Rough demo. song about leaving home and going back for summer hols to the festival. Geesala Festival, Co Mayo. 

Gra mo chroi , Stranger danger.m4a

A Quatrain MMO

Weasel Theme

This song is a cover of a cover that Jerry Garcia (guitar), Merle Saunders (keys), John Kahn (bass), and Bill Vitt (drums) recorded live at the Keystone in Berkley, CA, in 1973. It's actually a cover they did of a song called Finders Keepers by the Chairmen of the Board.

Entheogenic Psychonaught (Josh Clary) - Bass and Synthesizer
K2 and the three (four) - Drums
Llanpsych - Guitar and mastering
J.J. Terrell - Clavichord and Organ

Keepers (With Entheogenic Psychonaught, Llanpsych, K2 and the Three (Four)

Fast Car was 1st Released in 1988 by Tracy Chapman. It has always been one of my most favorite of all time songs, Luke Combs has just done an Awesome version as well so i decided it was time i did one Too. This is only my 2nd cover on SC and i hope i have done justice to this awesome song.
Song written by : Tracy Chapman 1988 
Guitars, drums, Vocals as well as mixing and mastering: Johnny Mc Farlane

Fast Car (Written by Tracy Chapman)

Where the heartbroken go. A more luxurious and upscale Heartbreak Hotel. Rooms now available...
Lyrics:
The problem with love that I see
Is that we're just watching each other
Watch ourselves
On each other's feed
That's just about as useful as a bag full of
Donkey teeth
I know a place that you can stay for a month or a week
They have a teardrop shaped pool
And a Bartender who's cool
His name is Hank
He's got a sympathetic ear
And a heavy hand as he pours your drink

(Chorus)Oh yeah, wouldn't you know
I'm back at heartbreak chateau

The clientele around here
The women scantily clad
I bet she don't take tax deductions on clothes!
Doing something nice 
You turn it into a vice
I remember the days
When you and I
We would go out and chase the light
You were right!
And I was wrong
Hank, I'll take another drink
And get one for Marisol in the sarong.
(chorus)

You know, every room here it comes with a view
Of the LA river
And what you should and should not do
I hear commotion from down the hall
(Fake Jasper Johns on the wall)
I'm fussing
And fighting
And crying
And screaming my life out
All night
Baby, let me come home!
To explain it in the language of love
Broyer du noir  (translated French: To crush some darkness/ I am sad)
Oh yeah, wouldn't you know
I'm back at heartbreak chateau

Heartbreak Chateau

The can-can (also spelled cancan as in the original French /kɑ̃kɑ̃/) is a high-energy, physically demanding dance that became a popular music-hall dance in the 1840s.

New version by JUHAX
SONG LENGTH: 3.33min

Public Domain
File:Georges Seurat, 1889-90, Le Chahut, oil on canvas, 170 x 141 cm, Kröller-Müller Museum.jpeg
Created: 1 January 1889

CANCAN(2023)

[Warsaw, Saint Anna church, 16.07.2003].
Foto: King's College Chapel, Cambridge.

J.S. Bach: 1. Prelude [Prelude and Fugue In E Minor, BWV 533 (1705 ca.)].

Hello everyone! I'm presenting to you "Tales of El'Azar" a project of mine based on the same novel. It's a set of ambient & orchestral compositions that follow the story of Ulenth, the Mists traveler, as he arrives in the fabled world of El' Azar and explores it. Two different parts compiled into one album coming straight from the time I experimented a lot with music. I hope you enjoy!

Pale Northern Star

Legacy Broken is a cinematic orchestral concept album that explores the psychological weight of legacy, family, and emotional silence. Blending restrained elegance with hypnotic minimalism, each track unfolds like a room in a haunted memory palace—echoes of conversations, legal inheritances, betrayals, and unresolved grief.

Muted strings, fractured piano motifs, trembling horns, and emotionally conflicted harmonic structures form a sonic language of unspoken tension and decaying tradition. The arrangements resist resolution, allowing silence, repetition, and space to carry as much meaning as melody.

This album is not just a score — it’s a portrait of inheritance, power, and the long shadows of memory. The finale song "Inheritance of Silence" concludes with a vocalized song about empty love, wealth and social responsibility. 

1. Ghostly Reflections

This song was written for piano by Hitoshi Yasui, chairhouse of Tokyo, who was generous in allowing me to arrange and record it for guitar. It is from his "Piano Ten Thousand Leaves" project. His mission “is to create gentle, calm, peaceful, beautiful, relaxing piano music and share it with all human beings." He writes, records and posts one beautiful piano composition each day. This song, "ayant servi pour plusieurs parfums", is number 1371 from september 16, 2017. His original piano version can be heard here:
https://soundcloud.com/chairhouse/ayant-servi-pour-plusieurs-parfums-1371-by-chair-house-09162017

Thanks to Hitoshi for his daily musical watercolors and thanks for allowing me to adapt this for guitar. Please visit and listen to his original piano music @chairhouse.

chairhouse guitar

ayant servi pour plusieurs parfums

Ayant Servi Pour Plusieurs Parfums

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

J.S. Bach: 1. Prelude [Prelude and Fugue In E Minor, BWV 533 (1705 ca.)].

Pawel Strzelecki, Ph.D.

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