@joris-miguel: Thank you, Joris! On the first and second sections of this piece I used the last two movements of Purcell's opera "Dido and Aeneas", "When I am laid in Earth" (also know as "Dido's Lament", hence the name of this piece) and "With drooping wings".

composed and performed by Christopher Otto
engineered, edited, mixed and mastered by Christopher Botta

Violin Octet

A live concert held on 13 February 2016 at St Peters, Eaton Square, London.  

Malcolm Singer: Songs of Ascent

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Grow Fonder

¡¿Lamento?! // ¡¿Lament?! (2016)
for Flute, Oboe and String Quintet

Composition: Henry Purcell & Pedro F. Finisterra

ClusterLAB M Ensemble
Conduction: Carlos Marecos
Flute: Rita Cordeiro
Oboe: Isabela Martins
Violin I: Beatriz Silva
Violin II: Jaime Jacob
Viola: Milan Radočaj
Cello: Carlos Soares
Double Bass: Mateus Behringer

Brand New Portuguese Music
Composers and Performers from Escola Superior de Música de Lisboa
Cine-Teatro Municipal de Castro Verde
Castro Verde, Portugal
17th of February, 2017

Buy my scores:
Scherzo Editions: http://www.scherzoeditions.com/?page_id=6957#ffs-tabbed-11

Follow me on social media:
Youtube: https://www.youtube.com/channel/UC5LHYQ_6dm0VCE-577ZApeg
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Contact me:
pedroffinisterra@gmail.com

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Pedro F. Finisterra
Born in 1994, Lisbon, studied Guitar (with Acácio Resende and Sérgio Marques), Piano (with Miguel Diniz and Liudmila Litvinova), Singing (with Manuel Brás da Costa), Contrabass (with Rui Almeida) and Composition (with Jorge Pereira) at Conservatório de Música de Santarém, having concluded his secondary studies on Musical Training in 2013.
Did a Major in Composition at Escola Superior de Música de Lisboa (2013-16), studying under Carlos Marecos, Carlos Caires and Luís Tinoco. He also had classes with António Pinho Vargas, Sérgio Azevedo, João Madureira and José Luís Ferreira.
Studied Jazz at Hot Club de Portugal (Electric Bass and Combo, with Massimo Cavalli and Gonçalo Marques, respectively) and was a member of Big Band Júnior (2010-14), conducted by Claus Nymark.
He also participated on several workshops in Portugal and abroad of Composition, Electronic Music, Jazz, Guitar, Choir Conduction, and others.

¡¿Lamento?! (¡¿Lament?!)

Justin Christenssen - The Failures of Marsyas

New European Ensemble 
Christian Karlsen, conductor

Live recording in Den Haag 2009

The Failures of Marsyas was written for the ensemble in 2009 as companion piece for Arnold Schönberg's Serenade Op. 24. Justin Christensen is one of Canada's most gifted young composers. Since a few years he is resident in London. The piece was awarded the Jules Léger Prize for New Chamber Music in 2010. 
We have performed this exciting piece quite often. It was the concert opener on our Sweden tour in 2010 where we performed it in Västerås, Stockholm, Gothenburg and Malmö.
You can find out more about Justin Christensen on his webpage: <A href="http://www.justinchristensen.com" rel=nofollow target=_blank>www.justinchristensen.com</A>



Justin Christensen -  The Failures of Marsyas

Official Video: https://www.youtube.com/watch?v=sy4IhE-KAEg

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Boy & Bear

Melody for kantele tuned in 7-equal. Eija Kankaanranta, kantele

Tune for Kantele in 7EDO

A simple exercise in singing the intervals of the 11-limit tonality diamond in the context of background harmonic series chords and a moving fundamental.  The bottom note in the melody line stays the same while the top line moves up gradually, first leaping, then stepping.  The solfege system for singing along is as follows:

12/11: fu-so, fu-so
11/10: mi-fu, mi-fu
10/9: re-mi, re-mi
9/8: do-re, do-re
8/7: ta-do, ta-do
7/6: so-ta, so-ta
6/5: mi-so, mi-fu-so
11/9: re-fu, re-mi-fu
5/4: do-mi, do-re-mi
14/11: fu-ta, fu-so-ta
9/7: ta-re, ta-do-re
4/3: so-do, so-ta-do
11/8: do-fu, do-re-mi-fu
7/5: mi-ta, mi-fu-so-ta
10/7: ta-mi, ta-do-re-mi
16/11: fu-do, fu-so-ta-do
3/2: do-so, do-re-mi-fu-so
14/9: re-ta, re-mi-fu-so-ta
11/7: ta-fu, ta-do-re-mi-fu
8/5: mi-do, mi-fu-so-ta-do
18/11: fu-re, fu-so-ta-do-re
5/3: so-mi, so-ta-do-re-mi
12/7: ta-so, ta-do-re-mi-fu-so
7/4: do-ta, do-re-mi-fu-so-ta
16/9: re-do, re-mi-fu-so-ta-do
9/5: mi-re, mi-fu-so-ta-do-re
20/11: fu-mi, fu-so-ta-do-re-mi
11/6: so-fu, so-ta-do-re-mi-fu

11-limit singtervals

Recorded in Ann Kreis Scoring Stage at Berklee College of Music by members of Valencian Orchestra.

Steer Your Imagination (woodwind Quartet)

Ma.rim.Ba work written for Cristiano Rios by Pedro Finisterra. Performed at Casa da Música - Portugal.

Ma.Rim.Ba - Pedro Finisterra (LIVE CASA DA MUSICA)

Born in 1994, Lisbon, Pedro studied at Conservatório de Música de Santarém, having concluded his secondary studies on Musical Theory in 2013.

He did a Major in Composition at Escola Superior de Música de Lisboa (2013-16), studying under Carlos Marecos, Carlos Caires and Luís Tinoco. He also had classes with António Pinho Vargas, Sérgio Azevedo, João Madureira and José Luís Ferreira. In 2018 he finished his MA on Opera Making & Writing - Composition Path, at Guildhall School of Music and Drama, in London, studying under Julian Philips. Since 2019 he has been doing a MPhil/DMus in Composition at Guildhall School of Music and Drama under the supervision of Julian Anderson, Malcolm Singer and Mira Benjamin.

He studied Jazz at Hot Club de Portugal (Electric Bass and Combo, with Massimo Cavalli and Gonçalo Marques, respectively) and was a member of Big Band Júnior (2010-14), conducted by Claus Nymark.

He also participated on several workshops in Portugal and abroad of Composition, Electronic Music, Jazz, Guitar, Choir Conduction, and others.

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photo by João JB Lourenço
© JoãoJBLourenço

¡¿Lamento?! (¡¿Lament?!)

Pedro Laranjeira Finisterra

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Pedro Laranjeira Finisterra

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