More Info : http://meltingbot.net/event/pan-japan-showcase-bill-kouligas-lee-gamble-m-e-s-h/

“クラブ／レイヴ／ダンス・ミュージックの解体と再生、電子音楽の現在と未来を切り開く新たなるセンセーション”

PAN Japan Showcase
2015.6.13 SAT at LIQUIDROOM
ADV* 4,000 yen / Door 4,500 yen
OPEN / START 23:30 

>>>早割&前売チケット特典<<<
*ALL Early Bird & ADV tickets inc. Bill Kouligas designed “PAN JAPAN SHOWCASE POSTER”   The poster in A2 size will be exchanged with the ticket at venue on the show day.
早割と前売のチケットを購入された方には〈PAN〉主宰のBill Kouligasがデザインしたツアー・ポスター(A2) が付いてきます！ポスターは公演当日会場にてチケットと引き換えにお渡し致します。

LIVE : 

Bill Kouligas [PAN]
M.E.S.H. [PAN]
TCF A/V set [PAN / Liberation Technologies]
Soichi Terada House set [Far East Recording] 
goat [HEADZ / UNKNOWNMIX]
DREAMPV$HER
Madegg [flau / nocredit] + Shun Ishizuka A/V set

DJ : 

Lee Gamble [PAN]
DJ Shufflemaster [四季協会]
ENA [Samurai Horo / 7even]
D.J.Fulltono [Booty Tune]
COMPUMA
Chris SSG [MNML SSGS]
セーラーかんな子
MARI SAKURAI［IN HA］

#ELECTRONIC #LEFTFIELD #RAVE 
#TECHNO #HOUSE #AMBIENT #DRONE
#INDUSTRIAL #BASS #GRIME #FOOTWORK

激動の時代を迎えた実験／電子音楽の核心的レーベル、ベルリンの前衛〈PAN〉がショーケースとなって日本上陸。レーベルを主宰する実験音楽の極北Bill Kouligas、最新作『KOCH』が大きな反響を呼んだ怪人Lee Gamble、そしてARCAを追随する新鋭M.E.S.H.が一挙初来日！

電子音楽のコア・ジャンル、ミュージック・コンクレートやエレクトロニクスなど実験的なサウンドを軸に展開、最近ではテクノやインダストリアルといったダンス・ミュージックへもアプローチをしながらここ数年のサウンド・アートの再興によって気鋭の存在へと発展、テン年代の大きな潮流となったシンセサイザー・ミュージックのムーヴメントを通過したインディ・ロックやポップのシーンにまで及ぶ広大な現在の電子音楽の文脈おいて今最も研ぎ澄まされた挑戦的なサウンドと一貫したアートワークで世界をリードするベルリン拠点のレーベル〈PAN〉のショーケース・ナイト。現代音楽、ノイズ、そしてダンス・ミュージックまでテン年代のアンダーグランドを刺激し続けて来た先駆者の飽くなき“実験”による至極のアートとサウンド体験が遂にここ東京で実現する。

追加アクトには〈PAN〉からリリースを控えるノルウェーのTCFが再来日。国内アクトには90年代に大きな功績を残したハウスとテクノの重鎮、再発や再始動で話題の寺田創一とDJ Shufflemaster、関西からはセカンド・アルバムをリリースしたばかりのプログレッシヴなミニマリズムを追求する人気急上昇中のバンドgoat、自身のレーベルやイベントも立ち上げ邁進する若手最注目株Madeggと東京を拠点とするグラフィック・デザイナー石塚俊、国内ジューク／フットワークの第一人者D.J.Fulltono、 東京からは世界へと進出する音響ベースの先鋭ENA、絶好調のモジュラー・シンセ・ユニットDREAMPV$HER、00年代よりテクノを中心にシーンを牽引する重要人物Chris SSG、地下シーンの至る所で活躍し名バイヤーとしても知られるベテランCOMPUMA、現行のオルタナティブ・カルチャーを代表するセーラーかんな子、最若手電子音楽クルー[IN HA]の女子DJ MARI SAKURAIが集結、ジャンル、スタイル、シーン、世代を超えた全15アクトで送るセンセーショナルな電子音楽の祭典。

Ticket Info : 

前売券 / ADV ¥4,000 5月10日(日) ～ 6月12日(金) 一般発売

PIA [P code 260-082]、LAWSON [L code 75174]、e+、DISK UNION (CLUB / DANCE ONLINE, SHIBUYA CLUB MUSIC SHOP, SHINJUKU CLUB MUSIC SHOP, SHIMOKITAZAWA CLUB MUSIC SHOP, KICHIJOJI, OCHANOMIZU-EKIMAE, SHINJUKU-HONKAN, MACHIDA, CHIBA, KASHIWA, IKEBUKURO)、JET SET TOKYO、Lighthouse Records、LOS APSON?、RA、TECHNIQUE、Clubberia、LIQUIDROOM

Over 20’s only. Photo ID required.  

More Info : http://meltingbot.net/event/pan-japan-showcase-bill-kouligas-lee-gamble-m-e-s-h/
____________________________________________________________

主催 : LIQUIDROOM
協力 : melting bot, Inpartmaint

PAN Japan Showcase in Tokyo 2015.6.13 at LIQUIDROOM

20230907 clubasia thursday suppa micro panchop dj mix

Following up from the success of his emphatic PAN releases ‘Dutch Tvashar Plumes’ and ‘Diversions 1994-1996’ in 2012, we are excited to announce ‘KOCH’ (pronounced “cotch”), the new album from London’s Lee Gamble.

Sharing some stylistic affinity with his previous records, which excavated his deeply personal history with UK jungle and rave, and techno, this new work dives even deeper to reveal a singu- lar and intimate musical vantage point, shifting to approaching music as projection, state, hallucination, an other place. In ‘KOCH’, we experience an artist constructing a future after time spent deconstructing the past.

In the music we witness such dimensional abstraction, zooming between epic macro scenery and claustrophobically close detail, disorientation and absolute focus. Rhythms fuse together and phase apart, club tracks tunnel into an anxious wilderness, with themes and textures emerging as threads throughout the record, wormholing between each track.
There is a sense of the seen and the unseen, an honest tension between music as function (for this world) and as artistic exploration (for another world) as cracks in the surface appear to reveal the odd and alien minutiae within.
‘KOCH’ represents an intimate and revelatory new phase in Lee Gamble’s practice. Producing tracks that can live and grow on their own in a club or personal listening environment, the artist’s exploratory framework creates threads of consistency and tension between disparate spaces, locations, and mental states.

The LP is mastered and cut at D&M, with artwork by Bill Kouligas.

Format: 2xLP/DL 
Label: PAN 
Cat.No: PAN 59 
Release Date: September 12th

Lee Gamble 'Motor System' (PAN 59)

Hailing from Hiroshima, Meitei, unveils the final chapter of his transformative Kofū trilogy. “Kofū III” marks the apex of a musical journey that began in 2020, unraveling an introspective exploration of the artist's psyche while delving deep into the essence of Japanese culture. This latest release invites listeners into the innermost sanctums of Meitei's existence — a passage filled with serenity, self-discovery, and the triumphant conquest of personal demons.

Meitei's journey has been deeply intertwined with his surroundings. His move from bustling Kyoto to the tranquil rural town of Onomichi in Hiroshima wasn't just a change of location but a profound shift in his life. Navigating through the ebbs and flows of mental well-being, Meitei found solace in the quiet, low-key energy of Onomichi, where he began creating his distinctive brand of "ambient" music dedicated to resurrecting ‘lost Japanese moods’.

"Kofū III" is not just a collection of songs; it's a window into Meitei's mind, where he reflects on ‘the Japanese mental landscape,’ as experienced during the period of his return to his hometown. This album stands as a testament to Meitei's evolution, from his tentative inner quest to a state of deep healing.

"Kofū” and its precursor, "Kwaidan,” germinated in the solitude of Onomichi, embodying the mysterious, vanishing essence of Japan that Meitei unearthed in the shadows of his hometown. With "Kofū III," this exploration reaches its zenith, weaving musical landscapes that transcend temporal bounds. Each track vividly paints bygone eras and vignettes, all while drawing on the rich tapestry of Japanese literature and mindscapes.

Meitei introduces listeners to the tranquil Hiroshima countryside in 'Reimei,' while 'Hiroshima' reflects upon the city's transformation. It explores Meitei's intricate relationship with the city and contemplates the ever-changing visage of contemporary Japanese progress.

Within the sonic fabric of "Kofū III," "Shisei" brings listeners to Japan's past, when tattoos bore the name "Shisei." Fueled by Junichiro Tanizaki's "Shisei" narratives, the song paints a sensual tale of a tattooed man adorning a woman with a spider tattoo.

Meitei's authenticity shines through in "Kofū III," where complex emotions metamorphose into a kaleidoscopic fusion of lo-fi bliss. In "Yume-jūya," Meitei recounts a peculiar dream and the lingering anxiety it left behind. Also, inspired by the famous Japanese writer Soseki Natsume's "Yume-jūya," Meitei's interpretation offers his own perspective on this comical and bizarre tale.

"Edogawa Ranpo" stands as a mind-bending loop track that pays homage to the genius of the lesser-known Japanese author Edogawa Ranpo, a pioneer of the mysterious and bizarre. This experimental piece melds folklore, electronic rapture, and distortion, echoing Meitei's fascination with Ranpo's work since his elementary school days.

At the core of "Kofū III" lies "Heiwa," originally titled "1945," encapsulating Meitei's profound reflection on peace education in his hometown and the weighty significance of acknowledging historical tragedies. Its renaming as "Peace" symbolizes his personal odyssey towards understanding and reconciliation.

As Meitei concludes his Kofū trilogy, global listeners are invited to embark on this voyage to unearth the hidden treasures of Japanese culture and the depths of the human soul. "Kofū III" is a meditation on the intangible threads that bind us to our past - a portal to Japan's veiled history, capturing the essence of Japan's elusive spirit through the enigmatic landscapes of Meitei's inner terrains.

"Kofū III" is slated for release on December 1, 2023, in 180g LP, CD, and digital formats via KITCHEN. LABEL. Both LP and CD format are presented in a debossed sleeve with obi strip and include an accompanying 32-page booklet. This album is mastered by Chihei Hatakeyama in Tokyo, Japan.

Meitei - Yume-jūya (Kofū III, 2023)

Following up from the success of his emphatic PAN releases ‘Dutch Tvashar Plumes’ and ‘Diversions 1994-1996’ in 2012, we are excited to announce ‘KOCH’ (pronounced “cotch”), the new album from London’s Lee Gamble.

Sharing some stylistic affinity with his previous records, which excavated his deeply personal history with UK jungle and rave, and techno, this new work dives even deeper to reveal a singu- lar and intimate musical vantage point, shifting to approaching music as projection, state, hallucination, an other place. In ‘KOCH’, we experience an artist constructing a future after time spent deconstructing the past.

In the music we witness such dimensional abstraction, zooming between epic macro scenery and claustrophobically close detail, disorientation and absolute focus. Rhythms fuse together and phase apart, club tracks tunnel into an anxious wilderness, with themes and textures emerging as threads throughout the record, wormholing between each track.
There is a sense of the seen and the unseen, an honest tension between music as function (for this world) and as artistic exploration (for another world) as cracks in the surface appear to reveal the odd and alien minutiae within.
‘KOCH’ represents an intimate and revelatory new phase in Lee Gamble’s practice. Producing tracks that can live and grow on their own in a club or personal listening environment, the artist’s exploratory framework creates threads of consistency and tension between disparate spaces, locations, and mental states.

The LP is mastered and cut at D&M, with artwork by Bill Kouligas.

Format: 2xLP/DL 
Label: PAN 
Cat.No: PAN 59 
Release Date: September 12th
www.p-a-n.org

Lee Gamble 'Nueme' (PAN 59)

The Young Kirsty MacFarlane - Early Songs (from the album "Wind Wound")

Thu 5th Mar 15 - 1-3pm

NTS Radio, London...

http://ntslive.co.uk/



Lee Gamble - NTS Radio Show - Mar15

“クラブ／レイヴ／ダンス・ミュージックの解体と再生、電子音楽の現在と未来を切り開く新たなるセンセーション”

PAN Japan Showcase
2015.6.13 SAT at LIQUIDROOM
Early Bird* 3,500 yen (LTD 250) / ADV* 4,000 yen / Door 4,500 yen
OPEN / START 23:30 

>>>早割&前売チケット特典<<<
*ALL Early Bird & ADV tickets inc. Bill Kouligas designed “PAN JAPAN SHOWCASE POSTER”   The poster in A2 size will be exchanged with the ticket at venue on the show day.
早割と前売のチケットを購入された方には〈PAN〉主宰のBill Kouligasがデザインしたツアー・ポスター(A2) が付いてきます！ポスターは公演当日会場にてチケットと引き換えにお渡し致します。

LIVE : 

Bill Kouligas [PAN]
M.E.S.H. [PAN]
TCF A/V set [PAN / Liberation Technologies]
Soichi Terada House set [Far East Recording] 
goat [HEADZ / UNKNOWNMIX]
DREAMPV$HER
Madegg [flau / nocredit] + Shun Ishizuka A/V set

DJ : 

Lee Gamble [PAN]
DJ Shufflemaster [四季協会]
ENA [Samurai Horo / 7even]
D.J.Fulltono [Booty Tune]
COMPUMA
Chris SSG [MNML SSGS]
セーラーかんな子
MARI SAKURAI［IN HA］

#ELECTRONIC #LEFTFIELD #RAVE 
#TECHNO #HOUSE #AMBIENT #DRONE
#INDUSTRIAL #BASS #GRIME #FOOTWORK

激動の時代を迎えた実験／電子音楽の核心的レーベル、ベルリンの前衛〈PAN〉がショーケースとなって日本上陸。レーベルを主宰する実験音楽の極北Bill Kouligas、最新作『KOCH』が大きな反響を呼んだ怪人Lee Gamble、そしてARCAを追随する新鋭M.E.S.H.が一挙初来日！

電子音楽のコア・ジャンル、ミュージック・コンクレートやエレクトロニクスなど実験的なサウンドを軸に展開、最近ではテクノやインダストリアルといったダンス・ミュージックへもアプローチをしながらここ数年のサウンド・アートの再興によって気鋭の存在へと発展、テン年代の大きな潮流となったシンセサイザー・ミュージックのムーヴメントを通過したインディ・ロックやポップのシーンにまで及ぶ広大な現在の電子音楽の文脈おいて今最も研ぎ澄まされた挑戦的なサウンドと一貫したアートワークで世界をリードするベルリン拠点のレーベル〈PAN〉のショーケース・ナイト。現代音楽、ノイズ、そしてダンス・ミュージックまでテン年代のアンダーグランドを刺激し続けて来た先駆者の飽くなき“実験”による至極のアートとサウンド体験が遂にここ東京で実現する。

追加アクトには〈PAN〉からリリースを控えるノルウェーのTCFが再来日。国内アクトには90年代に大きな功績を残したハウスとテクノの重鎮、再発や再始動で話題の寺田創一とDJ Shufflemaster、関西からはセカンド・アルバムをリリースしたばかりのプログレッシヴなミニマリズムを追求する人気急上昇中のバンドgoat、自身のレーベルやイベントも立ち上げ邁進する若手最注目株Madeggと東京を拠点とするグラフィック・デザイナー石塚俊、国内ジューク／フットワークの第一人者D.J.Fulltono、 東京からは世界へと進出する音響ベースの先鋭ENA、絶好調のモジュラー・シンセ・ユニットDREAMPV$HER、00年代よりテクノを中心にシーンを牽引する重要人物Chris SSG、地下シーンの至る所で活躍し名バイヤーとしても知られるベテランCOMPUMA、現行のオルタナティブ・カルチャーを代表するセーラーかんな子、最若手電子音楽クルー[IN HA]の女子DJ MARI SAKURAIが集結、ジャンル、スタイル、シーン、世代を超えた全15アクトで送るセンセーショナルな電子音楽の祭典。

Ticket Info : 

早割券 / Early Bird ¥3,500 (250枚限定) 3月21日(土) ～ 5月9日(土) ディスクユニオン独占先行発売 

DISK UNION（CLUB / DANCE ONLINE, SHIBUYA CLUB MUSIC SHOP, SHINJUKU CLUB MUSIC SHOP, SHIMOKITAZAWA CLUB MUSIC SHOP, KICHIJOJI, OCHANOMIZU-EKIMAE, SHINJUKU-HONKAN, MACHIDA, CHIBA, KASHIWA, IKEBUKURO）

DISK UNION ONLINE http://diskunion.net/clubt/ct/detail/6005000287

前売券 / ADV ¥4,000 5月10日(日) ～ 6月12日(金) 一般発売

PIA [P code 260-082]、LAWSON [L code 75174]、e+、DISK UNION (CLUB / DANCE ONLINE, SHIBUYA CLUB MUSIC SHOP, SHINJUKU CLUB MUSIC SHOP, SHIMOKITAZAWA CLUB MUSIC SHOP, KICHIJOJI, OCHANOMIZU-EKIMAE, SHINJUKU-HONKAN, MACHIDA, CHIBA, KASHIWA, IKEBUKURO)、JET SET TOKYO、Lighthouse Records、LOS APSON?、RA、TECHNIQUE、Clubberia、LIQUIDROOM

Over 20’s only. Photo ID required.  

More Info : http://meltingbot.net/event/pan-japan-showcase-bill-kouligas-lee-gamble-m-e-s-h/
____________________________________________________________

主催 : LIQUIDROOM
協力 : melting bot, Inpartmaint

PAN Japan Showcase in Tokyo mix (Rinse FM — PAN #1 | Bill Kouligas & M.E.S.H.)

A_jiki's New CD Manner Instructor ,Now On Sale!!
Please send me a Message if you want this CD.

update version 20180623

Vocal by おもちねこ(@lovalotta)
Lyric by A_jiki & おもちねこ
Composed by A_jiki
Arranged by A_jiki
Jacket Illustration by てらまち

Reality No Dance

テンテンコ自主制作CDR40枚目。

Deep & Moisturesシリーズ12枚目。
ElectronのDigitaktを中心に、なるべく音数を減らして構築した曲を作りました。
"格好いいけど"どこか変だなという曲作りを目指しています。
民族音楽の太鼓の音をサンプリングして、力強さを出したり、
リバーブ感を大切にしてChain reactionの雰囲気をなんとか出そうと試行錯誤しました。

4曲目「Soggy」一曲フルでUPしました。ぜひ大音量で聴いてね！

全4曲入り、27分。

1. Batty
2. Reptiles
3. Sit around
4. Soggy

音楽、ジャケットデザイン、録音：テンテンコ

制作：テンテン・レコーズ

テンテン商店

Soggy

Lee Gamble 'Diversions 1994-1996' (PAN 33) 
12"/DL - Release Date: Nov 2nd 2012

'Diversions 1994-1996' is made up entirely from samples from the collection of Lee Gamble's Jungle cassette mixtapes. The audio has been subjected to analog and digital deformations, whilst trying to extract, expand upon and convey particular qualities emblematic of the original music.

http://pan-act.com

Lee Gamble 'Emu' (PAN 33)

Live!

ドイツで活動するStefan Schneider（To Rococo Rot、Mapstationなどのグループの他、Hans-Joachim Roedelius (Cluster)、Sven Kacirek、Bill Wells、YPYらとのコラボ〜ユニットなどで活動）によるレーベルTALより、テンテンコとKOPYのスプリットアルバムがリリースされます！
2019年5月に"Paredo EP"がリリースされ、この作品がTALからの２枚目のリリースとなります。

テンテンコの楽曲をStefanが新たにミックス(曲によってはもはやリミックス?!)をしてくれていて、それぞれ抑制を効かせてめちゃめちゃ格好良くなった４曲が収録されています。
テクノ〜ハウスを基調とした実験的なダンストラック、です。

DLコード付vinyl、CDでの販売。
両A面のようなジャケットデザインは、ZodiakことTakeshi Makabeさんが作ってくれました。レコードの盤面にも二人の写真がプリントされており、そこもめっちゃいい感じです！

テンテン商店での特典はテンテンコの未発表、新曲を収録した４曲入りCDRです！

●レーベル・インフォ
http://www.talmusic.com/?p=663

-KOPY-
Mild Wife  3:51
KOPY in da house  2:33
Good morning  3:26
Carl  3:40
Sakyu.  4:56

All music by KOPY
Recorded at Takoyaki Jinsei Studio (Osaka)

-TENTENKO-
WaaaAoooOoooOaaaA  4:22
P-Factry in Your City  5:42
Super Soggy  4:10
Digital Memory Asleep  4:17

All music by Tentenko
Recorded at Under The Bed Studio (Tokyo)

Mixed by Stefan Schneider
Mastering: Detlef Funder at Paraschall, Düsseldorf
Vinylcut: Anne Taegert at Dubplates and Mastering, Berlin
Artwork Takashi Makabe, Osaka
Correspondence: Miki Yui

SUPER MILD

【試聴】SUPER MILD - TENTENKO TRACK ONLY

It began with ‘Kwaidan’, a simmering study on the lost art of Japanese ghost story-telling. Then there was‘Komachi’, baptized in the earthly winds and static that define its comforting sonics.

On ‘Kofū’, Meitei masterfully closes his trilogy of lost Japanese moods with an engaging interrogation of artforms and aesthetics as a provocation — or, as fashioned in the album’s subtitle, a “satire of old Japanese aesthetics”. Each entry’s distinct flavour hasearned Meitei acclaim for conjuring a bygone culture through his transportive form of ambient music. ‘Kofū’ arrives as a deconstruction of this approach. His first release with KITCHEN. LABEL, Meitei has quietly defied expectations set by his previous two albums, while continuing to challenge modern notions of Japanese sounds.

Once again, Meitei resumes his focus on a Japan that has long ceased to be. This time, ‘Kofū’ is deliberately playful in bridging a sensibility that connects this imagined past to the present. Fractured piano chords are the first to greet you on ‘Kintsugi’ before they make way for a spectral elegance that parades the haunted mask of Kwaidan on ‘Man'yō’. 

But like an ambient soothsayer schooled in the art of the 808s, Meitei quickly drives ‘Kofū’ with propulsion on ‘Oiran I’, which shares a sibling in Side B track ‘Oiran II’. On both songs, he builds tension served up by flickering hip-hop rhythms — achieved by carefully processing old drum and metal sounds — with a subversive spirit unforeseen in any of his work thus far.

Dissecting vocal recordings to the point of incomprehensibility, Meitei aims for something stirring beyond- words — not unlike J Dilla and his mountain of cut-up soul samples, or The Caretaker with decaying 78s. He abides by a principle attributed to the master Hayao Miyazaki: “Beyond logic speaks of human nature”.

‘Kofū’ allows full immersion into fragments of the past without the trappings of nostalgia. The tracklist is denoted by prominent (and unseen) figures of this history. Tracks ‘Sadayakko’ and ‘Otojirō’ are named after renowned entertainers from the Meiji era, while ‘Nyōbō’ is dedicated to a long-suffering line of working class women within a patriarchal Japanese society. The sounds of ‘Oiran’, sharing the name of the title bestowed upon courtesans, were sparked after learning about the treatment of red light district workers within this era. It paints a grim picture of baidoku (also known as syphilis) and its ravage spread.

These stories cloud the overall mood of ‘Kofū’, but Meitei takes a Mizoguchi-like approach to mould that unimaginable pain with tenderness. ‘Oiran 1’’s hidden subtitle is Hana, and ‘Oiran II’ is Shiokaze. As Meitei explains, “Hana means gorgeous and glorious. Shiokaze is the sea breeze — for her life.” Tracks like ‘Urameshi-ya’ and ‘Gen'ei’ provide a meditative space amidst the turbulence, while ‘Shōnen’ takes a turn for the cinematic. The eight-minute odyssey is engulfed by shadowy voice loops, mixed best for a headphone experience in a solitary setting.

Meitei bids farewell to an expedition first sparked by a passion for a long-forgotten cultural past. ‘Kofū’ is a definitive conclusion with an open invitation to listeners from Japan and beyond — encouraging continued appreciation of this sacred part of history, wholly untethered from the world at large.

‘Kofū’ will be released on LP, CD and across all digital formats via KITCHEN. LABEL. Chihei Hatakeyama mastered this recording in Tokyo, Japan.

Release Date:
CD, Digital - 25 Sep 2020
LP - 30 Oct 2020

Ⓟ & © 2020 KITCHEN. LABEL

Meitei - Shōnen (Kofū, 2020)

通勤ラッシュ Sampling - "Shibuya on SOUNDS GOOD"

概要：
[ermhoi (Black Boboi)]
Instagram : www.instagram.com/ermhoi/

[How to Sample]
THIS SOUNDS GOOD?
soundcloud.com/soundsgoodlabel/sets/sounds-of-shibuya-ermhoi

・様々な足音を重ねた。パンを動かすことで動きも表そうとした。
・電車の音がリズムを持っていたので、それを起点にBPMを決めた。

[SOUNDS GOOD®︎]
soundsgoodlabel.com/
www.instagram.com/sounds.good.label/
twitter.com/soundsgoodlabel

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通勤ラッシュ Sampling - “Shibuya on SOUNDS GOOD”

松明/ Torch

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



PAN Japan Showcase in Tokyo mix (Rinse FM — PAN #1 | Bill Kouligas & M.E.S.H.)

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