Name: Takeshi NIshimoto - Lavandula - late summer early autumn (Sonic Pieces) by pdis_inpartmaint
Duration: 6 min 16 s
Description: [p*dis] distribution sampler for July 2013

gtr cello

Jon Hassell - Fascinoma (full Album)

For the first guest on ‘in Passing tides’ slyn is ecstatic to be joined by one of her biggest inspirations,         
 ‧₊⋆•‧.°₊‧⋆.₊˚•⋆.°.‧₊₊‧.°.⋆•₊‧.‧⋆˚•₊‧⋆.⋆‧₊˚•⋆.°.•‧₊˚•⋆. Slowfoam   .°.⋆₊˚•‧₊.⋆•‧₊.°.‧₊⋆•₊.°•₊‧.⋆₊‧.‧•₊˚.⋆‧₊‧.°.•⋆˚₊.⋆‧°.⋆°. ‧₊

Slowfoam, who has curated the first thirty minutes of the show, navigates the frontiers of ecology and technology, delving into interconnectedness transcending past human bounds. 

The second half, by slyn, follows her last months spent working with the sea, encompassing her feelings of helplessness, nostalgia, wonder, and hope, which she felt during this time. 

Both taking large influence from the dynamics of natural systems, drift through an hour of textural ambience and meandering sounds.

Photo credit: Madelyn Byrd

in Passing tides 02 ~ Slowfoam & slyn ~ (20.05.24)

MIKI YUI, As If, LP
Hallow Ground
Vinyl / digital, catalogue nr. HG2404
Ltd. vinyl / digital
Release date 06. Sept. 2024

Miki Yui is a musician, artist, and composer, originally from Tokyo, who has been based in Düsseldorf since 1994. Her whose work has long explored multiple forms of media, while documenting liminal zones of perception. On her latest album, As If, Yui creates a subtly connected suite of electronic music, drawn from improvisations and randomised processes that she has engaged with modular synthesis. Deeply poetic in its expression, even at its most minimal, the six pieces on As If have a curious tenor – they are, each of them, intensely sensuous, almost haptic listening experiences, as though the laser focus that Yui displays towards her compositions allows her to engage them as almost physical presences in the world.

One of the keys that unlocks the intimate complexity-in-simplicity of As If was Yui’s encounters with the Amazonian rainforest in Manaus, Brazil in 2018. Finding that the sounds in the rainforest both shadowed and echoed the music she had been making for two decades, she embraced the possibilities of modular synthesis, the sounds of which she discovered “have astonishing similarities to the sounds I experienced in the rainforest.” There is, indeed, something natural about the way these sounds bloom in real time; in their dedicated focus to the subtle development and mutation of several discrete parameters of sound, they grow slowly, gradually, their rhizomic structures suggesting that we are always situated within the middle of sound.

Sometimes, the material here has a kind of febrile energy, as on the ticking, clacking electronics of “Generativ”, a track that seems to rotate in the air in front of the listener, the light reflecting off its multiple surfaces as we catch the intricacies of its micro-patterns. Elsewhere, we slide into a cooled but welcoming environment, like the late-night fire-fly horizon of “Song 4”; there’s also the humid, dripping tropical sunset that’s documented on “Summernight”. It’s a music that’s hard to locate external coordinates for, though there are, perhaps, some parallels with the work of Laurie Spiegel, Eliane Radigue’s Vice Versa, and Pauline Oliveros’s “Roots of the Moment”. But As If is an extraordinary collection of naturally developing, rich studies for slowly mutating, enveloping, elemental electronics.

Miki Yui - Ur

02 - Valle Del Bove

The Beginning (David Sylvian Remix)

Bob Mille Balles [28.11.24]

51.4 Song Impro Sweet Street 20250904-4

Underwater Nocturne

JASSS
"Every Fish In The Pond"
Taken from the upcoming 2xLP debut album "Weightless" (iDEAL160) to be released on September 18th 2017.

Cover photo by Pan Daijing. Cover design by Philip Marshall. 

Dedicated to Fernando Jimenez and Blanca Alvarez.

JASSS is playing Berghain Säule in Berlin on June 29th!

www.idealrecordings.com

JASSS - Every Single Fish In The Pond ("Weightless" iDEAL160 2xLP Preview)

[p*dis] distribution sampler for July 2013

Takeshi NIshimoto - Lavandula - late summer early autumn (Sonic Pieces)

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Takeshi NIshimoto - Lavandula - late summer early autumn (Sonic Pieces)

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