Interview: http://truantsblog.com/2021/truancy-volume-281-central/

Soundcloud: @central8000

Access the download on our Patreon: patreon.com/truants

http://truantsblog.com

Central

Truancy Volume 281: Central

Brawther took over the decks just as dawn approached, following Baloo’s soulful set on the third night of Zanzi IV. He guided the crowd through a journey of deep house music, capturing the moment as the first light of day touched the horizon. With a hypnotic vibe that gradually opened into a soulful Zanzi sunrise, Brawther created an atmosphere unlike any other.

The crowd appreciating the freedom and depth he brought to the stage, it was a morning to remember.

Edition 4 / June 2024 / Sunrise deep house by Brawther

Follow Soundscapes:

Website: www.soundscapes.me/
Facebook: www.facebook.com/soundscapes.bahrain
Instagram: www.instagram.com/soundscapes.bh/?hl=fr

Follow Brawther:

Instagram: www.instagram.com/brawther/
Soundcloud: @brawther

Brawther @Soundscapes IV Wings of Change Zanzibar | 16.6.24

Swayzak - Radio Buena Vida 27.02.25

Following her standout debut at last year’s Gottwood on the Lighthouse stage, it felt only right to invite Georgia back to take command for the next instalment in our mix series.

A core member of the SlapFunk family, Georgia brings a unique energy to the booth, known for her agile mixing, dub-tinged grooves and varied yet cohesive selections. With regular appearances at Fabric, Hoppetosse, Bret, FOLD and Club der Visionaere, she’s earned her stripes both at home and across Europe’s more discerning dancefloors.

This mix offers a deep dive into Georgia’s record collection, flowing between house, acid, deep house, tech house and tougher, garage-flavoured cuts. Her sound is confident, unforced and always grounded in groove. It’s no surprise she’s held in such high regard by both peers and fans.

We’re super excited to have her back at this year’s festival. Catch her on Friday at the Lighthouse for the Jive Talk and Friends takeover.

Grab a ticket and join us in the woods of Carreglwyd this June.

GW

IG - https://www.instagram.com/georgia__dj/

SC - https://on.soundcloud.com/xQJi5XozhQvzgKLP6

Tickets - https://www.gottwood.co.uk


Gottwood Mix 76 - Georgia

The Calling (Original mix)

This mix is a sampler for an upcoming various artists album via Tresor x Limited Network coming early next year. With music from: 

5tr8tch
GiGi Galaxy
Sugar
JPWatts
Max Watts
Skee Mask

Available on SoundCloud and Apple Podcasts. Enjoy!

ITPS119 LIMITED NETWORK

Peach Fuzz is a long-time music enthusiast with a deep love for house and electronic music. Digging all shades of house, and other genres for over 10 years, and building a vinyl collection along the way, he also produces music, using a mix of drum machines, hardware synths, and live percussion to create his own sound.  Beyond that, he's a house dancer, which keeps him connected to the music on and off the floor.

Mixed Feelings #93: Peach Fuzz

The first-ever live recording from an elusive icon of dubby electronic music.

Lore is an underrated quality. Neuroscientists have mapped that music elicits similar feelings in the brain to when we satiate cravings, but what about the psychological impulse that drives listeners of a certain disposition toward everything they don't know?

It's tricky to put your finger on, but artists able to conjure intrigue without overhawking the backstory can really cut through—just ask SAULT, [ar:pi:ar] or Gerald Donald. Then there are those who don't try whatsoever. These are the ones who stay in mind the most.

In 2001, a striking 12" called Ship-Scope emerged through Chain Reaction, credited to Shinichi Atobe, with no other info available. Okay, mulled fans, this is probably a cat-and-mouse game dreamed up by someone on a label with a fine line in foggy obfuscation. Vainqueur on a wind-up? Another Moritz 'n Mark alias?

But no: Atobe was real, and really had posted a demo to Hard Wax. It was that simple. Then he went back to his day job—until, after 13 years of silence, an even better follow-up emerged.

From the near-perfect Butterfly Effect onwards, Atobe has built up one of the most revered catalogues in underground circles. A steady clip of elegant, transportive dub techno and deep electronics has arrived on Demdike Stare's DDS, complimented by the launch of his own label, plastic & sounds, earlier in summer 2025.

Atobe has also made strides into the public domain, DJing intermittently, as well as performing live for the first time in 2023, gracing WWW at the tender age of 52. It's that debut 2023 show heard on RA.1009: a hypnotic yet comparatively pumping set full of Atobe staples, as well as material you won't find anywhere else.

Contact with the big man, as you might anticipate, is glacial: since we first reached out, the RA Mix has changed name, look and rolled over into its second millennium. Still, patience pays off. This is a one-off we're stoked to run. – Gabriel Szatan

@shinichiatobe

Find the interview at https://ra.co/podcast/1028

RA.1009 Shinichi Atobe

Aron Quaid – Johnny Walks - GL004
[Out now on Beatport, Bandcamp, and all streaming platforms]

The demo for the title track happened fast. Like, one-day fast. A few days before Gaplife’s launch at Loop51, Aron sat down to make ‘something fun’, no big plan. Just chasing a good feeling. He’d been deep in Italo house that week: bright chords, happy grooves, the kind of stuff that makes you grin without realising it. So he thought, alright, let’s try a “hands-up” track.

And in a single session, “Johnny Walks” came together. Multiple sections, builds, breakdowns, and then in that final stretch…the strings, the lift, the everything-is-right-in-the-world moment. We quickly used it as the backing track for the Loop51 poster because it was exactly that energy: positive, open, communal.

By that point, Aron already had “Night at Hugh” and “Pussy” waiting to be tested. Both were born from the same mindset: keep it simple, keep it moving. He’d been making more melodic, layered tracks and wanted to tap into that pure, four-to-the-floor groove.

“Night At Hugh” samples this old Hugh Hefner interview about fearlessness; it’s weirdly inspiring in context. And “Pussy”... well, that one’s built around a random vocal sample. No extravagant explanation, just one of those happy studio moments that slaps.

Together, these three tracks show Aron in flow mode: no overthinking, just instinct and energy. Melodic but club-ready, euphoric yet grounded. Easy to drop in a set, but also something you’ll catch yourself replaying just for the mood.

Pure Quaid energy.
Dope. Enjoy.
Lee


Johnny Walks

GJ Anderson #BRICK04

Live DJ set streamed to twitch.tv/francoisknyc on 01-09-2021

The Calling (Original mix)

Peach Fuzz

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