Macho - Jaako Eino Kalevi

Taken from Laura's 'Committed Language' EP

Buy: https://deekrecordings.bandcamp.com/album/committed-language-ep


Laura Groves - Dream Story

all or nothing
wishful thinking, no,
now i'm fallin'
now i'm fallin' slow

all or nothing
wishful thinking, though,
now i'm fallin'
now i'm fallin' slow

i do this every time
walk a mile as you before i kick off the shoes
perfectly described
what an easy way to find myself out of line 

i must apologize for not letting you know
that even if we could be, well, it's starting to show 
i must apologize for not letting you know
that even if we could be, well, it's starting to show 

all or nothing
wishful thinking, no,
now i'm fallin'
now i'm fallin' slow

all or nothing
wishful thinking, though,
now i'm fallin'
now i'm fallin' slow

i do this every time
what an easy way to get stuck in your mind
it's like a damn sport, uh oh
kick a field goal and pray you'll come back for more

i must apologize for not letting you know
that even if we could be, well, it's harder to show 
i must apologize for not letting you know
that even if we could be, well, it's starting to show 

all or nothing
wishful thinking, no,
now i'm fallin'
now i'm fallin' slow

all or nothing
wishful thinking, though,
now i'm fallin'
now i'm fallin' slow

all or nothing
wishful thinking, though,
now i'm fallin'
now i'm fallin' slow

more! more! more! more! more! more! more!

Falling Slowwwww

Mamman Sani - Samari Da Yan Matan

Mastered Version
will initially be released as a free digital download 
with 12" to follow

for download 
https://twoflowers.bandcamp.com

Recorded/Mixed/Produced by Aaron Coyes
Music-Aaron Coyes
Words- Indra Dunis

Mastered by Kelly Hibbert at Almachrome

Little Flower

Conga Blue

Little Flower 12

CONGA BLUE

Our second release and the debut single from Melbourne four piece, Mildlife is finally here! 

Narrowing down the group's style into a genre is almost impossible, as they bond over the desire to push musical boundaries. No strangers to the Melbourne band scene, the four old friends have been drawing crowds through an epic journey at intimate venues and festivals for the best part of the past 4 years. Developing a tight live show bolstered by wild improvisation, the group have left punters itching for their first full length studio album that mines jazz, psych and disco for its irresistible groove.

"The Magnificent Moon" a 9 minute psychedelic disco journey is the opening track taken from Mildlife’s debut LP "Phase" due for release early 2018. Capturing the spirit of the band, this kaleidoscope jam is the interplanetary path between jazz, funk and disco with the perfect amalgamation of cosmic electronics and soulful acoustic instrumentation. 

Tom Shanahan explains its entrancing grip, “The Magnificent Moon feels like the veteran journeyman to the rest of the album. I’m not sure if that’s because it was written first or because it seems to know what it wants and has a more considered direction. It never really second guesses itself except for maybe just before the outro when he realises he may have journeyed too far and his space suit has a hole in it. But then he just jams some gum in the hole and gets on with it anyway.”

Single available here: https://mildlife.bandcamp.com/track/the-magnificent-moon

Mildlife - The Magnificent Moon

The System EP

The System - Almost Grown

Early in 2018, the world was introduced to Mildlife through their debut album Phase. Few first releases amass praise from Mojo, The Guardian, BBC 6 Music, The Express, and Shindig, then go on to be celebrated by DJ Mag, Resident Advisor, Worldwide FM, Dummy and Indie Shuffle. But it’s precisely this eclectic mix of genres, tastes, and influences that brought Mildlife together, and what they committed to reflecting in their sound. After a surreal start to 2018, the four-piece completed a sold-out national tour of Australia, and recently announced plans to cross the oceans for their debut Europe and UK tours.

With the release of their debut imminent, Mildlife took retreat at Research Records HQ in Melbourne, staying overnight after recording each morning and afternoon. It resulted in the evolution of the title track, newly imagined and re-contextualised at increased tempo with swathes of improvisation throughout. The studio recording was the culmination of the song’s growth in a live setting, evolving on club stages and at festivals throughout 2017.

Mildlife’s knack for locked-in grooves and celestial tones features heavily across ‘Phase II’, a more than 11-minute sonic journey. Kevin McDowell's synth soars while Adam Halliwell’s growing prowess as a flautist is peppered over James Donald’s shimmering percussion. Shortly after, Tom Shanahan's phased bass appears, and the four lock into a groove that gives a subtle nod to 1960s Krautrock band, Can. It’s not long before ‘Phase II’ erupts into a cosmic jazz-funk that urges you to move. It sucks you in, free of worry and consequence; utterly otherworldly. It’s no surprise that the band has been described as “kaleidoscopic”, “irresistible” and “enchanting”. With Mildlife, you’ll always leave wanting more.

CONGA BLUE

Peaking Lights

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