ALL EYEZ

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A LITTLE BIT FUNKIER

New York debut set recorded live from the Superior Ingredients rooftop.

PAWSA LIVE @ BROOKLYN, NEW YORK, SUPERIOR INGREDIENTS 🇺🇸 10.04.22

PAWSA LIVE @ CIRCOLOCO DC10 IBIZA 2022

PAWSA LIVE @ DC10 IBIZA GARDEN SOLID GROOVES MOTEL OPENING 2022

ROOM SERVICE (24 HOUR MIX)

PAWSA LIVE @ WAREHOUSE PROJECT SOLID GROOVES 2022

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TRIBAL SPACEMAN

PAWSA drops a late New Year's treat as he closes 2022 on Solid Grooves Raw with 'Hendrix Flow'.

Closing another monumental year for the collective, celebrating ten years of events with stand-out shows across the globe and arguably the Ibiza residency of the summer, Solid Grooves aren't finished just yet as they unveil a special double up on 30th December to close 2022.

Dropping on the same date of the final 10 Year Of Grooving show at Printworks, label co-founder PAWSA serves up the last release of the year as he heads to Solid Grooves Raw with 'Hendrix Flow'. Fusing vibrant sax riffs and funky bass licks with trademark percussion and warped vocal samples, 'Hendrix Flow' is a signature PAWSA cut from start to finish as he delivers another dancefloor anthem with plenty of charm.

HENDRIX FLOW

ON THE MOVE

TAKE ME HIGH

DOG DAYS

Lady, pick it up it’s me calling
Let me, show ‘em all ‘bout the west
Homie, give it up if you ballin'
Homie, give it up for yourself  

Hey little mama with that tight dress on
I got a small proposition for you (ah, ah, ah, ah)
You look kinda sexy, got it going on
Here's what I want you to do
(Here's what I want you to do)
Come a little closer, let me see that thong
Let me slide this number to you (ah, ah, ah)
You can catch me in them streets with my blue khakis on
In my Chuck Taylors smoking blunts with my crew
(Gangsta walk)

Lady, pick it up it’s me calling
Let me, show ‘em all ‘bout the west
Homie, give it up if you ballin'
Homie, give it up for yourself  

Hi baby
Are you there?
Yeah I’m here
No you didn’t wake me up
Don’t worry I was up
I’m really sleepy though
I was up all night, thanks to you
Yeah, I miss you so much

It’s 6 in the morning, we still going strong
And we, ran out of weed at about two (oh no)
Must be the music, got these gangstas gone
(Must be the music)
I'm tryna play this funk down on you

Homie give it up if you ballin'
Homie give it up for yourself
Lady, pick it up it’s me calling
Let me, show ‘em all ‘bout the west   
(Hey, hey)

Lady, pick it up it’s me calling
Let me, show ‘em all ‘bout the west
Homie, give it up if you ballin'
Homie, give it up for yourself

PICK UP THE PHONE

Stream Now

PICK UP THE PHONE (feat. Nate Dogg)

Whoa, babe
Oh-oh
Well, well, well, well, well
Oh, hmm

Someone to count on, in a world ever changin’
Here I am, stop where you’re standin’
What you need is a lover
A man to take over
Oh girl, don't look any further

Strange when you think of the chances
That we’d both be in a state of mind
Too cool to be careless
Looking for the right thing
Oh baby, don't look any further

Tonight we're gonna taste a little paradise
Rock me all night long
Daylight, 
I'll still be looking in your ebony eyes
And we'll go on and on and on

Someone to count on (Mmm-hmm...)
What you need is a lover 
To love you all over 
Oh baby, don't you look any further, further (oh)

Ohh, don’t ya, don’t ya, don’t ya, don’t ya
Don't you look any further

Tonight we're gonna taste a little paradise
Won't you rock me all night long
Daylight, I'll still be looking in your ebony eyes
And we'll go on and on and on and on

On and on and on and on

Day-o umba day-o, mombajee ai-o

Someone to count on (Mmm-hmm...)
What you need is a lover 
To love you all over 
Oh baby, don't you look any further, further

TOO COOL TO BE CARELESS features a sample of “Don’t Look Any Further“ By Dennis Edwards & Sideah Garrett, used courtesy of Universal Music Enterprises/EMI Music Publishing Ltd. Written and composed by Lambert Golde & Hitchins used with permission of Reservoir Media, Universal Music Publishing & BMG Right Management. All rights reserved.

TOO COOL TO BE CARELESS

COLLECT THE COMMAS

PAWSA ESSENTIAL MIX 2024

DIRTY CASH (MONEY TALKS)

I want ya
I need ya
I want ya, baby, I need ya
I want ya, I need ya

Ba-ba-ba-ba-bang, bang, ba-ba-bang
I just wanna love ya and touch ya
Caress ya, caress ya, caress ya
Ba-ba-ba-ba-bang, bang, ba-ba-bang

Na-na-na, come over here, baby
Be-be-be-be-be-be-be
Na-na-na, come here and let me see
See, see, see, see, see, see

Ba-ba-ba-ba-bang, ba-ba-bang
Ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-bang bang, ba-ba- bang
Okay, you look amazing
My heart is racing

And I'm losing patience
I need to ride the wave
Put my hands up on your waist
Back it up and give you space

Then close the space
You look so sexy
Driving me crazy
So crazy, baby

(Want you) Want you to look at me
Eye contact with me
Baby, can you feel me?
I want ya, I need ya

I want ya, baby, I need ya
I want ya, I need ya
I just wanna love ya and touch ya
Caress ya, caress ya, caress ya

Baby, caress ya
Na-na-na, come over here, baby
Be-be-be-be-be-be-be-be
Na-na-na, come here and let me

See, see, see, see, see, see, see, see
Ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-ba-bang bang, ba-ba- bang
I, I want to learn everything
About you, you, you, you

I, I need to know what pleases
You, you, you, let's dance
I want ya, I need ya
I want ya, baby, I need ya

I want ya, I need ya
I need ya, baby, I need ya
I just wanna love ya and touch ya
Caress ya, caress ya, caress ya

Baby, caress ya
Na-na-na, come over here, baby
Be-be-be-be-be-be-be
Na-na-na, come here and let me see

See, see, see, see, see, see, see
Ba-ba-ba-ba-bang, ba-ba-bang

BANG BANG (feat. Malachiii)

Founded by Michael Bibi and PAWSA in 2015, Solid Grooves Records has grown from an underground London-based movement into a globally recognised force at the forefront of the scene. Its ascent has run parallel to the meteoric rise of its co-founders, whose uncompromising vision and dedication to the scene have helped establish the label as a benchmark for quality and innovation within the house realm. Honoured with accolades such as DJ Mags Best Label at the Best of British Awards, the imprint has become synonymous with genre-defining releases and unforgettable dancefloor moments. Now, that journey hits a pivotal point. Bringing together core members of the labels journey over the past decade, the 100th release is a powerful statement of where the label stands in 2025 - forward-thinking, dancefloor-driven, and relentlessly tuned into the sound of now and tomorrow. A defining moment for the imprint, the release gathers the extended Solid Grooves family for a no-holds-barred package that captures the essence of the brands sound, ethos, and evolution. The ten-track compilation features fresh music from both co-founders, who each return to the label for the first time since 2023, alongside long-time Groovers Dennis Cruz, Bassel Darwish, Reelow and Ramin Rezaie - artists whove been integral since the earliest releases. It also champions and celebrates the key residents and the ever-emerging new wave of talent shaping the labels future, with standout contributions from KinAhau, Ben Sterling, Blackchild, and Silvie Loto. Closely tied to and landing just ahead of the collectives Ibiza summer residency at DC10, this release is more than a collection of tracks; its a celebration of a sound, a scene, and a crew that has grown stronger with every passing year. Solid. Groovy. Essential.

RENDEZVOUS

PAWSA presents the second release on his Solid Grooves imprint with three broody house tracks including Tiger Stripes on remixes duties.

THE SHAPESHIFTER

Solid Grooves Records co-founder PAWSA readies his second full release on the label with a remix from Denmark’s Anek.

2016 has been pivotal for Solid Grooves as not only has the event series concluded a highly successful debut season in Ibiza but the imprint has quickly cemented itself as an essential platform for house and techno, fast becoming a favourite for names like Adam Beyer, Huxley, James Zabiela, Nicole Moudaber and Groove Armada whilst dominating the upper end of Beatport’s charts. Alongside Michael Bibi, PAWSA is at the helm of Solid Grooves - a producer known for appearances on Gruuv, MOOD, Relief Records, Do Not Sleep and Lost Records.

From the off ‘Twiple Fwet’ demonstrates PAWSA’s inimitable percussive style before introducing a rumbling bassline and looped vocal sample that’s destined to keep crowds moving. ‘Angel Dust’ then meanders forward using crunchy drums as sporadic beeps and echoing effects add to the heightening tension. Concluding the package, Anek’s remix of ‘Twiple Fwet’ incorporates syncopated percussion, menacing throbs and spacelike effects.

PAWSA

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