@jclxm remix of my track off my ruptured ep

imsofreaky(LUNÁTICA Remix)

Mary and Her Swamp

Somebody once told me the world is gonna roll me
I ain't the sharpest tool in the shed
She was looking kind of dumb with her finger and her thumb
In the shape of an "L" on her forehead

Well, the years start comin' and they don't stop comin'
Fed to the rules and I hit the ground runnin'
Didn't make sense not to live for fun
Your brain gets smart but your head gets dumb
So much to do, so much to see
So what's wrong with taking the backstreets?
You'll never know if you don't go 
You'll never shine if you don't glow

Hey now, you're an all star
Get your game on, go play
Hey now, you're a rock star
Get the show on, get paid
(And all that glitters is gold)
Only shootin' stars break the mold


free DL: https://hypeddit.com/65mgnx

gonna roll me

Sega Bodega & Eartheater - Fade Into You (gaagaat & like usually remix)

UNTITLED - POST E-JACK

UNTITLED - BUILD-A-BEAR

bitsbobs (2023)

Original: GIGI D'AGOSTINO - L'AMOUR TOUJOURS.



Aus... raus! by malotrix. GIGI D'AGOSTINO - L'AMOUR TOUJOURS Hardtekk Version.

BADMAN

Bioluminescence

http://mayhem.pcmusic.info

@lil-data IM chat with Alex McLean - https://slab.org/about

data: Hi Alex McLean aka yaxu, creator of TidalCycles! What are you up to?

yaxu: I'm on the way home to the Socialist Republic after a weekend in a small dark room with a lot of speakers in Deptford listening to algorithmic patterns with some new friends. How are you doing?

data: I’m doing really good! I’m glad I can finally ask you things. Like, how much live code have you live coded?

yaxu: Quite a lot but I can't remember very much of it and didn't save much so it doesn't matter. I just found this in my editor though which is proof that I have live coded something:

```@tidal
d1 $ stack [off "<0.25 0.125>" (# (speed 2 # crush (slow 16 $ scale 2 16 saw))) $ someCycles (off 0.25 ((|*| up "12 0") . struct "x(5,8)" . (# sound "supermandolin"))) $ jux rev $ sometimes (|+| n 12)
            $ off 0.25 ((|+| n 7) . (# (s "superpiano" # gain 0.8))) $ chunk 4 ((|+| n 12) . (fast 2)) $ n "c3(3,8)" # sound "supermandolin"
            # shape 0.6
            # bpf (scale 300 1200 rand)
            # bpq 10
            # legato (scale 2 8 sine)
            # gain 1.3
            |+| n ("<c e f g>" + "[c g]/8")
            |*| gain 0.9
            # room 0.4
           ]
```

data: How much have animals influenced your music and your software? You have a cat right?

yaxu: Yes actually I have two cats, Douglas and Stanley, they tell me what to do but don't really get involved in my code. I did once live code for a cat but it was already asleep.

I guess cats do have a lot of important procedures though and procedures are the basis of software engineering. I think live coding is not much to do with software engineering any more though.

data: How did Tidal come about?

yaxu: I wanted to free improvise with a percussionist friend and it was too slow to respond to him in existing scripting languages, I had to type in too much code to make each change. I got interested in how Bernard Bel was notating tabla rhythms and started experimenting with making a live coding language based on cyclic pattern. After a lot of performances with half-written software that eventually became Tidal, which is now mostly written and I can now make a change in a few seconds. Not as fast as a percussionist but it's OK.

data: Would you rather make closed source software or be immortal? Those are the two things I think you might hate the most.

yaxu: I'd like to try out being immortal for a short while. I make closed source software all the time I just keep it to myself.

data: Two shocking answers.

mayhem.pcmusic.info

Lil Data - Never Coded Better / Attention Land (Live Code 2016-2017)

You asked for it, so here it is. :)
@tinysanctuary
7777777 x DJ Dizzy x A.G. Cook x Date Sim

ϟü℘℮ґϟтαґ

PON STOP NOP!

dn uɹnʇ

pedicurerecords@gmail.com

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UNTITLED - BUILD-A-BEAR

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