Name: Pawel Strzelecki: Scevola, Peyrol, Arlette, Réal & Strong Emotions (2025) [The Rover on J. Conrad]. by Pawel Strzelecki, Ph.D. in Pawel Strzelecki: "The Rover" on Joseph Conrad [opera fragments, 2020-2025]
Duration: 7 min 27 s
Description: Ending of act scene /orchestral part/ (2025) in opera "The Rover"/"Il pirata" on Joseph Conrad.

Pawel Strzelecki: "The Rover" on Joseph Conrad [opera fragments, 2020-2025]

Opening [soloists, choir & orchestra] (2020) of the lyric opera "The Rover" to the libretto on Joseph Conrad (under construction).
https://www.youtube.com/watch?v=FPwM0H9be50&t=3s

Pawel Strzelecki: 1. Opening /Orch. & Choir/ (2020) ["The Rover" ("Il pirata") on Joseph Conrad ].

Short Interlude for orchestra (2024), element of the lyric opera "The Rover" to the libretto on Joseph Conrad (under construction).

Pawel Strzelecki: "Night Interlude" for Orchestra (2024) ["The Rover" on Joseph Conrad].

Opening scene:
1) Peyrol leaves his ship in Toulon harbour after dekades of his absence in his homeland.
2) Peyrol is walking through the harbour towards offices' building.
3) Peyrol's "Leitmotif" (introduced in Ouverture).
4) Peyrol's recitativo accompagnato with sigh motives (exposed in Ouverture).
5) Peyrol sings: "I left ship in Toulon, in my homeland, in my homeland".
6) The lights on the water's surface. Peyrol entered Harbour offices' building (orchestral "comment").
7) The near church bell tolls introducing next "number".

Pawel Strzelecki: 2. In Toulon Harbour. Scene 1 (2024) ["The Rover"/"Il pirata" on Joseph Conrad].

Scevola's story in the eyes of Peyrol and Arlette (2024), "The Rover" to the libretto on Joseph Conrad (under construction).

Pawel Strzelecki: Scevola's Story (2024) ["The Rover"/"Il pirata" on Joseph Conrad]

Peyrol's first tartana-boat race [orchestral fragment] (2025) from the lyric opera "The Rover" to the libretto on Joseph Conrad (under construction).

Pawel Strzelecki: The First Tartana's Race (2025) ["The Rover"/"Il pirata" on Joseph Conrad].

Ending of act scene /orchestral part/ (2025) in opera "The Rover"/"Il pirata" on Joseph Conrad.

Pawel Strzelecki: Scevola, Peyrol, Arlette, Réal & Strong Emotions (2025) [The Rover on J. Conrad].

Hega - Tree Of Life - 08 Temples

The Dissuaders - Short Movie main theme. Now on Fetchflix

Williams works in a team of workers preventing suicides. Without judging and with a lot of compassion he try’s to save lives but it is a tough job and sometime depressing. How long is he be able to hold on to his mission.

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental. And for those who did not get it, Fetchflix TV is also fictitious.”

Music: Syrel
Photography: Meta AI

Musical notes: This is a variation on John Barry's theme for the 1971 TV show The Persuaders!. It is a challenge that my colleague and great composer Serge Smulders gave me. I could not resist as that TV show was one of my favourite those years. However, may I say that John Barry synthesized version of that time is now a bit outdated. Nevertheless, a classic is a classic hence revisiting it.

The Dissuaders

We welcome your feedback!

Composed, produced & performed by Srouly Frank

Where are You

Fractured Time

ÜBER DEM LABYRINTH

Deep in the jungle: moog--->soprano sax--->flute 

SELVATICO

Surfers like Us ….. composition, all guitar parts, arrangement and mix

Hi Everyone!
After the summer break, I invite you to listen to my brand new song!
I hope you enjoy the dreamy vibe of this track! 😎🎸

The cover photo was taken by my daughter Marta (Baltic Sea in Poland) 🔆

Thanks so much for listening and support.
Artur

Sea Breeze Dance

Running in Circles - Uplifting techno

Once again, Hakan offered sounds and I had morphing tools at hand and a poem fermenting in gestation
all sounds by well: https://soundcloud.com/user-370942421-686440500/the-ox-2020-01-01-0244-unmastered
image*, poem, morphing and arrangement: copyright jo richter

she believes in the beauty
of pebbles and in the logic
of living sustainably -
amulet wheel, amnesic

as seasons and perfumes drift by -
a bearer of shields and magic,
her carpet is worn - she will die
an unapologetic aesthetic

* based on an image of a detail of the Gundestrup cauldron on wikipedia: By Claude Valette - Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=20700841

the lyre and the wheel

the lyre and the wheel -with well

I loved playing Muzio Clementi's Six Sonatinas when I was a student. I played them very fast and often strayed from the classical style to the dismay of my teacher! I still remember bits of each one. Here I recorded a set of 2 pieces based mostly on the Sonatina in C Major. I recorded them in one session and couldn't make up my mine which parts to take out for one piece. Take a listen to Part 2,also posted,  a remnant of this version. I hope you have fun listening as much as I had creating them!

Jennifer L. Jones
Music Dreams Productions

A Pianist's Folly

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

Pawel Strzelecki: Scevola, Peyrol, Arlette, Réal & Strong Emotions (2025) [The Rover on J. Conrad].

Pawel Strzelecki, Ph.D.

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