5) Peyrol sings: "I left ship in Toulon, in my homeland, in my homeland".

1) Peyrol leaves his ship in Toulon harbour after dekades of his absence in his homeland.

2) Peyrol is walking through the harbour towards offices' building.

4) Peyrol's recitativo accompagnato with sigh motives (exposed in Ouverture).

6) The lights on the water's surface. Peyrol entered Harbour offices' building (orchestral "comment").

7) The near church bell tolls introducing next "number".

3) Peyrol's "Leitmotiv" (introduced in Opening - Ouverture).

Opening scene:
1) Peyrol leaves his ship in Toulon harbour after dekades of his absence in his homeland.
2) Peyrol is walking through the harbour towards offices' building.
3) Peyrol's "Leitmotif" (introduced in Ouverture).
4) Peyrol's recitativo accompagnato with sigh motives (exposed in Ouverture).
5) Peyrol sings: "I left ship in Toulon, in my homeland, in my homeland".
6) The lights on the water's surface. Peyrol entered Harbour offices' building (orchestral "comment").
7) The near church bell tolls introducing next "number".

Pawel Strzelecki: 2. In Toulon Harbour. Scene 1 (2024) ["The Rover"/"Il pirata" on Joseph Conrad].

Polish Composer (M.A., 2002, "F. Chopin" Academy of Music in Warsaw,  Prof. Zbigniew Baginski's class), music theorist (M.A., 2000, "F. Chopin" Academy of Music in Warsaw, under Prof. Maria Piotrowska), musicologist (Ph.D., 2005, University of Warsaw, under Prof. Zbigniew Skowron), researcher, lecturer.
So far he has written 127 pieces: 12 symphonies (2017-2024), 3 symphonic poems (2001-2011), 4 concertos with orchestra (organ, piano, two pianos, flute, 2002-2025), 22 string quartets (2001-2025), 17 sonatas for different solo instruments with piano (violin, cello, oboe, trombone, etc.), chamber music as Piano Trio (1998), Piano Quartet (2021), Piano Quintet (2003), String Trio (2021), numerous songs for voice and piano, sacred works, e.g. Mass for soloists, choir, organ and orchestra (2002, rev. 2024), and electronic music.  
The stylistic and technical parameters describes the text below:
https://pawelstrzelecki.wixsite.com/music
The author of the crucial, first and original book (used as academic manual and present in many libraries) on "New Romanticism" in Polish music after 1975, containing interview of the author with Krzysztof Penderecki (2022, English Language Edition).
https://www.peterlang.com/document/1282565?fbclid=IwAR1Pm40flHnsqH07OsvXdXwV1ZwLeVLOmfrxkqe3wxL5rsJioluBL-2FQ9M#document-details-anchor
Polish edition (2006):
https://mi.pl/pl/p/Pawel-Strzelecki-Nowy-romantyzm-w-tworczosci-kompozytorow-polskich-po-roku-1975/59

The book was quoted in: Andrea Bohlman: "Musical Solidarities. Political Action and Music in Late Twentieth-Century Poland". Oxford University Press, 2020, pp. 208, 266. The link to the quotation (p. 208):
https://books.google.pl/books?id=uNnBDwAAQBAJ&pg=PA208&dq=bohlman+nowy+romantyzm&hl=en&sa=X&ved=2ahUKEwjoyL-x-Lf4AhXOk4sKHUWMChUQ6AF6BAgEEAI#v=onepage&q=bohlman%20nowy%20romantyzm&f=false

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Pawel Strzelecki, Ph.D.

Pawel Strzelecki, Ph.D.

Pawel Strzelecki, Ph.D.

Pawel Strzelecki, Ph.D.

Pawel Strzelecki, Ph.D.

Pawel Strzelecki, Ph.D.

Pawel Strzelecki, Ph.D.

Pawel Strzelecki, Ph.D.