur le même plan.

Tout est construit sur le même plan.

Tout est construit sur le même plan.
Tout est construit sur le même plan.

Tout est construit, tout est déconstruit.
Tout est construit, tout est déconstruit.

Tout est construit, tout est déconstruit.
Tout est construit, tout est déconstruit.

Tout est construit. Tout est déconstruit.
Tout est construit sur le même plan.
Tout est construit/déconstruit.


Un départ, un détour, un retour,
D’un automne à l’autre.

Elle essuya précipitamment ses larmes à sa manche.

Tout est/Tout est/Construit/Déconstruit…

C’est toujours un jardin,
C’est toujours un jardin.

Tout est construit sur le même plan. »

Visuel : Maurice Denis, "Taches de soleil sur la terrasse" (1890).
1er novembre 2°24.

C'est toujours un jardin

C'est toujours un jardin (Camille Victoire & Fardeau Losange)

Fantasea Con El Recuerdo

Some random Friday afternoon carolling at the Llewellyn's, with my daughter Awen playing the guitar.

We hope you'll enjoy.
Happy Holidays!

God Rest You Merry, Gentlemen (Awen And Rob Carolling)

Composition derivated from a piano improvisation.

2024.

❄️ Holiday on Jazz ❄️ HAPPY 2025 ❄️

Prelude - powerful and dramatic 1st movement of Organ Concerto.
Repetitive, modal as well as new romantic.
Jerzy Dziubinski, Organ; Mikolów Chamber Orchestra; Jan Wincenty Hawel, Conductor.
Live recording - Mikolów, St. Adalbertus Basilica, Poland, 12th of June 2003.

Pawel Strzelecki: 1. Prelude [Concerto for Organ, Strings and Timpani (2002)].

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 1. Prelude [Concerto for Organ, Strings and Timpani (2002)].

Pawel Strzelecki, Ph.D.

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