◇ Download / Purchase: https://paynomindtous.bandcamp.com/

Download / Purchase

PAYNOMINDTOUS RELEASES

@nikitaw0lfe + @noumenoumeno - "YOU'RE GONNA REGRET THIS YOUR WHOLE LIFE" EP [PNMTU011], OUT ON FRIDAY DECEMBER 6TH 2024
PRE-ORDER STARTS TODAY! [https://paynomindtous.bandcamp.com/]
Cover art by @noumenoumeno + Kenshiro Caravaggio Carena [https://instagram.com/kenshiro_caravaggio_carena/]
***
nikitaw0lfe (she/her) is a Rome-incarnated, Milan-based producer, singer, and DJ, matching the description of that insecure but lowkey toxic girl with a dark secret you followed on Tumblr back in 2014 before you lost all traces of her whereabouts. Her musical path started in 2017 under the moniker “TRXSPVSSXR”, mostly meddling with hip hop, cloud rap, witch house, and phonk, to then move to incorporate her vocals into diehard sonic experiments with all kinds of internet-originated music genres, always with a distinctive cursed DIY edge. Noumeno (he/him), a cult artist in the contemporary underground Italian scene known for his outings on the Milan-based Haunter Records among others, defines himself as a mutagen operating through the contamination of music elements alien to one another arranged via preset-core sound design. Some would be able to recall his legendary, truly avantgarde dwellings with mutant trap reworks and edits such as the seminal, age-defining, Steve Reich-ian edit of the UK drill hit “Keisha & Becky” that appeared on our debut v/a comp “WE NEVER WILL”.

These two cutting-edge artists joined forces in 2023 to start a new platform and netlabel called Club Regret https://soundcloud.com/clubregret, a space for experimenting with internet aesthetics and extreme fringes of emo and electronic music. Today, we’re extremely pleased to present you with their latest collaboration, the "YOU'RE GONNA REGRET THIS YOUR WHOLE LIFE" debut collaborative EP also featuring contributions by NikkiCarrera [https://instagram.com/nikkicarrera21x3] and gЯill [https://instagram.com/mttgrll/].

Composed of five tracks, the release spans a length of just a few seconds over 12 minutes. However, each track feels like a heartfelt, life-long introspection exercise thanks to its ability to convey radical, gut-wrenching emotions. Showing an unmatched sound design mastery, nikitaw0lfe and Noumeno manage to craft unadulterated, raw energy into scalpel-sharp, surgical music productions. All the influences that brought the two artists together are condensed in this multi-layered journey through rave-adjacent electronic echoes and alternative rock/metal crossovers, filtered through an emotionally charged lens and expressed via a detached meta-ironic attitude. 

The EP is a fluid, mastodontic sonic creature assailing you with growls, blackened riffs, unforgiving 808s, tear-jerking melodies, and ton-heavy layers of distortions. In their wide music genre explorations, the two artists unleash chaos with screamo episodes only to hit you one second later with a brief but articulate death metal progression, scratchy screams, and the sickest voice drops drawing from a deep knowledge of Internet culture. You will need to go over this record many times to catch all the little facets of this emo, trap, metal, post-club masterpiece. “Here Comes The Pain”: suffering has indeed arrived and it will never leave. Just like you won’t be able to forget about these tracks.

Produced and mixed by nikitaw0lfe and Noumeno.
Mastered by NIKENINJA @user-97111126 at Æxplora [https://instagram.com/aexplora.mix.mastering]

Bandcamp

nikitaw0lfe + Noumeno - YOU'RE GONNA REGRET THIS YOUR WHOLE LIFE

PREMIERES

Track Premiere: @mermaid-seafruit - Screens Are My New Clothes [@ashidapark]
Read More:  https://paynomindtous.it/mermaidseafruit-screensnewclothes/ 
Pre-order: https://mermaidandseafruit.bandcamp.com/album/screens-are-my-new-clothes
***
Mermaid & Seafruit is the Vienna-based duo composed of the Polish artist, performer, and singer Magdalena Chowaniec and the Austrian producer, DJ, and artist Markus Steinkellner. Started in early 2015, their project has been focused on the interaction between a multitude of electronic music styles such as hardcore techno, grime, noise, and many more, with vocal-oriented genres like hip hop, r&b, and spoken word - all wrapped up in adrenaline-driven, raw-energy instances reproducing the thrill of the live music act.

Their latest effort is the 7-track album called Screens Are My New Clothes, out on 29th July 2021 on the local label Ashida Park. So far the most articulate outing in their artistic journey, the record collects various inputs the duo have been meddling with over the last 6 years in the shape of scorching, impactful tunes that will surely make it hard for you to keep on the chair.

Indebted with performance art, and well-established in the contemporary Viennese music scene, Mermaid & Seafruit use their visceral take on musical hybridization as if their life depended on it, with stunning results indeed. In their record, devastating hardcore kickdrums meet as effortlessly as air with ethereal, auto-tuned vocals; super-saw, hardstyle-inspired synths offer the perfect framework for abrupt, skramz-like screams; and obsessive, eerie trance melodies appear to be just the perfect scenario where to place dissonant rhythmic experiments.

Since the beginning, M & S's productions have also been offering a straightforward, unapologetic commentary on contemporary, late-stage capitalist society and the pandemic oppression that burdens our bodies, our emotional and mental well-being, and closes off our chances at a bright future. To this end, and more than ever with Screens Are My New Clothes, Magdalena and Markus' music provides a series of outstanding musical stimuli that work as an outlet to express unspoken feelings and unmanifested energy. A poignant, sore call to action: let's redirect our rage, let's weaponize our anger.

Via the SoundCloud player above, you can now stream the opening, eponymous track of the Screens Are My New Clothes release, the 22nd on the Viennese platform, mastered by Adam Matej and coming with album artwork by Magdalena Fischer and Magdalena Chowaniec herself. In the composition, the ferocious, on-top-of-the-lungs vocals by Magdalena moves upon loud vs soft dynamics obtained via the juxtaposition of distorted kicks and massive rave synths.

Mermaid & Seafruit - Screens Are My New Clothes [PAYNOMINDTOUS Premiere / Ashida Park]

Track Premiere: 'Pixelated Dream' by @julialouisknifefist (prod. by @circular_square) [INERTIA EP, @lieftuig]
Read more: https://www.paynomindtous.it/pixelateddreams-jlk/
Pre-order: https://julialouiseknifefist.bandcamp.com/album/inertia
Album Art by Julia Louise Knifefist & Aisling Phelan
***
Julia Louise KnifeFist is a 22-yo producer and lyricist based in Dublin, Ireland which has been active since the late 2010s. Their music is a dense, noise-imbued manipulation of dance music styles that are beaten to a pulp to form bloody pools of distorted kicks, overwhelming feedback, and truculent vocals. In the recent past, they started investing effort into the newborn, thriving Irish collective called Bitten Twice, focused on promoting experimental rave outputs and unconventional sounds. When it comes to their solo work, JLK is reportedly out to turn the listener's insides on the outside, and they do that via an exciting mixture of genres taking shape in something that could be aptly referred to as "rave rap", as nicely demonstrated in their first live appearance https://youtu.be/uYI-rjVlV7I.

Late last year, JLK's path met with the Ghent-based record label lieftuig, closely related to the Belgian Grid crew, on which young artists such as Moses, Neocitrus, and Knechtjong already appeared over the course of the past months. INERTIA EP is the final outing stemming from the encounter and the following interactions between the two parts: a four-tracker record, spanning just a little over 11 minutes, where JLK's harsh vocal style and energetic production skills join with the vision of three other producers (namely Circular Square, who also curated the mastering of the release, and the aforementioned Neocitrus and Knechtjong).

With INERTIA EP, JLK's variegated and unrestrained creative drive, already crystallized in previous singles such as 328, Synthetic Drip, and Bite Marks, brought them to the next level of inspiration, where chaos is unleashed by means of high-spirited, inflamed compositions, and catharsis is reached via entrancing rhythms. Today, we're glad to be premiering the second track in the lotto, called Pixelated Dreams, and produced by Circular Square who also curated the video clip due next month together with Aisling Phelan.

When asked about the track, JLK refers that Pixelated Dreams is a "frustrated response to the idea of digitizing the human experience", as they believe "many parts of the experience can’t be recreated, and the advancement of technology in this way feels absurd when unsustainable structures might make the planet uninhabitable and any human experience impossible". Inspired by early dubstep and grime, the piece is a 150-second impressive run on which the bassline and the syncopated drums intertwine with the vocals, chanting detached lyrics that reflect on the feelings of rage, isolation, and disconnection ("Feeling Love and disgust / Spit and dirt in an open cut / Thousand miles between my blade and they neck / I’m dying to connect / All I see is pixelated dreams"). We're sure you'll be thrilled to stream the track via the player here below, as well as the entire EP that will be out on August 6th. Enjoy!

Julia Louise Knifefist - Pixelated Dreams [PAYNOMINDTOUS Premiere / lieftuig]

Track Premiere: 'The Necromorph 屍變體' by @yikii [LINK001, @hyperlinkfr]
Read More: https://paynomindtous.it/yikii-necromorph-hyperlinkfr/
'link001' pre-order: https://hyperlinkfr.bandcamp.com/album/link001
Curated by @fannuze, mastered by @ytem, artwork by @0rkid
***
Hyperlink is an experimental French label and mix series established around one year ago, focused mainly on club-oriented contemporary electronic music. After the first various artist compilation lilywhite, whose proceeds went to the charity helping women in distress called La Fédération Nationale Solidarité Femmes, the label is back with its second release, a mini digital comp called link001 which gathers six artists from all around the world.

Reportedly pondering on the possible post-pandemic scenarios that could open in the music industry and how they will affect the underground community on pivotal questions such as social equity, diversity, and inclusion, Hyperlink will try, through this record series, to pave the road for international collaborations between emerging producers and graphic artists, resulting in special works of art.

Curated by label founder and Internet Public Radio resident F̷a̷n̷n̷y̷  and mastered by Ytem, link001 will be out in digital format on September the 24th (the pre-order is already up on Bandcamp at this link). The release collects contributions from artists with different backgrounds and styles, namely Sprælle, Aeoi, KAVARI, Tristan, KARLFROYE, and Yikii. Our focus today will be on the last artist on the list, as we're pleased to be curating the premiere of the track called The Necromorph 屍變體, coming on the fourth position on the comp's tracklist.

Based in China, Yikii is a singer, poet, artist, and music producer who is not bound by any tag genre or style, as she has been consistently meddling with somber piano music, ethereal vocal dirges, cutting-edge sound design, distorted hardcore kick drums, and much more. Her peculiar take on electronic music has been already featured on important labels such as Genome6.66Mbp, Quantum Natives, Unseelie, and Danse Noire, and many more, always showcasing a sleek dichotomy between nightmarish atmospheres and grandiose explosions of energy.

In The Necromorph 屍變體, one can find Yikii at her finest moment of inspiration: destructive obscurity meets with blinding redemption; eerie melodies are enclosed in rhythmic, ruthless parades of distortion; sounds are enveloped in a highly cinematic framework where the listener's always kept on edge, their tension and anticipation toyed with by an inspired artist who can let on to infantile impulses as well as grown-up damnation.

Yikii - The Necromorph 屍變體 [PAYNOMINDTOUS Premiere / Hyperlink]

Track Premiere: '@mesqit - Rebirth (@fkff Remix)' [@sacrilejiorecords]
Read More: https://paynomindtous.it/mesqit-fkoff1963-sacrilejio/
'Coffin Sounds EP' Pre-order: https://sacrilejiorecords.bandcamp.com/album/coffin-sounds-ep
Artwork by @digitonica
***
The Peruvian Sacrilejio Records, based in Lima, surfaced on the digital worldwide underground scene in late 2020 with the debut v/a compilation called Expiation, a remarkable selection of state-of-the-art club music tracks with Latin influences by artists such as WULFFLUW XCIV, Bungalovv, Wrack, Syntrovert, Shyqa, and many more. Reportedly, the label set out to support club sounds from the Global South decrypting and blending Latinx hauntology and contemporary electronic music deconstruction.

The futuristic framework in which Sacrilejio moves allows them to incorporate variegated, deterritorialized influenced into their research around the interaction between local, traditional rhythmic figures and the worldwide electronic music vanguard. Their second outing on their path is represented by the Coffin Sounds EP, produced by the Portuguese producer and DJ Mesqit, coming with artwork by the stunning Russian musician and visual artist Digitonica and mastering by Alexis Cotrina.

Based in Porto, Mesqit started releasing music back in 2017 with the self-released Concord EP, all the way to his latest Human Feelings release out on February 2021. His focus has always been on the hybridization of different musical traditions, from Jamaican dub to middle eastern strings. On this occasion, the producer set out to showcase genres such as reggaeton, baile funk, and the so-called techrreo style, by means of an investigation into the texts of ancient Egyptian coffin effigies.

Releasing on September 23, the five tracks focus on a young man whose story begins with their premature demise, and then goes through the mummification process, until finally culminating with the rebirth they've been yearning for. From a musical point of view, the outcome is a lively ensemble of rhythms, instruments, and manipulated samples that well translates the tales of a perilous journey into different moods and settings.

Also, to complement the original compositions, two remixes of the closing track Rebirth have been included, one by the UK artist Galtier, and the other by the Tormenta-affiliated hardcore DJ and producer FKOFF1963. Today, we're indeed happy to exclusively premiere the rework by the latter: the Brazilian artist delivers one of the usual club bangers we've become accustomed to thanks to years of over-the-top explorations into hardcore genres, adding the final, energetic touch to a piece of already eventful music. Enjoy!

Mesqit - Rebirth (FKOFF1963 Remix)[PAYNOMINDTOUS Premiere / Sacrilejio]

Track Premiere: @heedlessmusic & POL100 @wasmusic-1 - BROKEUP [@club-late-music @globalurlnation]
Read more: https://paynomindtous.it/heedless-pol100-brokeup-clm-gun/
Artwork by https://instagram.com/chaggrin/
***
Club Late Music is an open-source and collaborative music label born between Paris and London in the mid-2010s. Since then, the platform brought forward a large community of artists called Global URL Nation working on the basis of shared knowledge and creativity to craft experimental club music and multimedia works.

Specifically, GUN resorts to multiple media and formats from contemporary digital culture and music to experiment with decentralization in the form of v/a compilations, art exhibits, audiovisual projects, and collaborative efforts. To this last category belongs the GUN UNITED series, where a given member (or members) of the community manages to join forces with artists of their choice. The latest installment, the third, is now coming in form of a digital EP almost exactly one year after the previous episode courtesy of the Italian sound artist P I T.

Called Senti/Mental Illness, the record is curated by the producer and DJ Mattia Cremonini aka HeedLess, who authors a very rich blend of bass music (UK grime mostly), industrial, dark ambient, and heavy rhythmic components already appeared on labels such as Wile Out, katharsis, Classical Trax, and many more. The 4-track release, out next Wednesday, March 9th, comes with cover and visual works by chaggrin and mastering by Lorenzo Targhetta. Other than the opening solo track, the work also gathers collaborations with the Slovakian DJ GÄP, the Australian DJ / producer Lithe, and the musician POL100 born and based in Ferrara, Italy.

The collaborative record reflects around relationship breakups and the hardcore feelings associated with them - also reflected in the tracks' titles - such as despair, profound nostalgia, and the burning sense of courage and hope that may come with new bonds being born from the ashes. The heartfelt work brings the contribution of the aforementioned artists, each carrying their load of past experiences, artistic inspiration, and creative energy materialized in compositions of hyper-melodic textures, distorted vocals, and tight progressions.

Today, we're glad to be premiering the remarkable closing piece of the EP, titled BROKEUP, and produced by HeedLess and POL100. The exactly 5-minutes-long track is a dramatic charge of snappy breakbeats, eerie and distorted melodies, and distant, unintelligible voices figuratively emerging from the recesses of one's memory to bring forward unease and pain. It's up to the listener whether to welcome and overcome them towards closure and acceptance, or rather drown in the sorrow and descend on dark paths. Both choices are equally viable.

HeedLess & POL100 - BROKEUP [PAYNOMINDTOUS Premiere / Club Late Music - GUN]

@comastasis - Ross 308 EP
[PAYNOMINDTOUS, PNMTU005, out Apr. 29th, 2022]
* featuring remixes by @exmantera and @yikii *

Comastasis (he/him) is a producer and DJ based in Helsinki, Finland who manipulates an incessant flow of sound stimuli and sonic violence bursts in the shape of abstract post-club outings, influenced by grime and industrial music. After hosting “Stagnant” paynomindtous.bandcamp.com/track/comastasis-stagnant, one of his many remarkable tracks, inside our 2020 mammoth v/a compilation “WE NEVER WILL”, we are so glad to present you his latest work which furthers the producer’s investigations into heavily rhythmic, unsettling experimental music: Ross 308 EP.

Named after the proprietary commercial name of a particular breed of chicken, bred for life in atrociously overcrowded warehouses to grow as fast as possible (thereby often incurring dramatic health conditions leading to organ and bone failure) so to maximize profits of the corporate machine, the release revolves around the feeling of melancholy and world-weariness which, in the case of factory farming, has been condensed into a single physical representation in a time and space. The sound palette used by Comastasis captures the anguish and the stench exhaling from the slaughterhouses and constricts it into music. A perpetual swarm of stress-drenched flesh turned inside-out washing over you; a passing swirl of tendons snapping at the root of your ear with ASMR-like quality and putting you in intimate contact with agony and embedding you in their misery.

Ross 308 EP is composed of three original tracks and features remixes by the Finnish multidisciplinary artist @exmantera, and by the singer, poet, artist, and music producer @yikii, based in China. While the former provides a both rusty and sharp, clangy re-interpretation of the eponymous opening track which manages to even turn the knife in the wound, the latter offers an eerie re-interpretation of the Fermented Biomass composition in the form of an eerie industrial ballad, a dark, sneering lullaby for dismembered and mangled limbs.

Ross 308

Name-your-price DL

Comastasis - Ross 308 (Exmantera Remix)

Comastasis - Swarm

@obelisksydney - Meta Bliss EP
[PAYNOMINDTOUS, PNMTU006, out Dec. 28th, 2022]
* featuring remixes by @ptwiggs and @sus1er *
Name-your-price download
[paynomindtous.bandcamp.com/album/meta-bliss]

The Sydney-based DJ and producer Ryan O'Rourke aka Obelisk (he/him) is an emerging name in the Australian contemporary underground club scene as an organizer of the experimental dance event series Nexus (instagram.com/nexus.eora/) and as an artist, holding releases on local compilations (@deep-scan-radio and @meganesia), and showcasing performances as both a solo artist and with the Winged Mantis duo, alongside Sydney-based DJ @index-exe. The work of Obelisk focuses on the interaction between heavy laptop electronic music and jungle/breakcore influences, mediated by a taste for raw aggressiveness and emotional grandeur that have been arranged in his debut release “Meta Bliss”, out today on our platform.

Composed of three original tracks, the release collects sharp, crystalline, and bursting compositions that feature fast and broken rhythms brilliantly juxtaposed with disfigured synths. While often indulging in the belligerent fury of knife-sharp percussions and booming distortion, the EP often crosses into spacious, euphoric melodies accompanied by frantic but cathartic, tempo-shifting drum work. Obelisk’s goal has been to investigate various ways of experiencing ecstasy and euphoria, whether by means of extreme, overwhelming rhythmic aggression, or breathtaking melodic refrains. While going through the 20-minute EP, one is brought to witness a daring descent into rush. “Meta Bliss” is the heavily cinematic sound commentary to some fast-paced, epic-scale, high fantasy encounter with angel-shaped, all-powerful beings of light under an immaculate sky.

Meta Bliss EP is completed by two remixes by the Sydney-based musician, producer, and DJ Ptwiggs (she/her) @ptwiggs and the Perth-based producer and DJ SUS1ER (he/him) @sus1er. Ptwiggs provides additional tones of darkness to “Illidan Bass” by crafting a 170 BPM deep drum and bass rework rich with clangy breakbeats, and diving deep into the obscurity of the industrial bassline. On the other hand, SUS1ER delivers the perfect closure to the release by re-arranging the opening track “Echoburst” into a 178 BPM hardcore anthem that preserves the emotional impact of the original all the way through the rawstyle finale.

Tracks 1-3 produced and mixed by Obelisk. Track 4 produced, mixed, and mastered by Ptwiggs. Track 5 produced and mixed by Sus1er. Track 1-3, 5 mastered by @wimdehaen. Artwork by K095C [instagram.com/k095c/]

Meta Bliss EP

Obelisk - Echoburst (SUS1ER Remix)

@obelisksydney - Meta Bliss EP
[PAYNOMINDTOUS, PNMTU006, out Dec. 28th, 2022]
* featuring remixes by @ptwiggs and @sus1er *
Name-your-price download
[paynomindtous.bandcamp.com/album/meta-bliss]

The Sydney-based DJ and producer Ryan O'Rourke aka Obelisk (he/him) is an emerging name in the Australian contemporary underground club scene as an organizer of the experimental dance event series Nexus (instagram.com/nexus.eora/) and as an artist, holding releases on local compilations (@deep-scan-radio and @meganesia), and showcasing performances as both a solo artist and with the Winged Mantis duo, alongside Sydney-based DJ @index-exe. The work of Obelisk focuses on the interaction between heavy laptop electronic music and jungle/breakcore influences, mediated by a taste for raw aggressiveness and emotional grandeur that have been arranged in his debut release “Meta Bliss”, out today on our platform. Today, you can stream the first excerpt called "Echoburst" and pre-order the whole EP for 1€!

Composed of three original tracks, the release collects sharp, crystalline, and bursting compositions that feature fast and broken rhythms brilliantly juxtaposed with disfigured synths. While often indulging in the belligerent fury of knife-sharp percussions and booming distortion, the EP often crosses into spacious, euphoric melodies accompanied by frantic but cathartic, tempo-shifting drum work. Obelisk’s goal has been to investigate various ways of experiencing ecstasy and euphoria, whether by means of extreme, overwhelming rhythmic aggression, or breathtaking melodic refrains. While going through the 20-minute EP, one is brought to witness a daring descent into rush. “Meta Bliss” is the heavily cinematic sound commentary to some fast-paced, epic-scale, high fantasy encounter with angel-shaped, all-powerful beings of light under an immaculate sky.

Meta Bliss EP is completed by two remixes by the Sydney-based musician, producer, and DJ Ptwiggs (she/her) @ptwiggs and the Perth-based producer and DJ SUS1ER (he/him) @sus1er. Ptwiggs provides additional tones of darkness to “Illidan Bass” by crafting a 170 BPM deep drum and bass rework rich with clangy breakbeats, and diving deep into the obscurity of the industrial bassline. On the other hand, SUS1ER delivers the perfect closure to the release by re-arranging the opening track “Echoburst” into a 178 BPM hardcore anthem that preserves the emotional impact of the original all the way through the rawstyle finale.

Tracks 1-3 produced and mixed by Obelisk. Track 4 produced, mixed, and mastered by Ptwiggs. Track 5 produced and mixed by Sus1er. Track 1-3, 5 mastered by @wimdehaen. Artwork by K095C [instagram.com/k095c/]

Obelisk - Echoburst

The Helsinki-based multidisciplinary artist Exmantera (Daniil Mantere, they/them) https://soundcloud.com/exmantera is one of the prominent names in the Finnish underground digital electronic scene, and they’re known for their abrasive, knife-sharp outings where crispy sound design meets clangy dramatic tension. After hosting a remix on last year’s “Ross 308 EP” by the also Finnish artist Comastasis https://paynomindtous.bandcamp.com/track/ross-308-exmantera-remix, we’re thrilled to share with you their latest work “LETHALITY” EP. 

“LETHALITY” is composed of seven tracks and comes with an eerie, obscure artwork by Exmantera and uzâ a’amo instagram.com/uzaaamo/ as well as two collaborative tracks with Nova Caine @n0vad0sed and Yaokai @yaokai. As evoked by its title, the record is unforgiving in its sonic violence, aggressive distortion, and clangorous instinctiveness. Episodes inspired by the finest instrumental grime are followed by ear-splitting bursts, metallic percussions, glitching artifacts, and sinister melodies. These raw ingredients are molded into eventful tracks that immediately capture the listener despite the unrestrained rhythmic violence, guiding them down a treacherous path of digital corrosivity. In other words, Exmantera encapsulates spectacular ferocity and immaculate bloodlust in each of the compositions, molding the elements in the ultimate sound transposition of the impulse to maw, gnaw, and kill. GIRL DINNER

### CREDITS

Track 1-2, 4, 6-7 produced and mixed by Exmantera. Track 3 produced and mixed by Exmantera & Nova Caine. Track 5 produced and mixed by Exmantera & Yaokai. Mastering by Exmantera. Artwork by Exmantera & uzâ a’amo.

LETHALITY EP

exmantera - EXPOS

The Helsinki-based multidisciplinary artist Exmantera (Daniil Mantere, they/them) https://soundcloud.com/exmantera is one of the prominent names in the Finnish underground digital electronic scene, and they’re known for their abrasive, knife-sharp outings where crispy sound design meets clangy dramatic tension. After hosting a remix on last year’s “Ross 308 EP” by the also Finnish artist Comastasis https://paynomindtous.bandcamp.com/track/ross-308-exmantera-remix, we’re thrilled to share with you their latest work “LETHALITY” EP.

“LETHALITY” is composed of seven tracks and comes with an eerie, obscure artwork by Exmantera and uzâ a’amo instagram.com/uzaaamo/ as well as two collaborative tracks with Nova Caine @n0vad0sed and Yaokai @yaokai. As evoked by its title, the record is unforgiving in its sonic violence, aggressive distortion, and clangorous instinctiveness. Episodes inspired by the finest instrumental grime are followed by ear-splitting bursts, metallic percussions, glitching artifacts, and sinister melodies. These raw ingredients are molded into eventful tracks that immediately capture the listener despite the unrestrained rhythmic violence, guiding them down a treacherous path of digital corrosivity. In other words, Exmantera encapsulates spectacular ferocity and immaculate bloodlust in each of the compositions, molding the elements in the ultimate sound transposition of the impulse to maw, gnaw, and kill. GIRL DINNER

### CREDITS

Track 1-2, 4, 6-7 produced and mixed by Exmantera. Track 3 produced and mixed by Exmantera & Nova Caine. Track 5 produced and mixed by Exmantera & Yaokai. Mastering by Exmantera. Artwork by Exmantera & uzâ a’amo.

exmantera - XBATUT

exmantera - I JUST GOTTA (feat. Yaokai)

exmantera - I NEED 2 GO

The Helsinki-based multidisciplinary artist Exmantera (Daniil Mantere, they/them) https://soundcloud.com/exmantera is one of the prominent names in the Finnish underground digital electronic scene, and they’re known for their abrasive, knife-sharp outings where crispy sound design meets clangy dramatic tension. After hosting a remix on last year’s “Ross 308 EP” by the also Finnish artist Comastasis https://paynomindtous.bandcamp.com/track/ross-308-exmantera-remix, we’re thrilled to share with you their latest work “LETHALITY” EP. As of today, you can pre-order the EP for 1€ or more on our Bandcamp, and stream the first excerpt called “DISTILL”.

“LETHALITY” is composed of seven tracks and comes with an eerie, obscure artwork by Exmantera and uzâ a’amo instagram.com/uzaaamo/ as well as two collaborative tracks with Nova Caine @n0vad0sed and Yaokai @yaokai. As evoked by its title, the record is unforgiving in its sonic violence, aggressive distortion, and clangorous instinctiveness. Episodes inspired by the finest instrumental grime are followed by ear-splitting bursts, metallic percussions, glitching artifacts, and sinister melodies. These raw ingredients are molded into eventful tracks that immediately capture the listener despite the unrestrained rhythmic violence, guiding them down a treacherous path of digital corrosivity. In other words, Exmantera encapsulates spectacular ferocity and immaculate bloodlust in each of the compositions, molding the elements in the ultimate sound transposition of the impulse to maw, gnaw, and kill. GIRL DINNER

### CREDITS

Track 1-2, 4, 6-7 produced and mixed by Exmantera. Track 3 produced and mixed by Exmantera & Nova Caine. Track 5 produced and mixed by Exmantera & Yaokai. Mastering by Exmantera. Artwork by Exmantera & uzâ a’amo.

exmantera - SKIN (feat. Nova Caine)

The Helsinki-based multidisciplinary artist Exmantera (Daniil Mantere, they/them) https://soundcloud.com/exmantera is one of the prominent names in the Finnish underground digital electronic scene, and they’re known for their abrasive, knife-sharp outings where crispy sound design meets clangy dramatic tension. After hosting a remix on last year’s “Ross 308 EP” by the also Finnish artist Comastasis https://paynomindtous.bandcamp.com/track/ross-308-exmantera-remix, we’re thrilled to share with you their latest work “LETHALITY” EP. As of today, you can pre-order the EP for 1€ or more on our Bandcamp, and stream the first excerpt called “DISTILL”.

“LETHALITY” is composed of seven tracks and comes with an eerie, obscure artwork by Exmantera and uzâ a’amo https://instagram.com/uzaaamo/. As evoked by its title, the record is unforgiving in its sonic violence, aggressive distortion, and clangorous instinctiveness. Episodes inspired by the finest instrumental grime are followed by ear-splitting bursts, metallic percussions, glitching artifacts, and sinister melodies. These raw ingredients are molded into eventful tracks that immediately capture the listener despite the unrestrained rhythmic violence, guiding them down a treacherous path of digital corrosivity. In other words, Exmantera encapsulates spectacular ferocity and immaculate bloodlust in each of the compositions, molding the elements in the ultimate sound transposition of the impulse to maw, gnaw, and kill. GIRL DINNER

### CREDITS

Track 1-7 produced, mixed, and mastered by Exmantera. Artwork by Exmantera & uzâ a’amo.

Name-your-price-DL

exmantera - DISTILL

exmantera - MACHINE

@sueuga - Conflict Areas EP
[PAYNOMINDTOUS, PNMTU009, out on February 16th, 2024]
[paynomindtous.bandcamp.com/album/conflict-areas]
***
Sueuga (she/her) @sueuga is a Mexican artist, DJ, and producer known for her releases on pivotal labels such as NAAFI, Hiedrah, Salviatek, Sacrilejio, Soul Feeder, Arboretum, and Precious Metals among the others. Now based in Amsterdam but raised in Oakland, California where she started her music career by collaborating with artists from the Neoperreo scene, Sueuga has been an important actress in the contemporary scene thanks to her experimental, mutant club outings primarily inspired by industrial music and dominated by unsettling atmospheres, ferocious drums, and abrasive textures. We’re very excited to announce the release of her new “Conflict Areas” EP that will be out on Friday, February 16th. 

The 5-tracker opens up with a short and eerie introduction called “Dragged” which indeed abruptly drags the listener into a perilous sound journey composed of explosive rhythmic discharges that also extend to the second and third tracks, the titular “Conflict Areas” and “Heat Therapy”. Thanks to its extensively variegated yet immediately accessible and catchy compositions, Sueuga’s awe-inspiring work manages to summon dark, infernal scenarios while also envisioning bright futures of long-awaited victory, offering a commentary on the existential struggle of unconditionally and wholeheartedly affirming one’s existence in turbulent, oppressive times. With its sense of unavoidable and relentless tension, the entire EP is an act of belligerent resistance in sound form.

The two final tracks host collaborations with the founder of the overmybody.tw label, Taipei-based DJ and producer B E N N @bedoublensound, and Duma’s noise/metal experimental musician Sam Karugu, respectively. While the first one (“Hidden Fees”) indulges into the heavy-hitting, cadenced percussive progressions previously shown in the rest of the EP (and here enriched by deep, bursting basslines and a ghastly melody), the latter (“MMXXIII”) provides a free-form anthem for all the metalheads where rumbling distortion and eerie vocals meet incessant lamentations and gurgling noise in the background.

Tracks 1-3 produced and mixed by Sueuga. Track 4 produced and mixed by Sueuga & B E N N, track 5 produced and mixed by Sueuga & Sam Karugu. Mastering by Wim Dehaen @wimdehaen. Artwork by post_cyberparamo instagram.com/post_cyberparamo/

Conflict Areas

Name-Your-Price DL

Sueuga - MMXXIII (feat. Sam Karugu)

@sueuga - Conflict Areas EP
[PAYNOMINDTOUS, PNMTU009, out on February 16th, 2024]
[paynomindtous.bandcamp.com/album/conflict-areas]
***
Sueuga (she/her) @sueuga is a Mexican artist, DJ, and producer known for her releases on pivotal labels such as NAAFI, Hiedrah, Salviatek, Sacrilejio, Soul Feeder, Arboretum, and Precious Metals among the others. Now based in Amsterdam but raised in Oakland, California where she started her music career by collaborating with artists from the Neoperreo scene, Sueuga has been an important actress in the contemporary scene thanks to her experimental, mutant club outings primarily inspired by industrial music and dominated by unsettling atmospheres, ferocious drums, and abrasive textures. We’re very excited to announce the release of her new “Conflict Areas” EP that will be out on Friday, February 16th.

The 5-tracker opens up with a short and eerie introduction called “Dragged” which indeed abruptly drags the listener into a perilous sound journey composed of explosive rhythmic discharges that also extend to the second and third tracks, the titular “Conflict Areas” and “Heat Therapy”. Thanks to its extensively variegated yet immediately accessible and catchy compositions, Sueuga’s awe-inspiring work manages to summon dark, infernal scenarios while also envisioning bright futures of long-awaited victory, offering a commentary on the existential struggle of unconditionally and wholeheartedly affirming one’s existence in turbulent, oppressive times. With its sense of unavoidable and relentless tension, the entire EP is an act of belligerent resistance in sound form.

The two final tracks host collaborations with the founder of the overmybody.tw label, Taipei-based DJ and producer B E N N @bedoublensound, and Duma’s noise/metal experimental musician Sam Karugu, respectively. While the first one (“Hidden Fees”) indulges into the heavy-hitting, cadenced percussive progressions previously shown in the rest of the EP (and here enriched by deep, bursting basslines and a ghastly melody), the latter (“MMXXIII”) provides a free-form anthem for all the metalheads where rumbling distortion and eerie vocals meet incessant lamentations and gurgling noise in the background.

Tracks 1-3 produced and mixed by Sueuga. Track 4 produced and mixed by Sueuga & B E N N, track 5 produced and mixed by Sueuga & Sam Karugu. Mastering by Wim Dehaen @wimdehaen. Artwork by post_cyberparamo instagram.com/post_cyberparamo/

Sueuga - Hidden Fees (feat. B E N N)

Sueuga - Heat Therapy

Sueuga - Conflict Areas

Sueuga - Dragged

@assyouti - Kraken Sight [PNMTU010]
Artwork by yyed [https://instagram.com/_yyed/]
BANDCAMP [https://paynomindtous.bandcamp.com/album/kraken-sight]
YOUTUBE [https://bit.ly/kraken-sight-yt]
***
Assyouti (he/him) is an Egyptian DJ and producer born and raised in Cairo, a bustling city whose perpetual chaos and overwhelming noise pollution have been channeled into the artist’s unique music productions, developed around endless warping and manipulation of rhythmic and vocal samples. Now based in Berlin, Assyouti has been bringing his remarkable mutant bass music around local clubs as well as the most renowned festivals for the scene such as Uganda’s Nyege Nyege and Berlin’s CTM. After his debut EP "Shakhrama" (High Digital, 2022), and the follow-up “The Disintegration of Eric Omelette” (Shepard Tone, 2023), we’re beyond excited to present his next endeavor called “Kraken Sight”, releasing July 5th on our platform and marking our tenth outing so far.

Keeping up with Assyouti’s trademark feature of arranging broken rhythms, deranged percussions, and heavily distorted bass into articulated sound aggressions, the release is composed of five tracks sketched with a harsh industrial-infused sound palette, and refined through the surgical juxtaposition of tension, sudden release, and further sonic assault. Kraken Sight describes the descent into a dangerously dark ocean, inhabited by lurking creatures ready to swallow the listeners in the bottomless, obscure depth. Masterfully managing to convey an ever-present tension, Assyouti’s latest effort summons oppressive and abrasive soundscapes to lead to inescapable feelings of unease and discomfort, where light struggles to infiltrate and brighten the black, desolated abyss. 

All tracks are mixed by Assyouti and mastered by Wim Dehaen [https://soundcloud.com/wimdehaen].

Kraken Sight

Assyouti - Swallowed

Assyouti - Sunken Sleeper

GUESTMIX#97: 2HC @2hc-728303320
Artwork by Khrystyna Shostak [https://instagram.com/keykhry]
Read more [https://paynomindtous.it/guestmix97-2hc]
***
2HC is an experimental musical project conceived by Irene Di Rosa and Manuele Milani, born from a shared passion for pushing sonic boundaries. The duo ventures into sharp auditory territories, weaving industrial soundscapes with raw, hardcore elements. The project’s essence lies in its ability to blur the lines between structured rhythms and chaotic, freeform expressions. 2HC's sound is deeply rooted in industrial music's gritty, mechanical tones, but it doesn't stop there. They dive headfirst into the heavy, aggressive energy of hardcore, creating an intense listening experience that is both immersive and challenging.

What sets 2HC apart is their embrace of deconstructed post-club aesthetics. They dismantle traditional club music tropes, stripping away predictable patterns and replacing them with a sense of fluidity and unpredictability. The usual constraints of BPM do not confine their mixes, instead, they flow organically, morphing and evolving in unexpected ways. This approach results in a sound that feels like a living, breathing entity—shapeless yet cohesive, chaotic yet deliberate. We hope you enjoy 2HC's contribution to our GUESTMIX series reaching today its 97th episode!

PAYNOMINDTOUS GUESTMIX#97: 2HC

GUESTMIX#98: Sicc Puppy @sicc_puppy
Read more [https://paynomindtous.it/guestmix98-siccpuppy]
***
28-year-old multidisciplinary artist and producer from the Texas-Mexico border, Sicc Puppy (she/her) brings a distinctive approach to sound and performance. Her work cracks open the unpleasant and the negative, revealing the disruptive, transformative, and chaotic energies within, ultimately leading to a cathartic release. This creative journey aims to bring listeners closer to the liminal spaces that exist in between—those variable, unpredictable, and poignant places within our own embodied experiences. Known for her DJ sets and blends, she has garnered acclaim for an alchemical, divinely intuitive quality, possessing a transmutative, transportive kinetic power that captivates audiences.

Today, we're happy to share Sicc Puppy’s latest 35-minute mix. GUESTMIX#98 offers a deep dive into the sonic underworld, where raw emotions and dark undertones collide to create an intense auditory journey. Her intuitive sense for blending tracks shines through, as she deftly navigates through genres, merging harsh industrial textures with ethereal soundscapes. Each moment of the mix feels alive, pulsing with a visceral energy that pulls listeners into a tense state, always on the edge while being completely transported. Sicc Puppy’s ability to manipulate sound is on full display here, as she pushes boundaries and crafts an immersive experience that challenges and scars the listener.

Including tracks by @svart-records, @notredamedesfleurs, @white-garden @mar-vila-495521800, #trojanovskx @editedarts, @e777000 @inunisonlabel, @no-rent-records, @kuthijin, @droneoperator @gajek, @sarahsson, @drakis-discs, @hdmurder, and more.

PAYNOMINDTOUS GUESTMIX#98: Sicc Puppy

GUESTMIX#99: @femmexy
Read more / Tracklist: [https://paynomindtous.it/guestmix99-femmexy/]
***
From the distant realms of the digital universe, an unblinking visage takes shape. Femmexy (he/she/they/it) is the internet-born persona of Tim Wojciechowski, a Polish visual artist now based in London. Beginning their musical journey at 17, Tim learned to produce music using FL Studio, relying solely on experimentation and determination due to their lack of formal training. Their sound is a rich tapestry woven from influences such as industrial, shoegaze, hardstyle, and black metal, also drawing inspiration from the chaotic energy of the online world. This eclectic blend culminated in the release of their debut album Śnić in 2024 via Audio Bambino, which provided an outlet for Tim’s passion for dark and atmospheric music thoroughly explored in the release.

Today, we are glad to host a 34-minute mixtape by Femmexy going along the lines of their latest explorations in dark ambient, noise, and post-club realms. This mix is a vivid representation of their journey, featuring rusty mechanical sounds, primordial chants, and thumping beats, all enveloped in a heavy, haunting atmosphere that invites listeners into a world of shadow and depth. Each element works together to create an unsettling and captivating experience, reflecting the complexity of their artistic vision.

Including tracks by @kavarimusic, @uboatheflesh, @paradoxeclub, @le_dom, @ersatzolfolkz, @ante-rasa, @lustmord, @samkdc, @horolabel, @shxcxchcxsh, @oake, @bedouinrecords, @osheyack, and more.

PAYNOMINDTOUS GUESTMIX#99: Femmexy

GUESTMIX#100: LE MOURYNHO @xian-mourino-garcia
Read more / Tracklist: [https://paynomindtous.it/guestmix100-lemourynho/]
***
LE MOURYNHO (they/them) is an artist, DJ, and musician originally from A Coruña, Spain, and now based in Barcelona. Since their debut in 2022, they developed a unique musical narrative, prioritizing technical research in sensory mixing. Their sound is characterized by vibrant club percussion, a wide variety of BPMs, explosive bass lines, and abrasive textures.

LE MOURYNHO's musical journey began by blending elements like the 808, drums, and raw vocals with contemporary club sound experiments. As of now, they have collaborated with numerous clubs and collectives, such as Flux Lux (Vigo), Antidote Magazine (Paris), and Jokko Collective (Barcelona) among others. With their fresh approach to DJing, LE MOURYNHO not only crafts sets that heavily resonate with club-goers as experiences in their last 2023 Spain and EU tour. Their performances are an exploration of sound, where each beat and rhythm is meticulously chosen to create an immersive experience, showing a deep understanding of what is required to fire up the dancefloor.

Featuring tracks by @digestiv0, @diessa1312, @eyezauk, @infinite-machine, @bungalovv, @abodywithout, @mutantmodality, @markhamroad, @teqmun-tijmen-b, @drjeep, @jazzzcollective, @stolenvelour, @klahrk, @failed-units, @patanegralovesu, @ravlsncld, @da_rocha_um, @3phaz, and more.

PAYNOMINDTOUS GUESTMIX#100: LE MOURYNHO

OFFICIAL VIDEOCLIP

NOTHING REMAINS (ft. gЯill)

GRAVE

HERE COMES THE PAIN (ft. NikkiCarrera)

"AFTERIMAGE" is the latest track from @nikitaw0lfe' & @noumenoumeno upcoming release out on the 6th of December for @paynomindtous

Artwork by IG: @noumeno_mutantboy + @kenshiro_caravaggio_carena
Mastering by Nikeninja (IG: @blacknikeninja) at Æxplora (IG: @aexplora.mix.mastering)

Pre-Order: https://paynomindtous.bandcamp.com/album/youre-gonna-regret-this-your-whole-life
Read More: https://soulfeederweb.com/premieres/premiere-nikitaw0lfe-noumeno-afterimage/

[Premiere] nikitaw0lfe + Noumeno - AFTERIMAGE

GUESTMIX#101: valdo_us @xxxen
[Read More / Tracklist: https://paynomindtous.it/guestmix101-valdous]
[valdo_us on Instagram: https://instagram.com/vale.x_n/]
***
valdo_us is an Italian DJ who crafts an immersive sound experience via a mixing approach rooted in a deep curiosity for diverse musical genres and an instinct for seamlessly weaving them into a cohesive narrative. Every track resonates through texture atmosphere, rhythm, and melody, creating one ever-evolving, continuous flow of transformation. In this mix, contrasting sounds - industrial noise, deep basslines, ethereal synths, and organic beats - merge into powerful, unexpected combinations engaging the listeners on multiple levels, also sparking moments of personal reflection amidst the shifting sonic landscapes. Including tracks by @specialrequest @houndstoothlbl @zulimusic @vvonn @clam-pressure @sineraw @yyyooouuuttthhh @speakermusic @planetmurecords @naturalsciences @talpah @dawnrecords @ii-l @exploitedbody and more.

PAYNOMINDTOUS GUESTMIX#101: valdo_us

@traintoeltanin - Serotonic Enhancer
Train to Eltanin is a Milan-based duo consisting of Leone Ciocchetti and Giuseppe Amarù. Those 20-years-old kids are accurate in creating frenetic accelerationist beats mixed with old-school electro atmospheres, acid melodies, and hardcore references. This prodigious duo ranges from heavy slow rhythms to the fasten broken beats, both in production and live sets, in which they demonstrate their confidence with complex drum programming and brainy melodies erupting from a wave of apocalyptical ambiances.

Buy / Donate

Train To Eltanin - Serotonic Enhancer

@shtelamei - Badman
Lille representative of Frapcore, Shtelameï conjugates passion for brutal and uninhibited music in an explosive mix of genres that reconciles hardcore purists and neophytes. Their unusual universe, inimitable visual identity, and rowdy sets have been attracting an ever-increasing audience, especially drawn to compositions and reworks that are now part of the classics of the genre.

Shtelameï - Badman

@abssys & @jlzoficial - Wild Thoughtz
Abssys is the experimental club music project by Diego Blancas from Toluca, México blending grime, reggaeton, urban global sounds, and sci-fi/political movie samples in a futuristic mixture of heavy-distorted synths, industrial rattling, and emotional build-ups. João Luiz aka JLZ, a music producer / DJ born in Brasilia. His productions are in constant evolution as he works to expand the spectrum of the bass and afrobeat genres, from Belo Horizonte funk to dark atmospheres and breath-taking rhythms.

Abssys & JLZ - Wild Thoughtz

@eccestasya– Transparent
The sound of Stasya, Lisbon-based DJ and music producer, co-founder of the transgressive LGBTQ+ collective and the label CIRCA A.D, connects sobbing melodies and new club rhythms. With a multitude of influences ranging from gabber to hard drums, their work consists largely of a diverse mix of musical genres. Stasya’s edits move club and rave floors in a fresh way, with heavy danceability, hardcore weight, and infectious tenacity, bridging distressing melodies with new club rhythms.

Stasya - Transparent

Russ x Tion Wayne - Keisha & Becky Remix (@noumenoumeno's Ultimate Reptilian Mutant Trap Spliff)
Noumeno a.k.a. Stefano Testa is a media artist and sound designer based in Milan, focusing on hyper faceted, digital soundscapes influenced by several styles and genres he beautifully manages to merge into ultra-dense, mind-blowing, mutant tracks. His music offers morbid perspectives in the contemporary media scenario, focusing on social interactions and transformations of the self. His fixation with the current trap scene led him to craft this staggering piece of fragmented, Steve Reich–ish conceptual drill composition.

Russ X Tion Wayne - Keisha & Becky Remix (Noumeno's Ultimate Reptilian Mutant Trap Spliff)

GUESTMIX#80: @holidayinnholidayinn
Read More / Tracklist: https://paynomindtous.it/guestmix80-holidayinn/
Artwork by Damian Makowski https://instagram.com/kleospapa/
***
Our GUESTMIX series reaches today its 80th episode thanks to the contribution of HOLIDAY INN, the moniker for the Warsaw-based, fucked-up blend hero Mateusz Zych who is known for their wild blends and edits, as well as fiery mixes hosted by some of the most important platforms in the community. In their vision of the club, David Guetta meets Nirvana, AKON meets baile funk and hardcore, and T.A.T.U. join with cutting-edge contemporary producers such as Aghnie and GIL.

Also member of @legetebe, a collective aiming at supporting LGBTQ+ artists from the Central Eastern Europe region by creating a platform for their music, HOLIDAY INN recorded for us a 30 minutes mix collecting hard bangers for an URL dancefloor session that feels just as real as an IRL one.

PAYNOMINDTOUS GUESTMIX#80: HOLIDAY INN

@arca1000000 - KLK (@m1ssjay Re-Drum)
Read More:  https://paynomindtous.it/arca-klk-missjay/ ‎
'CLUB TOOLS 2' pre-order: https://m1ssjay.bandcamp.com/album/club-tools-2
***
Miss Jay is the moniker of the Bucharest-born, Milan-based producer and DJ Ioana Boaje specialized in hybrid club music and dancefloor anthems. As crazy as it has been for all of us, with the perspective of going back to pre-covid lives as slim as it can be (let alone the thought of entering a club again), 2020 has been a crucial year for Miss Jay. Sliding into 2021, her creativity and inspiration steadily go further with the release of a second collection of club bangers, namely CLUB TOOLS 2, putting together a multitude of original compositions and edits.

Releasing March 5th on Bandcamp (yes, it's one of those Fridays!), CLUB TOOLS 2 is composed of 11 + 2 bonus tracks ranging from 98 to 170 BPM, ready for every DJ to be played, whether they're focused on grime and other urban rhythms (Gut Feeling, Ain't Equal), hard club episodes (1 2 Rave), witch house reminiscences (the opening track), or hunting for the latest crazy rework (the edit of Clams Casino's Blast). 

We're happy to present you the fourth track from the list: a drum-reprogrammed, unrelentless edit of Arca and Rosalía's KLK, taken from their latest album Kick I. As constantly carried out throughout her prolific activity, Miss Jay skillfully administers the energy flows on the dancefloor (whether real or virtual) to always keep the listener/dancer on the edge, while never renouncing the richness of the composition.

Arca - KLK (Miss Jay Re-Drum)from 'CLUB TOOLS 2' [PAYNOMINDTOUS Premiere]

🔸🔸🔸THE END [2015-2025] ❌
🔸The party goes on at @vibrisseduo
🌐 https://paynomindtous.bandcamp.com
🌐 paynomindtous@gmail.com
🌐 https://paynomindtous.it

PAYNOMINDTOUS

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