love this fresh IDM sound - first heard your tunes on Newtown Radio!

Motorcycle Angel (Bedouin Records 2022)

77xiu-point9

https://aradacid.bandcamp.com/album/rept-frozen

artwork by Jira Duguid https://organic-plastics.net/
mastered by Shy https://soundcloud.com/specialguest-dj

rept frozen

If you'd like to download this release but can't afford it, please email me and I'd be happy to send it to you. 

Or you can support right here!

https://nexcyia.bandcamp.com/track/hydro
https://nexcyia.bandcamp.com/track/hydro
https://nexcyia.bandcamp.com/track/hydro
https://nexcyia.bandcamp.com/track/hydro

Bandcamp

hydro

Third track from the upcoming ∞ (infinity) V/A compilation on angoisse, out January 2023.

Order via angoisse1.bandcamp.com

Produced by @continuity
Mastered by exael

Artwork by Sabaku no tako

∞ (infinity)

03 - Continuity - Ever

‘Catch Feelings’ marks a decade and some 100 releases in the game with a treasure chest featuring label stalwarts Romance, Celestial, Spivak, Felisha Ledesma (appearing here with Angelo Harmsworth) as well as label owners Not Waving & Primitive World, alongside new faces Raw Deal, Horses, ’93 Til Infinity and ICARUS. - Boomkat

Felisha Ledesma Feat. Angelo Harmsworth - Silver Washed (ECSTATIC Catch Feelings)

Polish composer Martyna Basta returns to Warm Winters Ltd. with her new album ‘Slowly Forgetting, Barely Remembering’, arriving on April 28, vinyl + digital

Today, we are proud to present the first single, which is available on all streaming platforms and online stores.

We also opened the pre-orders for the full album on our Bandcamp, where you can order your copy of the opaque white vinyl edition (ltd. to 300 copies)

Martyna Basta Album - Slowly Forgetting, Barely Remembering

Erwan Sene - Tilt
Label: PAN
Cat.No.: PAN 131S
Release Date: 17 March 2023
Purchase: pan.lnk.to/Tilt

Erwan Sene shares 'Tilt', the first single from the upcoming full-length album 'JUnQ' out via PAN on April 14th.

JUnQ, or the Journal of Unsolved Questions, is modeled on a parallel exercise: to sketch music and to score sculptures. Part exhibition, part book and part album release, JUnQ seeks to propose a collaborative language that binds the algorithmic needs of an artificial pop star to the performance of the artist himself. Boundaries between reality and artifice are blurred in a continuous chain of confrontation and sublimation, wherein a romance between analog evolution and digital experimentation is born.

Mixed by James Ginzburg
Mastered by Rashad Becker

Erwan Sene - Tilt (PAN 131S)

Teresa Winter - Emptiness Is Also An Excess [RAVE031]

from forthcoming 'Coatcheck Remixes' compilation, comes out 30 October on Enmossed (https://enmossed.bandcamp.com)

 :)

@floriantmzeisig
@enmossed

Florian TM Zeisig - Aspire (exael remix)

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

---

Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

⥀

https://pent3.bandcamp.com/

pennttt@gmail.com

77xiu-point9

pent

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