p*dis sampler 2018.10

<a title="Request license for this Track." href="https://www.tracksandfields.com/track/request_license?track_name=Blue+Waltz&amp;user_name=Yoav+Ilan&amp;from_sc=1">Request license for this Track.</a>From the piano project:
"Stories Without Words"

Youtube Playlist:
http://goo.gl/aXOK5k

Vimeo Playlist:
https://vimeo.com/album/3272442

Download Album:
https://yoavilan.bandcamp.com/album/stories-without-words

Visit:
https://www.yoavilan.com


composed, played and dreamed by Yoav ilan.
Recorded by Avi elbaz.
Mixed by @tomer-salman
Mastered by @nadroj-mastering
Beautiful Cover by Odelia Liphshiz
www.odelialeaf.com/

Little Piano man logo - Sivan ben sasson
Thank you sivan!

Blue Waltz

Out Now! Get it at Daptone Records Shop http://bit.ly/2cfnj5J

PST-001

Benjamin & The Right Direction "Light Of My Life"

MOVING OUT

A taste from the upcoming DJ Krush 'Cosmic Yard'.

Available on pre-order now from www.gammaproforma.com

DJ Krush - Dust Trail [Gamma Proforma]

Collection 010 / Merzbow

Tangent - Confinement

Fall Therapy - Guilt

HOD002 
A SIDE TRANSFORM 
Release 12/09/2018

A Soundtrack For A Film 

TRANSFORM

From the album Anne.  Available November 16, 2018 from Western Vinyl.

Bandcamp https://josephshabason.bandcamp.com/album/anne
iTunes https://itunes.apple.com/us/album/anne/1427808233?ls=1&app=itunes
Spotify https://open.spotify.com/album/19FD6RN5K3xYFThAHM4fGy?si=0hUO0rFVQAigvSPTvJL_4w
WV http://westernvinyl.com/shop/wv182

Joseph Shabason
Twitter https://twitter.com/JosephShabason
Instagram https://www.instagram.com/josephshabason/
Facebook https://www.facebook.com/josephshabason

Anne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality. 

Shabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic exercise.

Still, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible.  The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.

The serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.

Anne

Joseph Shabason - "Forest Run"

from the album 'the deep end' available 10/26

The Deep End

saloli 'barcarolle'

Senyawa - Sujud - SF114-10SecSamples

Taken from the solo album 'The Transition' out November 2nd on Erased Tapes.
Pre-order the LP/CD/DL: https://www.erasedtapes.com/release/eratp114-david-allred-the-transition

"The Garden represents my mental health as I strive to develop a better relationship with the way we live, learn, and communicate through the internet. The process of accepting and contributing to the way that we are expected to represent ourselves online is inherently at odds with our ability to connect and understand each other on a personal level. We live in a time where technology assertively taps into our biological need to feel human connection, and it is in our best interest to adapt as well as possible to this ideological paradigm, in spite of all the illusions we encounter along the way." — David Allred

Following on from last year's collaborative release Find The Ways with Peter Broderick, the Californian singer and multi-instrumentalist David Allred returns with a first solo album on Erased Tapes out November 2nd, titled The Transition.

Hailing from Loomis, a small town outside of Sacramento, via Portland, Oregon – David worked as a sound engineer and session musician, featuring on multiple recordings by the likes of Birger Olsen, Brigid Mae Power, Brumes, The Beacon Sound Choir, Chantal Acda, Heather Woods Broderick, Jung Body, Masayoshi Fujita, and many more. He quickly found himself touring Europe with Peter, culminating in a Royal Festival Hall performance, and contributing the arresting voice and double bass piece Ahoy to the Erased Tapes 10th anniversary box set 1+1=X; only to return to where he started, Loomis, and finally write and record The Transition as his first full-length statement in just one month.

With the release of The Transition, David Allred takes his place among the classic American songwriting tradition whilst revealing a peculiarity to his storytelling.

Isolated and cut off from the outside world, David began unravelling his life and putting it on record. With a double bass in his bedroom and a piano in a church across the street, the stories started to unfold until a set of ten songs came to life. Vignettes and feelings from his own experiences, as well as characters he met along the way, inspired a rich tapestry of stories and melodies.

The Transition

The Garden

Buy LP/CD/DL

David Allred - The Garden

Treble Rebel

Meitei is a Japanese artist who started out as a freelance composer, making various kinds of music across genres. Having done it for 8 years, his goal was to eventually release his own original music. 

Living in Kyoto for the past two years has deeply influenced his current sound, which is a focus on musically crafting a “Japanese mood” called Meitei (冥丁) (thus, his name). Rich in history, Meitei wanted to borrow this lost “Japanese mood” and incorporate a contemporary spin on it. This led to the creation of Kwaidan (怪談). 

Kwaidan is a style of Japanese ghost stories. Meitei took it as a challenge of his skill as a musician to transpose the folklore into intricate compositions, capturing this lost “Japanese mood”. 

“The shocking elements in the horror have become a staple. It’s functions as entertainment. But I personally felt the mood and ambience from Kwaidan is starting to wither – while the darkness is scary, the beauty is in the curious spirit” 

Kwaidan was originally released in January 2018. Evening Chants is pleased to be re-issuing this exceptionally crafted piece of work on cassette tape, limited to 100 copies. 

______
eveningchants.bandcamp.com
soundcloud.com/user-120270293

Meitei - Kwaidan / 怪談 (Album Excerpt)

Select your favorite platform: https://ampl.ink/PORAo 

Bruno Sanfilippo relaunch and revives his acclaimed album InTRO (2006) as a special remastered & expanded edition on CD and Digital. 

The album (65:28)contains its seven original soundscapes plus two unreleased; InTROpolar (7:10) and InTROsense (6:11), taken from recording sessions in May 2006.
These nine records were recently analog remastered from the original master by Ian Hawgood. The cover art was redesigned using the original photography of Helyn Davenport.
‘In his nine compositions of imaginary 'InTROspective' Sanfilippo explores the interest in the unfettered possibilities of dreams. Its impact is strongly imaginative and cinematic, featuring deep piano interludes, great synthesizer pads, field recordings, soft soaring sound textures and transparent soundscapes’

"A delicate blend of sounds and feelings combining to create a full environment and space. Lovely work. I've often thought that the mettle of an artist is proven in their ability to work equally comfortably in a variety of styles. With "InTRO", Bruno Sanfilippo has shown that he's capable of working in a number of different forms, moving easily between styles and sounds, showing an ear and an ability in all of the areas he presents here. Certainly Sanfilippo's reputation as an artist to watch is well deserved, and I would cite "InTRO" as a fine piece of evidence to support that claim" Pingthings

ANALOG RE-MASTERED by IAN HAWGOOD
ARTWORK by HELYN DAVENPORT
RECORDED & MIXED by BRUNO at ONIX STUDIO · BARCELONA

www.bruno-sanfilippo.com

InTRO remastered & expanded

InTROpassion

Select your platform

Multi-instrumentalist, singer and composer Peter Broderick will release a new extended player titled 'Two Balloons' on November 9th with Erased Tapes. Available as a limited edition 10” vinyl and digital download, it features the score for the award-winning animation of the same name, inspired by an early recording of his, plus a 9-minute electronic rework on the B-side titled Techno For Lemurs.

Fairly often we see albums of “Music inspired by the film __”, but less common is a film inspired by music. Such is the case with Two Balloons. Director Mark C. Smith got the idea for his nine-minute stop frame animation film while out at sea, looking at a majestic funnel cloud in the distance. Shortly after he heard a song by Peter Broderick from one of his earliest recordings — 4 Track Songs — and the music struck a chord so strongly, he knew he wanted to make a film to fit the melody. And so began the five-year labour of love that would eventually produce this enchanting little film, currently circulating film festivals around the world and racking up countless awards and accolades including ‘Best Original Music Score’ at the New Renaissance Film Festival in Amsterdam.

Peter begins his European tour tomorrow in Cardiff and will perform at the Erased Tapes Northern Showcase in Wakefield with Rival Consoles and Hatis Noit on Saturday September 15th. Information and tickets: https://www.residentadvisor.net/events/1124408
 
European Dates:

2018
13.09. Cardiff (UK) — The Gate Arts & Community Centre 
14.09. Oxford (UK) — The Old Fire Station 
15.09. Wakefield (UK) — Erased Tapes Showcase  
16.09. Dublin (IE) — Pavilion Theatre 
07.10. Galway (IE) — Galway Jazz Festival at LOAM 
17.10. Lausanne (CH) — Le Bourg  
18.10. Lugano (CH) — FOCE 
27.10. Kaltern (IT) — Kaltern Pop Festival (with Stargaze) 
17.11. Cobh (IE) — Sirius Arts Centre (One Hear Now)
15.12. Pattaya (TH) — Wonderfruit Festival 
30.03. Mechelen (BE) — Cultuurcentrum

Pre-order 'Two Balloons' on 10"EP/DL: https://www.erasedtapes.com/release/eratp115-peter-broderick-two-balloons

Two Balloons

Two Balloons (Part 4)

Buy 10"/DL

Peter Broderick - Two Balloons (Part 4)

Michele Mercure - "An Accident Waiting To Happen"

Taken from the archival compilation, Beside Herself, out on RVNG / Freedom To Spend November 9, 2018

https://smarturl.it/rervng12

©2018 RVNG Intl. // www.igetrvng.com

Michele Mercure - An Accident Waiting To Happen

We will fail – 2018

Artist: Anna St. Louis
Album title: If Only There Was a River
woodsist094 / mare003
LP / Digital
Release date: Oct 12, 2018

If Only There Was a River

Anna St. Louis - Desert

2018年11月24日リリース予定のシンガーソングライター・水瑛（スヨン）のピアノ弾き語り作品３曲のダイジェストです。

水瑛１st Single「HIRAETH」Digest

Independent label and distributor in Tokyo, Japan specializing in indie / underground music from Indie Rock / Electronica / Alternative, Ambient / Drone / Experimental,   Jazz / Crossover / Avant-grade, Techno / House / Disco, Beat / Downtempo / Dubstep.

We are here to seek new talent and inspire your music life. You can put your music in our dropBox or make contact with us via soundcloud. Any music and style is welcome and appreciated.

All music on this account is fully authorized by labels and artists. However, if you find contents infringing your copyright and the information is incorrect, please give us a notice. We'll act on your requests immediately. 



p*dis sampler 2018.10

pdis_inpartmaint