Performed by the Formalist Quartet (LA)
Andrew Tholl, Mark Menzies, Andrew McIntosh, Ashley Walters
Recording of the premiere in December 2013

Idumea revisited

Erleben (2020)
Music: Samuel Penderbayne
Text: Felicia Brembeck, 9. Klasse der Domschule St. Marien
Gesang: Linda Joan Berg
Klavier: Henriette Zahn

Erleben

Trombone Concerto "THE BABADOOK"

Hear This

For singer, electric guitar, saxophone, percussion, piano, electronics (& haze and light)
2015

Excerpt of the piece "Dark Eyes".
Dark Eyes is part of the cycle "Supramodal Parser".
The one-hour piece examines different aspects of ecstatic "letting-go” episodes through multi-sensory scenarios comparable to those experienced at extended techno events. It deals with both losing one’s self in at times overwhelming audiovisual input and, contrastingly, at times in an almost "frozen in time” / standstill environment. These settings intend to reflect different psychological states rather than create a club event to be danced to. It is a drive through personal perspectives on how to get lost. 

Video-Trailer: www.youtube.com/watch?v=p-HSCbF-rvs
Info: http://www.alexanderschubert.net/works/Supramodal_Parser/index.php
Photos: www.alexanderschubert.net/photos-supramodal.php
Mohna: www.mohna.net/
Nikel Ensemble: www.ensemblenikel.com/

Ensemble Nikel:
Saxophone: Patrick Stadler
Electric Guitar: Yaron Deutsch
Drums: Brian Archinal
Piano & Keyboard: Antoine Francoise

Voice: Mohna

Commissioned by Wien Modern.

Soon available on DVD.

Photo (c)Markus_Sepperer

Dark Eyes (Mohna And Nikel Ensemble)(excerpt)

Ideas for a string quartet, written and recorded during one-week-masterclass with Nigel Osborne at ISA 2012 (Mürzzuschlag, Austria)

Atmos I - sketch for string quartet

VKKO - AI Opera

Nils Mönkemeyer, Cyprus Symphony Orchestra unter Leitung von Jens Georg Bachmann

Bratschenkonzert 2. Satz H. Krausser (online - Audio - Converter.com)

Auf den Lippen blüht die Lust
München, 2013

Musiker:innen: Carlos Medina, Katharina Müller, Noam Masirisk, Javier Vilarino

Erleben

Samuel Penderbayne

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