Oct 16

@brothermynor 

artwork by:
Joshua Quinlon
http://hazulfro.tumblr.com
divinereworks@gmail.com

links

brother mynor and eevee - hike

GGB-010
The album "霧海 Wu-Hai" will be released on LP/CD/DL in Aug 5th 2016.

CD/LP/DL: https://gurugurubrain.bandcamp.com/album/wu-hai

Facebook: https://www.facebook.com/prairiewwww
Website: http://prairiewwww.tumblr.com/
Twitter: https://twitter.com/prairiewwww

落差草原 WWWW / Prairie WWWW - 霧海 Wu-Hai

落差草原 WWWW / Prairie WWWW - "霧海 Wu - Hai"

Off "Mystery Cove", Monster Rally's new album.  Out on 11/11/16, available as a limited edition 12" here:
http://goldrobotrecords.bigcartel.com/product/monster-rally-mystery-cove-12

When the beach party film revival arrives, Ted Feighan (aka Monster Rally) will be the Ennio Morricone of its resurgence. Mystery Cove, the forthcoming Monster Rally album, is a soundtrack to an imaginary movie both fit for the vaults of TMC and primed for a grindhouse exploitation flick screening. Mystery Cove contains a narrative arc of young lovers on an island getaway. As the grooves spin, Monster Rally reveals a cabalistic presence in the jungle that leads them on an adventure of surf competitions (“The Big Surf”), voodoo terror (“Tourismo”), and plenty of slushy cocktails (“After Hours”). The occult meets the salt-rimmed rum mix on Mystery Cove.

Since his Coral LP, Monster Rally has been an analog to the exotica forefathers. His reinvention of cocktail music via luau-loops and tchotchke breaks evokes a mondo vision of the subgenre. With Mystery Cove, the quiet village is not what it seems, and every resort comes at the cost of indigenous displacement. Beyond the florals and brightly feathered fauna is inferno in paradise.

Mystery Cove

Pelicans

Monster Rally - Pelicans

GOAT - Goatfuzz

GOAT - Temple Rhythms

Cititrax is thrilled to present a full length LP entitled Adieux Au Dancefloor by Montreal based recording artist, Marie Davidson. Marie Davidson has emerged as one of the foremost electronic artists working in contemporary pop today. As a long-time member of Essaie Pas (DFA Records), Davidson has had the opportunity to hone her many talents. She has been participating in the city’s vibrant experimental community for much of her adult life. However, in 2012 she began to unveil compositions under her own name, revealing a solo artist who possessed the combined confidence and vulnerability required to write, produce and perform unaccompanied. Davidson’s intimate solo work is embodied through a host of synthesizers, sequencers and drum machines which coalesce in synchronized harmony, punctuated by vocals, half sung, half spoken in both French and English. She masterfully shapes the overall mood, themes, emotion, expression and intensity of her work, which gives the final result a distinctive, cinematic quality. 
With Adieux Au Dancefloor, Marie makes a slight departure from her last two releases, via Holodeck (2015) and Weyrd Son (2014), by creating her first fully dancefloor oriented piece of work. Through the 45 minutes of music that comprises the album, she experiments with pop structures, defines her voice, and layers rhythms to make complex and beautiful techno tracks. She closes the album with the title track in classic Chanson style.
Adieux Au Dancefloor will be released on October 6th. The record will be pressed on 160 gram white vinyl and will feature photographs by the equally talented Corinne Schiavone. The record will be housed in a full color printed heavyweight jacket along with matching printed inner sleeve. Pre-order available now. Digital release to follow.

Order: http://minimalwave.com/releases/release/adieux-au-dancefloor/

Lyrics: 
It seems like honesty is not so fashionable these days, it's true, I ask a lot of questions.
You call me naive?
I'll tell you what, I'm naive to the bone.
Do you think I'm too soft?
Because I don't hide, or is it that your lost when I smile?
I don't need your love but I'll dare to ask you how you feel about me.
Just to get things straight.

I have no cards to hide.
My life is not a game.

Let me picture my future, a large room where you can hear the silence.
No space for arrogance, no pain in my chest.
Just the beating of my heart.
J'suis pas un cordeau moi! (In French)

In The Middle Ages, people used to wear clocks, it's 2016, get real.
So you think i'm too soft.
I have nothing to prove, I have no advice for you. But remember what Terrance said: 
"The last dance, we dance alone".

Adieux Au Dancefloor

Marie Davidson - Naive To The Bone

Bruce Haack's "The Electric Lucifer" is rightly considered one of the masterworks of 20th century electronic music. Originally recorded in 1968-69, it's an eminently listenable work where Pop-psychedelia and Moog/musique-concrete sounds coalesce. Acclaimed upon it's original release, yet unavailable for over three decades, "The Electric Lucifer" is now available again on LP. 

Purchase LP: https://goo.gl/52J3P4
Purchase on Itunes: https://goo.gl/Rb8k9C

TELEPHONEEXPLOSION.COM

The Electric Lucifer

Electric To Me Turn

from 'MYTH I - A Last Dance for the Things we Love' [CD|LP|DIGITAL]
Denovali Records · den262
available on all formats at [http://denovali.com/theeyeoftime]

THE EYE OF TIME is the solo-project of French musician Marc Euvrie. Euvrie's musical development is deeply connected with the French DIY punk and hardcore scene, though he has been classically trained as well. He started to play piano being 9 years old, composed his first pieces with 15 and studied cello at the conservatoire after finishing school. Euvrie was involved in several bands before he began to translate his personal reflection of our complex world into music, which initiated THE EYE OF TIME. His extensive self titled debut has been released in spring 2012 and exposed a dark look on the present, past and future. His last albums were promising a glimpse of hope (“Acoustic”) or pitch-black despair (“ANTI”). With “MYTH I : A last dance for the things we love" THE EYE OF TIME will release the first part of a three record album concept MYTH (MYTH II - A need to survive, MYTH III - The final chapter), which will be a synthesis of all his past works.

MYTH is a word with ambiguous meanings in the dictionary, but all these lead to the same conclusion. The Eye of Time's MYTH trilogy is about the path that humanity took over the ages and about how we could tell this epic story. We could decide to see things on the bright side, or to a have a more dramatical (in the literal sense) look on it. Like if one species is looking at another, and in a different era. MYTH is a feedback to the tragical events of our time, to what people have to endure nowadays in order to survive, as well as the refugees travels, and the resistance against capitalism that is growing all over the world. MYTH is also a particular way to see things, to take sides with history. When we talk about ancient political activists and revolutionaries, resistances to the established order, we make the choice to transform it into a myth, a history full of heroes. But the past is the present. And our present will be the past again. It is on us to take action in order to avoid our inevitable end.

Marc Euvrie recorded “MYTH I : A last dance for the things we love" completely on his own. Being away from home, dealing with family issues, his music served him as deep introspection about himself and the world. An introspection impregnated with minimalistic moments, where piano and cello write the story of loneliness and calm. At the same time evolving dramaturgies emerge, driven by rumbling beats, accompanied by both grim and hopeful melodies; just to be aware that irrationality gives birth to our myths and that myths, in turn, affect our very own existence.

The cover artworks of the MYTH album trilogy display pictures of Emin Özmen, a winner of the world press photo award. His work is focused on the situation in Kurdistan, Syria, Turkey and the "refugees". His work has been published by Time magazine, The New York Times, BBC, Guardian, among others.

MYTH I : A last dance for the things we love

The Eye of Time - Mass

“LITIO” is the first album from the project composed by Alberto Boccardi (electronics), Antonio Bertoni (double-bass) and Paolo Mongardi (drums).
The four tracks are slowly developing and re-shaping, from free form drums to ambient textures. Hypnotic and repetitive elements are put in contrast with nervous percussions and abrasive sounds, with atypical double-bass feedback or noise in the background.

Oct 16

Peef Ogg