Pawel Strzelecki: "Early Works" (2024), CD 2

The first movement of the String Quartet No. 1 (2001).
String Quartet 'Ars Longa', live recording, Warsaw, F. Chopin Academy of Music, Concert Hall, 2001.

Pawel Strzelecki: 1. Opening [String Quartet No. 1 (2001)].

The second movement of the Piano Quintet (2003).
Bartlomiej Kominek - piano, 'Camerata' String Quartet.
Live recording: 'Warsaw Autumn 2004', Warsaw, Concert Hall of The F. Chopin Academy of Music, 16th of September 2004.
2004: The First Award in the State Tadeusz Baird’s Young Composers Competition in Warsaw, Poland. 

"Introspections" start with a string quartet’s quotation of a soothing hymn “Nearer, My God, to Thee” (text: Sarah Flower Adams) based on the tune “Bethany" by Lowell Mason (1856) contrasted with polytonal relation interventions of the pianist. In the second, opposing phase more restless and moving ostinato sections predominate. The piano chords interventions sign syntax mometnum of the piece and conclude it.

Pawel Strzelecki: 2. Introspections [Piano Quintet (2003)].

vocal, keyboards - Sparky B.
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I don't need your Love
Don't need your sympathy
I got nuthin' to prove
Just gimme good soup

I'm an old man
Don't need wine or gold
Ya wanna save my soul
then gimme good soup

Gimme Good Soup

All i ever wanted
All i really needed
Alone or in a group
Just gimme good soup

Gimme Good Soup

© 2025 Sparky Bonehead

Gimme Good Soup

Bass Tune

Echoes in the rain

chemical research

Boring Music III
violin, flute, bassoon x3, contrabassoon 

Boring Music III

Uplifting electronic track about rising above fear and finding strength in the light. Bright rhythms, bold energy, inspiring sky-high atmosphere.

Tags edm, electronic, dance, pop, indie, uplifting, inspirational, sky, clouds, cinematic, energy, emotional, powerful, bright, club, anthem, surreal, abstract, female, vocals, beat, synth, electro, mood, vibe, spirit, future, fire, skyward, rising

Look Up

Pilot 3000

sunmagnetics

Recording sessions from  23/04/2025 - 29/09/2025.
presets, mixing, processing and editing: Pier WILL.
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🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, 
Sony, SoundCloud, Teac, Techniks, Yamaha.
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New Border

Here is a new piece of music for the future cycle. 'Vanishing Lines'  is composed and played as the 9th piece in my series of experiments to try other approaches. You're welcome to listen if you like, if you can. 
The art pic is a detail of my painting ‚Another Language‘ (July 2025).

Video: https://youtu.be/FNRld4qaTwE

more

Future IX: Vanishing Lines

Lively & reflective 3rd movement of the Piano Quintet (2003).
Bartlomiej Kominek - piano, 'Camerata' String Quartet.
Live recording: 'Warsaw Autumn 2004', Warsaw, Concert Hall of The F. Chopin Academy of Music, 16th of September 2004.
1st Award, Tadeusz Baird State Competition in Poland, 2004.

Pawel Strzelecki: 3. Finale [Piano Quintet (2003)].

Andrzej Heimowski - guitar, Szymon Kaca - clarinet.
Warsaw, Concert Hall of the Academy of Music "F. Chopin", 09/05/2003.

Pawel Strzelecki: Ostinatos and Chords  for Clarinet and Guitar (2003), 7' ca.

Opening movement of chamber piece composed in reprise-form with segmental structure, phase shifting ostinatos, canons and layer's superpositions (recapitulation) in modal language.
Bartlomiej Kominek - piano, 'Camerata' String Quartet.
Live recording: 'Warsaw Autumn 2004', Warsaw, Concert Hall of The F. Chopin Academy of Music, 16th of September 2004.

Pawel Strzelecki: 1. Overture [Piano Quintet (2003)].

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 128 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 2. Introspections [Piano Quintet (2003)].

Pawel Strzelecki, Ph.D.

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