No. 3 : https://www.livetheworld.com/post/most-scary-places-in-belgium

.. a strange world lies within.

IG Caustic track (p)2022

The Empty Tower

Words and music K Gennery

For my Nan, Emily Adelaide Francis 1903-1972
Mother of 15 
Grandmother to 24
intro voice, my 93 year old Mum, talking about her Mum.....Emily.

While on my own i find myself lost in the past
maybe i should step back and leave well alone
For there you are ready to receive me
feel safe and warm wrapped in the arms of emily

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

you were gone in a blink of an eye
i should have come and whispered goodbye
 i was young but it doesnt ease the hurting
age is not an excuse its all i have

long ago wished i could have told you so
such a long time ago ooh how i loved you so
ooh how i loved you so....emily

emily

Emily

FLOATING WORLD // REMIX // Back to the future.
Basic sequences and keyboards by Frank Luge
@docfritz //  Drums, Percussion, Rearranged and Remixed
@joerxworx // Sensational Floating Soprano Saxophone
© 2023 FRANK LUGE // DOCFRITZ // OESJ

FLOATING WORLD

Shop

FLOATING WORLD ft. joerxworx

The DRUMAX PROJECT present track number 30 ! ... funky time machine :-)
https://soundcloud.com/joerxworx > Composition, Instruments, Arrangement, Sax Solo, Production
https://soundcloud.com/docfritz > Rhythm Design, Drums, Artwork
© 2023 by joerxworx and docfritz / DRUMAX PROJECT
---------------------------- all DRUMAX tracks playlist: https://on.soundcloud.com/vYq6C

DRUMAX No. 30 TIME MACHINE

#tango
https://youtu.be/5NNPt2Kilnk?si=jZSoPjLNEJX-QHKH

no espero mas

Dreikörperproblem

Music:  PJ Project & Janne Hennie
Lyrics & Vocal:  Janne Hennie
All instruments & Mix:  PJ Project

Lyrics:

Dont mess with my head
Don't say you're sorry
Don't tell me to calm down
Don't tell me not to worry..

We´ve been trough this before
You always leave and slam the door
Now its time for me
To lock the door 
To set us free..

Don't make promises every other day
You know very well
That you will break them anyway..

We've been through this before
You always leave and slam the door
Now its time for me
To lock the door
To set us free...

Don't say it will never be the same as before
You know very well
That you will leave and slam the door...

We've been through this before
You always leave and slam the door
Now its time for me
To lock the door                                    To set us free...

Don't look at me with your teary eyes
I know very well
That they are not real tears...

We´ve been through this before
You always leave and slam the door
Now its time for me
To lock the door 
To set us free...

Don't you try
To make me change my mind
You know very well
That i have decided..

We´ve been through this before
You always leave and slam the door
Now its time for me
To lock the door 
To set us free.....

Don't  W/PJ Project

noxpox kindly invited me to work on a track found here!
https://soundcloud.com/noxpox14/noxpox-the-missing-solo-in-search-of-some-addings?in=noxpox14/sets/noxpox-the-missing-solo-in
I'm not at the level of noxpox but did some division and acquired the brilliant track hook for a piece extracted from Jess Franco's CHRISTINA, PRINCESS OF EROTICISM.  All additions using Arturia MiniFreak and Volca Sample2.

noxpox / Black Market Brains - Christina chez les morts vivants (The Lost Soul - O Mix)

The last movement of the 12th Symphony for Orchestra (2024).

https://www.youtube.com/watch?v=LX5wxYmQsXU

Pawel Strzelecki: 4. Finale [Symphony No. 12 "The Sudden Passage" for Orchestra (2024)].

A project to highlight the brighter synth of things!

InsideUs

Ancient Glory

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poemes (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: 4. Finale [Symphony No. 12 "The Sudden Passage" for Orchestra (2024)].

Pawel Strzelecki, Ph.D.

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