dark💀 deep 💀dirty

https://soundcloud.com/kuedo

I Love this track by Kuedo.... I have just added the vocals...

Kuedo - Visioning Shared Tomorrows ( unofficial MP XvocalsX )

"The Dance of Death" — The new EP from Shades (Alix Perez x Eprom) 

Stream/buy: https://ffm.to/thedanceofdeath

The Dance of Death

Eternal Rain Descending

king of the darkness

Out now on Critical Music
Stream/ Download: https://fanlink.to/Steel_Wings

My biggest project to date!

Patreon https://www.patreon.com/buunshin
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Critical Music
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Steel Wings

Tranen

Stream / Download

"Chapter 1" OUT NOW!

Track is available for purchase on Beatport and streaming on all sites!

Music Video/Visualizer is also available to watch on youtube:
https://www.youtube.com/watch?v=moeANF9Y6XI

Enjoy!

linktr.ee/xohne

Contact/Enquires:
thexohne@outlook.com

Instagram/Soundcloud/TikTok/Facebook/Youtube:
@XOHNE

Chapter 1 Buy Chapter 1 here

XOHNE - Chapter 1

Blonde E.P

Q.Nix

Betrayal

Rinse FM Podcasts

1985 Music Onhell presents 'Sandía' EP  - 30 July 2024

Taking is not in all cases 'receiving' 
What we denounce from ourselves, we replace with something new. 
The regression of life 
& the fluidity of existence is a continuous giving and taking. 
We take from our experiences, and we give to our emotions. 
the inherent beauty of emotion is its ability to change our experiences.
this paradox fuels everything we know. 
like Life & Death. they give, and they take. 
again & again. 
"They" in this context, are the roles of the observers. 
recycling the same idea, and the intrinsic mechanism of reality 
that "what begins, must end" 
and somehow, eventually we accept this. 
Our affinity for being and our apprehension for nonentity 
It gives us our purpose, and we take it indefinitely. 
They give us desire, and we fill it with everything. 
All that you have, has been given to you. 
and you gave yourself all of it. 
In this particular case, giving is 'receiving' 
because you can take as much as you want. 
but the more you take, the more you give away 
and you give it all. 
every last bit.

CONNECT WITH STYLSS
@STYLSS
http://www.stylss.com/


Wraith

Lorn  Forecast

sundown

Make Money

Wav Download - https://skelermusic.bandcamp.com/track/tel-aviv

Spotify - https://open.spotify.com/album/7ehAB57WfQmu4O2W82Fjq8?si=pN8J-r7WR-6jDPYA_Mt2Og

Video - https://youtu.be/IIK-4MGGgOQ

Download

ＴＥＬ ＡＶＩＶ

this is a continuation of menace to society. the story isn't done

s/o my cuzin jacoob for the piano licks


thank you for listening

free dl

wonder(sequel to menace)

high quality file: https://vowl.bandcamp.com/track/headlock

sample (imogen heap - headlock):  https://www.youtube.com/watch?v=wMY5ksK3srI

feels awesome to make something a bit heavier again! more trap / wave music on the way. thanks for sticking with me <3

listen on spotify - https://open.spotify.com/artist/5Q0sv5SeMZln6szEW49dHL?si=Rtfhna0mRdibtn9QOe6Vng
insta - https://www.instagram.com/vowl.music/
twit - https://twitter.com/_vowlmusic

FREE DOWNLOAD

headlock

Stackin Ones

Stream / Download: fanlink.to/WhiteField
Taken from my 'White Field' EP on DIVISION

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White Field

Shadow Convoy

From the album Ital Tek - Outland (out 1st May 2020 on Planet Mu)
http://smarturl.it/ItalTekOutland

Ital Tek (a.k.a. Alan Myson) returns to Planet Mu with his sixth album ‘Outland‘.

The album was written during a period of new beginnings following a move out of the city to a quieter space and the birth of his first child. During this time of self-imposed isolation Alan recorded a huge amount of source material and spent weeks and months sitting up at night with his newborn, listening back and making notes on how the new record should take form, focusing and developing ideas to shape this lean ten-track album.

Alan talks of the record being a collaboration between two parts of himself, something that definitely comes across as the album unfolds. Textures are something Alan excels at and on his last album, the largely beatless ‘Bodied’, it felt as if he was building a new sound-world. On ‘Outland’ he expands upon this. The album brings together the extremes of Alan’s sound, contrasting roughened bass and beats with starker more detailed atmospheres and emotions.

The most beat-driven song here is ‘Deadhead’, with its gnarled bouncing bass, angular distorted melodies and cavernous textures. On tracks like ‘Bladed Terrain’ the contrasts are even more defined with buzzing drones and razor sharp drums plunging into a grainy fog, giving the track a dramatic 3D feel. Then there are the stop-start pauses of ‘Leaving The Grid’, where the song evaporates into space before reemerging with shuddering rhythms and ghostly textures. Melodies crawl around these tracks as if they’re just waking up, as heard on the atmospheric ‘Angel In Ruin’.

The sleep-deprived fraying of the senses became Alan’s routine and one which he says gave him a renewed creative energy; half-asleep, working through the night, and then into the daytime super-focused but exhausted. Prone to audio hallucinations whilst writing the album, he aimed to capture these distortions in his perception of pitch and time, and you can hear these effects interpreted on tracks like ‘Endless’ and ‘Open Heart’ as melodies phase and slip out of time like an emotional Doppler effect. This is also true of the soaring atonal synths at the peak of ‘Diamond Child’, which feel like the aural equivalent of eye floaters. 

These intuitive feelings and functions are a difficult thing to capture in sound, but Alan manages it beautifully and always makes the result feel warm and adventurous, heartfelt and epic.

Outland

Ital Tek - Deadhead

Long Beach-based hip-hop/electronic producer Alphafox joined the Dome of Doom family in 2017 with the Before You're Gone EP and now he returns to the fold, scheduled to release his debut LP this February. Titled La Haine, the album is bass-heavy and brooding, with a monstrous sense of energy in its totality. The album features Three 6 Mafia's Gangsta Boo and A-Frame of the ROTU collective (Rebels of the Underground). Vocal samples are chopped and screwed, with tones that rattle the speakers like an earthquake. Unforgiving and emotionally potent, the energy rides at high-octane through the entire LP. 14 tracks and 32-minutes long, it's a distillation of varying sounds from the modern era. It adds an important chapter into his legacy as one of Southern, CA's more shadowed producers.

Recorded between 2018 and 2019, La Haine was inspired by the '90s black-and-white French film of the same name, initially released by director Mathieu Kassovitz in 1995 to critical acclaim. As a piece of cinema that offers a glimpse of trauma unlike few films of the 20th century, themes of human brutality, racial tension, and class wars are riddled throughout. Alphafox took this atmosphere as the guiding compass point to all the recording sessions and as a means to search the self, with sound design and rhythmic propulsion centered into the energetic resonance. Alphafox provides further context to the album's connection with the film, adding "La Haine means hate. I wanted this album to also help people come to terms with what they hate in their life or anything that they hate about themselves, and be at peace with it." It's laced with a level of tension rarely heard in electronic music and instrumental hip-hop.

Slow Til I Die

Download / Stream "Come To Grips": http://smarturl.it/ComeToGrips
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dark💀 deep 💀dirty

PeachBlanket