A tribute to one of the greatest band ever: The Doors.
A Re-Edit of "Ghost Song", from the album "An American Prayer" (1978)

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Jim Morrison & The Doors - Ghost Song (Caste Re - Edit)

Pink Floyd: Live at Pompeii é um filme de 1972, com Pink Floyd tocando seis músicas no Piazza Anfiteatro em Pompeia, Itália. Foi dirigido por Adrian Maben e gravado sem platéia.

As performances de Echoes, A Saucerful of Secrets e One of These Days foram filmadas entre 4 e 7 de outubro de 1971. As músicas restantes foram filmadas em um estúdio em Paris, com filmagens de projeções frontais adicionais para inserção nas performances gravadas na Pompeia. As sequências em Paris foram filmadas no final de 1971 e começo de 1972, e podem ser distinguidas pela ausência da barba de Richard Wright.

Em agosto de 1974, outra versão foi lançada combinando o filme original com sessões das gravações do Dark Side of the Moon no Abbey Road Studios. Essas sessões foram, na verdade, gravadas para o filme, pois as gravações do álbum já haviam sido completadas quando tais sessões foram filmadas em janeiro de 1973, enquanto o álbum estava sendo mixado.

Set the Controls for the Heart

A Saucerful of Secrets

Careful With That Axe, Eugene

Echoes, Part I

Camel - Mirage 1974

ELON-SUN-0731 - She Wore the Moons

Concept Album Description — The River That Sleeps (Poetic Version)

The River That Sleeps is a quiet odyssey through the inner landscapes of stillness, memory, and forgotten motion. It tells the story of a river that has stopped flowing — a once-living current now frozen in time, mirroring the human impulse to remain unmoving when life’s weight becomes too heavy. Across the album’s arc, the river becomes a witness, a mirror, a companion, and finally a guide back into motion.

The early songs linger in a world where sound drifts slowly: delicate guitar ripples, low-tide whispers, and voices that echo like abandoned conversations. These are moments suspended between breaths — spaces where nothing happens, but everything is felt. The music stays close to the ground, intimate, almost fragile, shaped by the pulse of memories buried like stones beneath silt.

As the journey continues, the river valley deepens. We descend into the undercurrent — the unseen roots of connection, the weight of unspoken words, the magnetic pull between souls standing on opposite banks. Each track reveals another layer of the landscape within: the places where solitude grows, where old ideals tarnish, where driftwood dreams float without a destination. Guitars shimmer and bend like light over water; basslines move like slow geological shifts; percussion breathes in sparse, patient rhythms.

The instrumental interlude—Echoes of the Floodplain—acts as a clearing of the mind, a wide horizon after the waters retreat. It is the sound of emptiness becoming fertile again, of silence learning to hold beauty instead of fear. In this space, the album inhales—long, deep, and cleansing.

Then comes the return.
Movement.
Warmth spreading through the current.

Where the River Breathes Again rises gently from the quiet, not with triumph but with acceptance. The river starts to flow once more, carrying the remnants of all it has seen — the stillness, the sorrow, the quiet lessons of the valley. The final chords open outward like light on morning water, ending not with closure but with possibility.

In its essence, The River That Sleeps is a meditation on what it means to pause, to remember, to erode, and to heal. It is an album for the moments when life grows slow enough for truth to surface — when we can finally hear the faint, steady rhythm beneath all things:
the patient heartbeat of a river waiting to move again.

Echoes of the Floodplain

The End - The Doors

My Best Albume Ever
1. Break on Through (To the Other Side) 0:00
2. Soul Kitchen 2:27
3. The Crystal Ship 6:02
4. Twentieth Century Fox 8:37
5. Alabama Song (Whisky Bar) 11:11
6. Light My Fire 14:29
7. Back Door Man 21:39
8. I Looked at You 25:13
9. End of the Night 27:35
10. Take It as It Comes 30:29
11. The End 32:45

The Doors - The Doors (1967) (Full Album)

CC submission #2: Iggy Pop and the Stooges "Loose"

Careful With That Axe, Eugene

Pedro Ivo Amorim

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