MutantTechno

http://glisteningexamples.bandcamp.com

First track from Robert Beatty's debut album on Glistening Examples, available on CD, LP, and digital download.

Artist: Robert Beatty
Title: Soundtracks for Takeshi Murata
Label: Glistening Examples
Catalog Number: GLEX-1302
Format: LP/CD/Digital
Release Date: November 11, 2013

http://glisteningexamples.bandcamp.com

Tracklisting:
1. Cone Eater
2. Untitled (Silver)
3. Escape Spirit Videoslime
4. Untitled (Pink Dot)

CD and Digital Only
5. Untitled

GLISTENING EXAMPLES is proud to announce “Soundtracks for Takeshi Murata” (GLEX-1302), the debut LP/CD of Kentucky-based electronic musician Robert Beatty under his given name. Beatty has long been a presence in the experimental underground as a member of Hair Police and more recently performing and recording solo under his Three Legged Race moniker. He is also well known for his visual art, which encompasses installation, drawing, video, and album artwork design for countless artists including Oneohtrix Point Never, Real Estate, Vybz Kartel, and Peaking Lights.

“Soundtracks for Takeshi Murata” collects Beatty's compositions for digital video glitch pioneer Takeshi Murata, produced between 2004-2007. Beatty's collaborative relationship with Murata has spawned some of his strongest work to date, and Glistening Examples is honored to present this music to the public for the the first time outside of screenings, museums, and galleries. Beatty has performed alongside Murata's work in New York, Chicago, Pittsburgh, and Beijing, where he performed several shows, including at the Ullens Center for Contemporary Art during the 2008 exhibition, "Stray Alchemists."

The formative elements of the recent Three Legged Race full length "Persuasive Barrier" (Spectrum Spools, 2013) are apparent in the rubbery pulsations of "Escape Spirit Videoslime" and the ghostly buzzing harmonics of "Untitled (Silver)". Moving between hypnotic minimalism, dense processed atmospheres, and spacious drones, often in the same track, these pieces are the perfect corollary to Murata's fractured and viscous visuals. While the video and audio are linked in the same fluid time space, the soundtracks are presented now as stand-alone works, powerful compositions drawn from the same underlying chaos apparent in Murata's ever-shifting psychedelic environments.  This is exciting electronic music that invites the listener to imagine their own videoscapes with or without having viewed Murata's work.

“Soundtracks for Takeshi Murata” is published in an LP edition as well as CD format, with new artwork from Murata, design by Beatty, and digital mastering by Jason Lescalleet at Glistening Labs USA.  The LP includes a download code and an 11"x17" poster.  The CD includes a bonus track not found on the LP.

This record is released with support from Institute 193, Lexington, KY.   www.institute193.org

http://glisteningexamples.bandcamp.com

Robert Beatty - Soundtracks for Takeshi Murata "Cone Eater"

From Lets Leave Reality LP (2014)

Music written and performed by 
Omebi Velouria and Logan Owlbeemoth

Synths: Octave Kitten. Roland SH-09.
Drums: Delptronics LDB-1

OS OVNI 
http://os-ovni-music.tumblr.com/

Download the LP here: 
https://osovni.bandcamp.com/

Order the Vinyl
via Something Cold Records
http://somethingcold.com/

OS OVNI - No Time Static Hide

"RE-ENGININEERING" is the title track from Heatsick's Upcoming Full-Length, set for release Nov. 26th, 2013 on PAN.

Well known for his epic multi-hour live club sets and acerbic wit, Heatsick characterizes this collection of new material as a "cybernetic poem" that both indulges us in the mores of hypnotic dance music while holding a critical, and at times satirical, lens toward the culture writ large.

"RE-ENGINEERING" is symbolic of this balance, the crisp spoken word poetry communicating hypermodernity in crisis in a piece that equally evokes the masked humour of Chic and the biting surreality of Chris Morris.

© 2013 PAN  http://www.pan-act.com

Heatsick 'RE-ENGINEERING' (PAN 48)

after their successful ep collapsed (r-n116) the bristol based project strikes back with a full length album on raster-noton. once more james ginzburg & paul purgas challenge the perceptual boundaries between noise and music and the potential for both technology and architecture to embed and codify themselves within sound.

recur is presented as emptyset’s third studio album, continuing on from their work with demiurge. the material examines the central themes of time, structure and recursion, through the analysis of scale and the interaction of both formal and fractured sonics. the album furthers the project’s exploration of rhythm, dislocation and feedback within the framework of full frequency sound, structural abstraction and analogue processing. the work examines how notions of time interact with both experience and form, and the resulting modes through which this affects sound through compression and rarefaction and the forcing of signal thresholds to their critical point.

recur is also available as cd ( r-n151), 12" vinyl (r-n151-2) and limited edition of 180 gr heavy vinyl + cd + art print signed by the artists (r-n151-3).

emptyset. limit (excerpt). taken from emptyset. recur

From the vaults. Gescoms cut, pasted and looped

MutantTechno

PeLena