Great SoundScape Pax....and wonderful Production✨💫

👏👏Fantastic Performance 👏👏
👏creative & unique & captivating 
👏great job arranging & producing 
👏👏👏Bravo👏👏👏

Your Mix 2

Mastered 2024 at ONYRIX Studio / HIFI-HD 24bit Quality Mark
BUY AT: https://onyrix.com/
VIEW AT: www.youtube.com/user/onyrix
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Spotify: open.spotify.com/artist/2Hauw8vELo4AL6S0LVpB3W
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AmazonMusic: music.amazon.it/artists/B008LZ0DR6/dino-olivieri

Breakdown (Original Motion Picture Soundtrack)

Finale

Buy at Onyrix.com

Musings Of A Midlife Crisis

-Rewilding yourself is a process of rekindling a connection to nature and unearthing a truer, wilder, more holistic way of life that centers nature and simple living. Hard to do these days with so many options for distraction. 

-Lydia in title as there is an exploration on E Lydian Dominant particularly in the second half runs.

-Ambient & atmospheric textures from the Fender Reflecting Pool Delay and Reverb.
-Guitar - Schecter Rob Scallon 7 String.
-Zoom G3 & 6 Effects Processor.
-DAW - Ableton.

-Initially designed to assist day rest after night shift however with soaring distortion it got quite dramatic.

Rewilding Lydia

Picture: Chaotic Order (Rae)

Space/Rock vibe with a bit of Robotics on my voice. Competition with different Styles of music could lead to Chaos in Space..or maybe Not🌐🛰

Respect all Music and it's Creators...from all walks of life throughout the Planet. So that we will be Together as People not Divided by the Ego that tries to Prevail. 

Highest Force of God is not of Gender, of Religion, Idolitary Worship or the Ego that tries to Prevail... that we Collide and Crash in Desperation to Prove ourselves.  But the Energy we can all find to Rise Up to our True Selves as from where and when we Originate. Through all our Pain no matter How tough I believe that Music will always Be the Energy we can All Connect with🌏

Let's not Collide with our Creations and Emotions..we are all Different, but let that Enrich us to create New and Helpful Friendships. We can make the Solution without the Confusion Illusion✌️

Vocals and Lyrics by SolarRae🎤

Guitar Work and Mix by Dave Bayes🎸
@dave-bayes
@guitar-alchemy

Lyrics: Collide O Scope

Spiralling
Colliding
Spiralling

Spiralling up to the Ceiling
Spinning back down to the Floor
A Collidoscope of Colour
Trying to get out that door

Confusion
Colliding

Interact
Integrate
Musical Confusion
Jazz
Blues
Funk 
And Rock
Will add to this Illusion (Solution)

We've come this Far
Lost in Music?? We  all are
Spiralling

You got your Secrets
I've got Mine
You stick to your side
I'll stick to mine
Division
Confusion

All we cannot see we call Invisible
Tracks that move like Pylons through the Sky. 
Confusion
Spiralling
And Fighting
Spiralling up to the Ceiling

Interact
Integrate
Musical Confusion
Jazz
Blues
Funk 
And Rock 
Will add to this Illusion (Solution)

Space Music Rocks!!!
♥️


Collide-O-Scope

First version here: https://soundcloud.com/michele-ansani/ulysses-and-the-sirens
For the final draft I employ the same audio file, just adding a bit of guitar, percussions and vocals.
Lyrics and sirens song courtesy of Mainstream Eurodance.
Cover picture: John William Waterhouse, "Ulysses and the Sirens" (1891), National Gallery of Victoria, Melbourne.

Lyrics

Baby I loved you 
more than words can say 
I need you 
like fire needs a flame 
now I'm breaking I'm waiting 
to hear you say my name

------

Composed by Michele Ansani (2017-2022-2024).
Posted on SoundCloud: 2024, August 5.

Ulysses and the Sirens (final draft) *

Cast of Characters:

Jeff Roberts-- @jeff_roberts – bass, seed idea
TexMex Shaman– @texmex-shaman –Stephen– guitar solo, rhythm guitar, arrangement , production, mix, and mastering
Mistermark – @user-432503709 – Mark – production, editing, synth bass in the break section
J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer
Llanpsych-- @llanpsych -- Tez – guitar solo
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, lyrics and lead vocals in the bridge section 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – rhythm guitar, lap steel, vocals and lyrics for the verses, vocal harmony in the bridge
Composition – The Eclectic Collective

 This song began with a bass part that Jeff came up with and shared with Stephen, who had added some fiery guitar and foundational rhythm guitar to it. However, it languished on his digital shelf for many months as two parts, until he recently remembered that he had it. So, he decided to share it with the rest of the group. We were salivating, all of us, when we heard Jeff's bass line, so we began with Ken laying in the groovy drums and the tight, driving percussion, which propels the entire song. Once we had a beat, we decided to edit the part to include the break you hear about a minute into it. Mark took on that task, and deftly added the bass in that section, too. 
  I was up next, and decided to add a rhythm guitar inspired by Talking Heads. Once I had done that, I started hearing a simple, catchy melody in the main verse part, too, so I came up with some simple lyrics and recorded the vocals for that. At the same time this was happening, Ken also came up with some lyrics and a vocal melody for the breakdown part, which he added. After Ken had added his vocals, I added a harmony part on them. I also added the lap slide melody you hear in that section, as well. 
  JJ was next up to bat, laying in the breathtaking organ throughout. He also backdropped a canvas of synthesizer throughout and put in some electric piano too. Tez came along not long after and added the ripping guitar solo in the jam section. Once everyone had added their parts, it was up to Stephen to produce, mix, and master it. He arranged and added some length to it, then mixed it in his usual expert manner.
  This is the first song the Eclectic Collective has done with Jeff, though Stephen has worked with him in the past, and we were all fans of his music, and thus very excited for the chance to make music with him. Hopefully, this will be the first of many.
  We all hope you enjoy listening to this as much as we enjoyed making it. If you comment, please share, too. 

Original lyrics by Josh Clary:
The trees talk to each other
They send messages through the breeze
There's magic all around us
If we look for it, we can see
 
Original lyrics by K2 and the Three:
Hey, how you feeling about love and lust
Hey how you dealing with all the lies you trust
We're here to be clear
Not a walk in the dark

A simple woweluja
Simple halleluja

Wowlelujah (Eclectic Collective with Jeff Roberts)

Golden Fleece - Χρυσόμαλλο Δέρας

Really raw cut, jumping straight into full rhythm and heavily distorted bass sound playing the main bass riff from the begining. Second bass riff comes in second half of the song,  and the heavy bass is present completely whole song, except of a couple of seconds at the end where I play just one tone of that bass sound. 

This whole song took me around 5 hours to make, and I didn't even plan to make a song today. Luckily got that bass riff in my head all morning and couldn't get rid of it. And funnily I opened a file with one melody in it - it's the  main one ( or the chorus if you will), which I made long time ago (don't even remember doing it). All the rest I made on the spot.

I played with kick sound for about 20 minutes, chose kind of earthy echo kick by combination of 3 different hit sounds. Then I played with bass sound for another 20 minutes. This time I went raw into all the knobs available and tried to shift them up and down. I came into pretty magical button "release" which made a magic around at around 50-52%, and the rest is 2 hours of listening to one loop of bass and kick (and lots of dancing to it)

Then I came back to that old melody, finished it, made a relatively simple variation and designed a pretty neat structure where all riffs kind of click and keep the show going. All piano and nothing else.  

Towards the end I introduce new bass riff with new bass sound. I do a very short dip at that point, where I switch off and reintroduce snare, hi-hat and then old  bass sound - but this time not playing the riff, but only one tone - E2 with last four being the octave (E3).

At the very end I reintroduce the bass riff from beginning for only four times and then I play pure E2 with the first bass sound. I wanted a party from the go and as long as possible, so I didn't do any intro. Although there's only one rhythm playing whole song, it's very energetic, upbeat and good reason to boogie. 

Moreover, the end and the beginning are pretty good fit, so if you play this song on the repeat, then it sort of sounds like a never ending song. So I hope you enjoy that, and leave a comment if you feel like it. 

Sounds I used:
- kick - trap door (first, second, and footsteps)
          - and modern 909 (first kick)  -  four sounds altogether
- snare - pile driver (electronic)
- hi-hat - modern 808 (electronic)
- bass 1 - massive grime bass (bass) - grimey (cutoff - at 51%)
- bass 2 - pumping out waves (rhythmic) - bold pulse
- piano - grand piano (keyboards)

Floating keys

Don't forget to check out the music video i made for this track:
https://www.youtube.com/watch?v=0WRuWlw3qO8

I had an idea in April. I wanted to create a chord progression where some notes of the chord were only present in the background synths, and some notes were only played in my usual delayed arpeggio patterns. I had no idea how it would sound. Well, it instantly blasted me away. This time, I loved my main theme so much that every other melody and riff felt lame right next to it. I had this 30-second loop of synthwave awesomeness, and I had no idea how to continue it. So it took me a while to finish and polish it into a whole piece. Fortunately, I got some help from my friend and great, great guitar virtuoso, @jonas_tamas.

I guess sooner or later I have to create a new musical project to separate my ambient and my more aggressive ideas. We’ll see.

Drifting Through

Knockturnal

Escape

TAKE ON ME

Buy it HERE

Since we're getting close to Christmas, here goes my modest version of the "Come Unto Me" invitation.

Aprendei de mim, que sou manso e humilde de coração.
Em mim encontrareis descanso,
porque eu venci o mundo,
e a minha paz vos dou.
Entrai no descanso que vos dou. Erguei-vos.

Vós, cansados, vinde a mim.
Oprimidos, vinde a mim.
Na saudade, vinde a mim. 
Na verdade, que vos traz a liberdade, 
sem receios, vinde a mim.

Na miséria, vinde a mim.
Os que choram, vinde a mim.
Os que imploram, vinde a mim.
Vós, famintos de verdade e de justiça,
magoados, vinde a mim.

Escravizados, vinde a mim.
Vós, perdidos, vinde a mim.
Os que imploram, vinde a mim.
Os que choram pelas ruas da amargura,
os vencidos, vinde a mim.

Vinde a mim...

Vinde a Mim

Hi!
I am experimenting with shorter ambient pieces at the moment. It is kinda strange to use so few ideas and sounds in a song, but these kind of challenges are pushing you to new territories you might never see otherwise. 

Expect to see a bunch of new music in this style so i can give you a whole list of music to sleep / chill / study to. : )

Vanishing Waves

#comment #follow #share #repost #like #trending #new #music #newmusic #fire #banger #dope #heat #artist #blues #soul #funk #pop #rnb #love #sad #soul #reggae #jazz #lit #vibe #vibes #artist #beat #beats #like #hip hop

Vedran - A Picture Speaks More Than A Thousand Words 2025

All The Things

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Escape

Pax

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