Slime prod. Dreamnote + Freger

prod me + @bbyazul4k

@w2h

.
🎣
Reach out, someone come send me a pad
I ain't used the last? oh my bad, my bad
you should all know by now that I lack
I promise I'll get back- but my intention ain't to make a bag

Take off like a Triad
I ain't tryna be a thief but with drums I can't add
I'm just proud of the shit that I had
- just need to move forward its my bad

.
😕
Haven't dropped in nearly 2 months now that's sad
tbh I been busy I might be a grad
I've been up n I've met tons of people
now its my second coming like Jesus s/o the steeple

Bring me the blood of a beast Ima poison the leaves
gon' lock in now yea it's time for a feast
spit so much shit cuz I don't pay attention
got a chong up my sleeve gonna get me detention

.
🎣
Reach out, someone come send me a pad
I ain't used the last? oh my bad, my bad
you should all know by now that I lack
I promise I'll get back- but my intention ain't to make a bag

Take off like a Triad
I ain't tryna be a thief but with drums I can't add
I'm just proud of the shit that I had
- just need to move forward its my bad

#WELCOME2HEAVEN

My Bad

My Bad 🤲 (jv + bbyazul)

no-nah-nope-gif-27519282

chá

Alternative Mix of “CATATONIA” - @vfoliaxoxo’s Single from Recent Collaborative Project “88WAV$” / Featuring @1endski

CATATONIA [ALT] {feat. 1end} - @vfoliaxoxo (prod. @vfoliaxoxo)

canUdosumthin4me (Prod. symmetry)

deep cuts for the completionists. most of these were recorded during my first few months at college.

.... creepy (me) #2012 #WSO :)

Heavy Heart (prod. rainngod)

in the healer's arms (demo)

DIRTYBLOOD - SOULFUL TRAP INSTRUMENTAL BEATS (15)

In the grand chronicles of the nineteenth-century discourse on sexual identity,
 where the environmental and evolutionary theories of sexual perversion emerged
 like mist over a waking meadow,
 there blossomed the intricate belief
 that sexual identity was not merely a static proclamation of one's being,
 but rather a delicate tapestry
 woven from the dual threads of biology and culture—
 forces at once tangible and transcendent.
As we traversed the threshold into the twentieth century's dawn,
 the scholarly quest turned its gaze
 toward the enigmatic influence of culture
 upon the rituals of desire and companionship.
This shift in focus
 ascended to the zenith of discursive gravity,
 illuminating the idea that sexual identity was a dance of cosmic forces,
 where biological and cultural energies
 intertwined like lovers in an eternal waltz.
In this grand and sprawling tapestry of existential thought,
 the paradigm gradually shifted,
 enfolding into itself the once rigid concepts
 of biological and psychological sexual identities,
 gently guiding them
 towards the more ethereal construct
 of a socio-cultural sexual identity.
This notion unfurled under the luminescent canopy of belief
 that individuals were akin to clay—
 ever-malleable under the subtle artistry
 of societal and cultural influences.
The essence of one's individuality
 began to appear as an intricate masterpiece,
 sculpted not only by personal volition,
 but also crafted with the discerning hand
 of social forces and affiliations.
With a poetic grace,
 these social forces manifested as institutionalized pathways,
 both overt and clandestine,
 which gently ushered individuals
 along the prescribed rivers of desire,
 where their sexual practices and relationships
 were harmonized with the symphonic norms of tradition.
In this cosmic interplay,
 belongingness emerged as a fluid concept—
 either achieved through elegant conformity to,
 or daring deviation from,
 these institutionalized rivers of expectation.



in the healer's arms (demo)

peace dealer

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