Name: FourColor - As Pleat - Quiet Gray 1 (Featuring Moskitoo) (12k) by pdis_inpartmaint in Smoothie sur un lac glacé
Duration: 5 min 16 s
Description: [p*dis] distribution sampler for May 2011.

Smoothie sur un lac glacé

A breakbeat remix by me of the beautiful tracks Fourcolor & Moskitoo - Quiet Gray found on the album "As Pleat" released on the label "12k" in 2011.
 
You can find the original version of Quiet Grey 1 here:

http://www.youtube.com/watch?v=MgoDeAgnJnI

It was fun interpreting someone elses work in my own way. It is such a lovely set of tracks, and i loved the idea of using the themes in a different style.

Hope you enjoy it!

Don`t forget to check out more of the work of the talented Fourcolor and his other projects, here`s a link to his website:

http://www.frolicfon.com/

https://soundcloud.com/frolicfon/

Fourcolor & Moskitoo - Quiet Gray (UC remix)

[p*dis] distribution sampler for May 2011.

FourColor - As Pleat - Quiet Gray 1 (Featuring Moskitoo) (12k)

FourColor - As Pleat - Skating Azure (12k)

on my list of favourite
from the album Dark Days Exit 2005

you can buy his full discovery at
http://www.junodownload.com/artists/Felix+Laband/releases/

Felix Laband - Miss Teardrop

🌲 One Day.
🎧 https://open.spotify.com/track/5udwSA6UpGLY7cmbquiEE5
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🧡 Nulmatic
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💿 Suggested track: https://youtu.be/2XlGR0dVIj8

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Nulmatic - One Day

🌍 ATLAS – OUT NOW! 🌍

The time has finally come—Atlas is OUT NOW! This massive 46-track compilation is a true collection of sounds, styles, and vibes from some of the best producers in the scene. From smooth lo-fi grooves to jazzy beats, funky rhythms, and experimental textures, Atlas is a journey through sound, crafted with nothing but love for music and community.

This project has been months in the making, and we couldn’t be more hyped to finally share it with you. Huge shoutout to every artist who contributed their magic to this—this is what Brunch Collect is all about.

🔥 46 tracks. Endless vibes.
🎧 Streaming everywhere + free download on Bandcamp.
💙 Hit that repost, drop a comment, and let us know your favorites!

Stream: https://lnk.dmsmusic.co/variousartists_atlas
Download: https://brunchcollect.bandcamp.com/album/atlas

Run it up! <3

Stream

Steve Nguyen x Azuraa - Nostalgia

Extinction. Synth electronica and electric guitar blended with progressive rock.Paul Landry:
Roland Fender Stratocaster electric guitar,
Fender Stratocaster,
Fender Squire precision bass guitar
Yamaha Mox 6, Roland Juno.
various midi keyboards and vsti synths
East west Studios vsti drums
Recorded in Oxford between 2016 and 2021 with extra synth on Critical Mass 2023
Mixed and mastered 2023

Extinction

Parasites

From the soft, digital murmur of notation software and the absence of physical instruments, The FURICO Music Team (FMT) emerges, not as a band, but as a motion. A pendulum. A thought experiment materialized in waveform. 

Founded in Japan and composed of members TM and TI, FMT is less a musical group than a conceptual unit for sonic construction, deconstruction, and transformation. Describing their works as Auditory Art, FMT doesn’t simply make music; they create what they call "Auditory Art," where sound is both the medium and the inquiry. Every note is born in a digital void, composed entirely through notation software and production tools, unbound by fingers or fretboards. It’s a practice that reveals new sonic geometries and emotional architectures built in impossible spaces. 

Their latest album, Le Cube Dans Mon Rêve (The Cube in My Dream), is a speculative sonic response to Cubism, not its visual representations, but its method. Its disassembly. Its ghostly logic. The origin spark was a quietly buried drawing by a guest collaborator, Chiaki Tamura, a torn, reassembled work titled Temps et Regard (Time and Gaze), which became both a mirror and a catalyst for TM’s reexamination of Cubist thought in sound. 
As TM reflects, "Music history seemingly skipped a Cubist movement. While visual arts progressed through Fauvism, Cubism, Expressionism, and Futurism before reaching abstraction, music moved almost directly from Impressionism to dodecaphony, as developed by Arnold Schönberg and others."  What if that missing chapter had existed? What if sound could be prismatic? What if musical time, like a shattered face in a Braque or a bottle in a Picasso, could be reassembled, fragmented, and out of order? 

The album unfolds in the exact order of its creation, beginning with Cube 1: Le Déclencheur (Trigger), a foundational piece inspired by Cézanne’s visual innovations and imagined as a kind of "Neo-Impressionism" in sound, using tonal ambiguity and rhythmic displacement to suggest fragmented perception. Originally intended as part of a suite with Cube 2: Les Tentatives (Attempts), a geometric deconstruction of the first, these two works became the seed from which the remaining tracks organically emerged, each one reflecting a new facet of the same conceptual object as it is turned, refracted, and glimpsed from shifting angles. 

Though FMT’s work is forward-leaning, it resonates with the subtle futurism and ambient sophistication threaded through Japan’s proto-electronic history. Their music evokes, not imitates, the spatial elegance of Interior, the crystalline classicism of Satsuki Shibano, the fluid bass geographies of Motohiko Hamase, and the generative logic that once launched YMO into myth. These references aren’t about genre, but rather a shared instinct to reshape sound into unfamiliar, emotional forms. FMT extends this lineage not by homage, but by dismantling its language to sculpt new, imagined architectures. 

But this is no academic exercise. FMT’s palette is strange and delicate, sometimes cool and distant, sometimes tenderly off-balance. Sounds echo without sources. Rhythms that seem to emerge in rehearsal. Voices, or echoes of them, drift in and out like fleeting thoughts. It's music composed not to replicate Cubism, but to dream it, to simulate its psychological weight as well as its form. As the album's subtitle implies, Le Cube Dans Mon Rêve is Cubism remembered as it never was: a dream fragment of a movement music never had.

The FURICO Music Team - Cube 6: L'Avant Et L'Arrière (Le Cube Dans Mon Rêve, 2025)

kitchen art

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Through Global Frequency 10 (feat. Machinefabriek & Simone Eleveld)

We present “Reverie” by Piano Melancolía, a warm and inviting piano piece, gently paced with a touch of wistful melancholy. Its soft, muted tone adds intimacy and depth, creating a comforting yet reflective atmosphere.

Behind Piano Melancolía is German pianist and composer Carl Jürgen Emert, who has been creating poetic and emotionally resonant works since 2013, blending classical and jazz elements with a distinctive touch of serenity. Welcome to the ad21 family!

Reverie

Listen

Autumn in New York

Nouvel extrait de l'album "Invisible", maintenant disponible.
New extract from the "Invisible" album, now available.

Trois versions physiques disponibles / Three physical editions available :
CHAPELIER FOU - INVISIBLE [2012 CD IDA084CD]
CHAPELIER FOU - INVISIBLE [2012 LP IDA084LP]
CHAPELIER FOU - INVISIBLE - LIMITED EDITION [2012 LP IDA084LPLTD]

Info & mailorder : http://www.icidailleurs.com/chapelier-fou

Protest ("Invisible" Album/2012)

licht

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

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FourColor - As Pleat - Quiet Gray 1 (Featuring Moskitoo) (12k)

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