ruang tunggu

Who in the world defines normal?
Which way do we go is not their call
And they keep telling us what to do
The story of "what we have been through"

Rush!
Let's drop everything and rush
With the speed of light we'll rush
Stop living someone else's life
Stop living someone else's life

Listen to your heart and stand tall
Be brave to dream and let's break the wall
We're only here for a little while
Why don't we just go the extra mile?

Song by: Danang Joedodarmo
Arranged by: Ajityo Soeprijadi & Dita Permatas
Lyrics by: Danang Joedodarmo & Christian Wedha

Recorded by: Putranto Aditomo @ Lahan Eross & OPRC Studio
Mixed by: Putranto Aditomo @ T-Studio
Mastered by: Putranto Aditomo @ T-Studio



iTunes

Rush

Special Collabs | Iwan Fals,Jason Ranti,Fourtwnty,Fiersa Besari.

ROADS

Berdua Saja

David Bayu - Dimana Aku Disini

Recorded live at Tanakita, Kadudampit, Cisaat, Sukabumi, Jawa Barat on November 2, 2013.

Wizra Uchra: Drums
David Qlintang: Electric Guitar
Bharata Eli Gulö: Percussion
Windra "Bontel" Benyamin: Acoustic Guitar
Raymond Agus Saputra: Bass, Backing Vox
Hotma "Meng" Roni Simamora: Vox, Acoustic Guitar

FOH engineer: Teuku Asril. 
Recording engineer: Andi Anggoro.

Mixed at Pepperland, Jakarta.

Watch the video on YouTube: http://youtu.be/sZ9japZJlvk

Too Much This Way (Float)

Tetap Saja

Recorded live at Pusat Kebudayaan Koesnadi Hardjasoemantri, Universitas Gadjah Mada, Yogyakarta on June 1, 2014.

Wizra Uchra: Drums
David Qlintang: Electric Guitar
Windra "Bontel" Benyamin: Electric Guitar
Raymond Agus Saputra: Bass, Backing Vox
Hotma "Meng" Roni Simamora: Vox, Acoustic Guitar

Live at Earthernity Fest

Sementara (Live at Earthernity Fest)

Song writter & lyric : Gatra Laringal
Arrangement : GIE
Mini Album : Kopi Blues
Recording Studio : EHA Studio
Mixing & Mastering : Redy Afrians (Rumah Rekam)

Sendiri Menikmatimu

Now available on iTunes: http://bit.ly/tcSrK5

Worth It

Payung Teduh - Mari Bercerita Ruang Tunggu

Senja - Perih

Jason Ranti - Lagunya Begini Nadanya Begitu (TRIBUTE TO PAK SAPARDI)

Payung Teduh tidurlah

Selalu ada yang bernyanyi dan berelegi
Dibalik awan hitam
Smoga ada yang menerangi sisi gelap ini,
Menanti..
Seperti pelangi setia menunggu hujan reda

Aku selalu suka sehabis hujan dibulan desember,
Di bulan desember

Sampai nanti ketika hujan tak lagi
Meneteskan duka meretas luka
Sampai hujan memulihkan luka

Efek Rumah Kaca - Desember


Payung Teduh was created by two close friends that used most of their time in playing music at the canteen of FIB as well as providing background music for the Pagupon Theater of Indonesia University. These two close friends, Is and Comi, played their music anywhere from the canteen of FIB UI, hangout places inside the campus complex, to the lake side near UI’s Center Administration Building. Their togetherness in playing music has been supported by friends around them which then lead to the creation of a duo that eventually became the next big thing at UI.      

 

Payung Teduh was then born in late 2007 with their first formation, Is on vocal & guitar, and Comi on Double Bass. After playing duo for some time, it was necessary for them to improve their exploration in their music as well as improving their stage performance. In doing this, they recruited Cito as a drummer and Ivan as a guitalele player in 2010. Angin Pujaan Hujan was the first song that eventually known as the signature composition of Payung Teduh’s style of music. As time went by, they wrote new songs such as Kucari Kamu, Amy, Untuk Perempuan Yang Sedang Dalam Pelukan.  They also played songs written by a colleague/mentor Catur Ari Wibowo who is also a director of Pagupon Theater that wrote songs such as Resah, Cerita Tentang Gunung dan Laut. Amalia Putri, a good friend of them, also wrote songs like Malam and Tidurlah that were then added into their album. Payung Teduh then recorded these songs and released their first indie album in late 2010.  

 

In this first album, it can be said that the musical characteristic of Payung Teduh is like the music in the 60’s with a blend of keroncong and jazz music. Whenever they were asked what kind of musical genre that Payung Teduh played, it was up to the listeners to define what kind of genre that they played, in a sense that they won’t stop playing music in just one genre, but in many other genres while still maintaining the strong characteristic that they already have.

Berdua Saja

Payung teduh Official

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