🔋🏁ecstacy@jade3mperor

mix by me, vocals, beat, blah blah everything by me

lyrics:
i jus said no touching
why u tryna fuck me?
goin for some brain like u aint no zombie
u jus wanna talk like u cant call me
u jus want some bread
u a fake u ain love me
u jus want my money dont call me no honey
how u actin fake like u not funny

fake prod me

{{XXTAR MIX}} @igetrakks ~ Posion Dart {prod. @imdeemoo}

mih_ajla - fuck all (prod. prestigee.138) (OG PITCH)

{{Lyrics}}                                                                    Niggas bitch, Niggaz hoes Niggaz dead ass aint on shit
 ion fw you no more nigga you aint doin shit, 
Niggaz stay stealin sauce ion even want that shit
Stop talking to me lil nigga u js wanna steal my shit
i got racks nigga from sellin bagz nigga
Go get a bag nigga niggaz hella sad nigga
Niggaz hella bitch i kan give a shit
Niggaz hella bitch i kan give a shit

{{7002}}Rackzz//Katana #LeftHandPath

(swiff 414) dark memorium w/000 (prod. S6TRI) #m6m

Anthem

lofikys - wasd

"REVERSE COWGIRL " 
SONGWRITER : KELLY HECTOR 
COMPOSER: KELLY HECTOR

Raw mix for underground sets, 
Relentlessly Intense And Hypnotic 
 Built for a sweaty late-night warehouse rave, powerful rock, floating atmosphere, dynamic contrasts, melodic, kick drum, hard kicks.


WATCH THE VIDEO ON YOUTUBE 
https://www.youtube.com/watch?v=jTUWYxOiFo4&list=PL1ssENa_m59R9uUiyPUfr57zu5J9AO2ak&index=1

If you’re pitching “REVERSE COWGIRL” as a raw, sweaty, late-night warehouse weapon, you’re not overselling it — the track basically says the same thing with its sonics. 

 And at 3:49, it’s tight enough to hit hard, mix cleanly, and get out before the floor gets bored. 
SoundCloud

Style-wise, this sits in that peak-time warehouse techno pocket with a cheeky, electro-brat attitude. 

It’s not chasing glossy “mainstage” euphoria; it’s chasing pressure. The low end is the headline: the kick/sub relationship feels deliberately deep (the weight lives way down low), so on a proper rig it’s going to feel physical — chesty, dark, and relentless.

 The groove is functional and DJ-friendly: steady drive, minimal fuss, and a sense that the track’s job is to keep bodies moving rather than show off clever chord changes.

What I like most is the discipline. 

The mix is mostly mono-strong where it matters, which is exactly what you want for club translation, and the arrangement is paced like a tool: intro/build up, lock into the pocket, then energy shifts that feel like “DJ moments” rather than random scene changes.

 It’s got that Berlin-by-way-of-bedroom-studio vibe — think the utilitarian stomp of modern warehouse techno, but with the kind of mischievous title/attitude you’d expect from electroclash lineage.


Now, the blunt (helpful) bit: because the track is so sub-dominant, you’ll get better translation on phones, cars, and smaller speakers if you add a little more audible bass information in the 80–120 Hz zone (harmonics, gentle saturation, or a parallel layer). 


And if you want it to feel a touch more “expensive,” give the tops a controlled lift: a little extra air/hat sheen and some micro-movement up top can make the groove read louder without actually smashing the limiter.

Bottom line: it’s confident, dark, and built for the floor — a no-apologies club cut that knows exactly where it belongs.

" I WANT TO RIDE YOU REVERSE COWGIRL  " 
SONGWRITER : KELLY HECTOR 
COMPOSER: KELLY HECTOR
https://soundcloud.com/kellytranscend/i-want-to-ride-you-reverse-cowgirl


Trance And Techno Music 

Listen to TRANCE & TECHNO  MUSIC KELLYTRANSCEND, a playlist by kellytranscend {Kelly Hector} on #SoundCloud
https://on.soundcloud.com/E6L0gLWJVhJzSLMer7



Note: All music on the linked SoundCloud is original and owned by Kelly Hector (aka kellytranscend).

REVERSE COWGIRL

REVERSE  COWGIRL

#HipHop
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lofikys - wasd

@lofikys

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