that one playlist i may not ever use

Sticky Treez

Orange Crush

I-95

I-95 (feat. Jah Works)

Bikini Trill

It's All Good

Good Old Days

Here and Now

Staring At The Sun

Holiday

40oz. To Freedom

Date Rape

Any Port in a Storm

Lay Me Down (feat. Rome)

Sound Of Change

Burn Slow (feat. Tech N9ne)

Pink Crustaceans and Good Vibrations

Slave

Jack Stauber's Micropop - Two Time

Two decades. They've gone by in a blur, filled with soundchecks, encores, album releases, and sold-out shows stretching from the California coastline to the UK mainland. Along the way, Pepper has sharpened its own "Kona dub-rock" sound — a blend of reggae, alternative rock, island rhythms, and punky spirit — while al-so building a community of fans and likeminded bands.

That communal spirit runs throughout the band's eighth studio album, Local Mo-tion. After sharing shows for years with their heroes and peers, Pepper's three members — vocalist/guitarist Kaleo Wassman, vocalist/bassist Bret Bollinger, and drummer Yesod Williams — are no longer merely artists; they're ambassa-dors of a scene, bringing people together under an umbrella of positive-minded music and collaboration. Appropriately, they share the spotlight with some of their longtime friends on Local Motion, whose songs feature appearances by Stick Fig-ure, E.N Young, Micah Brown, Iration, The Green, Tribal Seeds, and Reel Big Fish's Billy Kottage. A celebration of artistic synergy, brotherhood, and modern reggae music, Local Motion is Pepper's most collaborative record to date, shining a light not only upon the three bandmates themselves, but also upon the wide community they've helped build. 

"We're part of a community of bands who have the same mindset," says Wassman. "They're our peers. They're our friends. We all exist on the same plane, and that's why we called this album Local Motion, because this is our local scene. It's where we fit in."

Before Pepper began building a community in its adopted hometown of Southern California, the group held its very first rehearsal in 1997 in Kailua-Kona, Hawaii. All three members were natives of the Big Island, and together, they made a sound that nodded to their tropical roots while also moving forward into new territory. After earning a local fanbase in Hawaii, they moved to the mainland, where Pepper quickly became a popular live act. Pepper's diverse music allowed the group to tour the country with a wide variety of bands, including reggae icons (The Wailers), punk bands (Pennywise), reggae-rockers (311, Slightly Stoopid), and hip-hop leg-ends (Snoop Dogg). Meanwhile, the band's admiration for DIY-minded groups like NOFX inspired Pepper to launch its own label, LAW Records, which gave the trio complete control over its own music. It also allowed the band to sign other acts, which expanded Pepper's circle even further. 

"When we moved to California, we were playing small clubs," remembers Bol-linger, who now plays outdoor amphitheaters, indoor theaters, festivals, and other high-capacity venues with his bandmates. "We felt like we were one of the only bands carrying the flag for this genre in America. These days, it's different. We're seeing some real movement within the reggae scene. This sound has become an established part of American music, and we're grateful for the other bands who are flying the flag, too. Everything is connecting. The energy is right. Incorporating those bands into our new record was the perfect alignment of where we need to be."

"In a world of social chaos," adds Yes Williams, "we wanted a ‘return to commu-nity,' that community being the reggae-rock community. We continue to flourish and grow due to the synergy of likeminded bands and fans. Without each other, we are nothing, fom where the music comes from to where it goes. This record is fil-tered through the community, a true Local Motion that we are lucky enough to be a part of."

Slave

Pepper

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