technenko

Catharsis

PLAYLIST_MIX_CLUB68-PANAM-13/16/2018

transi

Perc Trax proudly presents the debut album from I Hate Models.
https://perctrax.bandcamp.com/album/l-ge-des-m-tamorphoses

1) The Beginning Of The End 
2) Crossing The Mirror 
3) Impossible Love 
4) You Are Not Alone 
5) The Night Is Our Kingdom 
6) Those Shiny Razor Blades 
7) Partner In Crime 
8) Romantic Psycho 
9) Sexual Tension 
10) Forgiveness 
11) Fade Away
12) Eternity Is Burning

Buy at Bandcamp

I Hate Models - L'Âge Des Métamorphoses (Perc Trax)

Rites Matrixxman

VIDEOCLIP : http://bit.ly/2kAjqiF

FACEBOOK : www.facebook.com/ctrfcn
INSTAGRAM : www.instagram.com/ctrfcn
TWITTER : twitter.com/ctrfcn

contrefacon.paris

DANSER PENSER

Making his debut on Drumcode in 2017 with his track ‘Fake’ featured on the A-Sides Vol 6 compilation, one of Brazil’s much loved exports Wehbba brings us his first full EP this February with ‘Eclipse’.

A no nonsense 4 track offering, and all thoroughly road tested by Adam, they have gained much support from longtime Drumcode fans. Eclipse, delivers a low end rumble along with a modulating synth line. Reigning high throughout the track, is the undeniably catchy and unique synth. Leaving this track one to be recognised on dancefloors all over the world.

‘Protocol’ doesn't turn down the pace, straight into a chugging hypnotic drive, this track leaks with attitude, along it’s eerie undertones.

Probably the most acid influenced track of the EP, ‘Glasswerk’ has a futuristic modular synth riff which thunders along a hypnotic bass line which flows nicely into ‘Framework’ to close out the EP. Its punchy and powerful kick sits alongside the cleverly crafted synth pattern, taking this track into a dark zone with a groovy element still resonant.

Wehbba - Protocol - Drumcode - DC185

Wehbba - Eclipse - Drumcode - DC185

Beatstreet 03 

get it here: http://www.beatport.com/track/plain-original-mix/716873

Marcel Dettmann - Plain

The seventh volume of Drumcode’s annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba’s SCB project, among the collection of topline artists to release their maiden productions on the imprint. 

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fueled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others. 

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting 22 unreleased tracks that have taken prime position in his sets over recent months. 

Outstanding all-round talent ANNA kicks off the compilation with ‘Portable Paradise’, a pulsating cut that sets the tone for the top-shelf club cuts to follow. Also entering the debut field with their first ever Drumcode dalliances are B.Traits and Charlotte de Witte. The esteemed Canadian selector offers up ‘I Feel The Music’, a euphonic track that’s been sought after since spring, and the Belgian ballista unlocks a thick-edged club bomb in ‘Remember.’

Leaders of Drumcode’s new brigade, exciting Brazilian Wehbba and British techno alchemist Boxia set out to impress. Wehbba’s straight-talking ‘Just’ hits with an immediate sense of urgency before neck-snap claps strike with force, and Boxia’s ‘Final Call’ elicits physical engagement with mellifluous vocals and soaring pads. 

Continuously looking to bolster the profiles of emerging talent, Berlin-based producers Weska and Juliet Fox are brought into the fold with equally engaging razor-sharp tracks that are primed to do lasting damage. 

Other notable highlights include an exhilarating workout from Reset Robot - the most released artist on Beyer’s imprint Truesoul – as he lands on Drumcode for the first time. And tastemaker’s favourite Jel Ford makes a welcome return as he ushers in techno rhythms with bustling breaks in ‘Nightshade.’

Elsewhere, support from label mainstays comes in from Bart Skils, who offers a work of consummate skill in ‘West Of The Moon.’ Alan Fitzpatrick, who’s been heavily featured across the A-Side series, joins forces with Scuba as he operates as his uncompromising alias SCB. The result is a propulsive floor-gripper that testifies to their masterful deftness as co-producers. Formidable duos Dense & Pika and Pig&Dan also contribute with powerful compositions.

Man With No Shadow - Manila - Drumcode - DC195

Pig&Dan - Pushing On - Drumcode - DC195

Secret Cinema & Reinier Zonneveld - Pain Thing - Drumcode - DC195

M.I.D.I.'s latest offering on capsula dives head first into mental territory with psychotic synth fragments kicking things off, while rolling percussion keeps the momentum high."Wilekess" picks up with a snappy, militant bass and a sinister synth line creeps its way into the affair. Shadowy effects hold the vibe down and dislocated sonar sounds add some extra dust.

M.I.D.I. - Wilekess (Original Mix) [Capsula]

Tourne La Page

AIROD - Voltage (Lenske004)

AIROD - Every Night (Lenske004)

Solitude

premiere of "WRH" by @trymofficial
taken from the compilation "ISMVA001.2", released on @ismusberlin

Compilation Details:
http://novafuture.blog/2019/03/12/various-ismva001-2-ismus/

Info & Buy

Trym - WRH [ISMVA001.2 | Premiere]

405 (Lemon Flavour)
---
www.facebook.com/trymofficial/
https://trym.bandcamp.com/track/405-lemon-flavor
Artwork : @absurdpps
Mastering : @tttlyon

Download

405 (Lemon Flavour)

Ancilla Domini - Single

Ancilla Domini

Voight-Kampff VA001
Release date: 23/05/2019

Artist: @oguzgk

OGUZ - Hayek Ravers [Artaphine Premiere]

REVIEW > inverted-audio.com/review/i-hate-models-lage-des-metamorphoses

I Hate Models 'L’Âge Des Métamorphoses' offers variations of hard-hitting drums, uptempo rushes and unrelenting rhythmic aggression – the latter certainly bearing influence, leastwise the overall sounds and mood, which shall please Perc Trax fans and the likes effortlessly.

L'Âge Des Métamorphoses

I Hate Models - The Night Is Our Kingdom [Perc Trax]

I Hate Models - You Are Not Alone (Perc Trax)

I Hate Models - Impossible Love (Perc Trax)

I Hate Models - Crossing The Mirror (Perc Trax)

I Hate Models - Eternity Is Burning (Perc Trax)

I Hate Models - The Beginning Of The End (Perc Trax)

TWIN TURBO - HARVARD BASS - CREAM

Twin Turbo creams all over the dancefloor with the latest release from Harvard Bass. Featuring a remix by Ambivalent.

For his second release on Twin Turbo, San Diego's Harvard Bass whips the cream right out of dancers' jeans, which seems like something that should appeal to pretty much everyone, including the big-name DJs (Tiga, Brodinski, Zombie Nation) who privately chart his every move.

First, the title track walks right in and kicks you repeatedly in the toms, bringing the bass and party bleepin' that's become as cherished a part of our cultural fabric as the acoustic guitar or the air horn. With its infectious, sped-up hip-hop vocal, "Cream" could become the biggest track in the world, or something you play for friends for the first time for the next 20 years. It's not  for us to dictate the life of our artist's work, only to shove it into the waiting arms of any weirdo with five euros and a GMail account. Meanwhile, the narcotized vocal sample on "Pimps" promises listeners "everything they want in life," and delivers with the kind of clap workout they've been dreaming of since the moment of conception.

For the remix, we looked to someone to whom it seemed wise to look. With releases on M-nus and Plus 8, multiple collaborations with Alexi Delano, and remixes for the likes of Plastikman, Berlin-based American Ambivalent was, we felt, an inspired and courageous choice to take on as balls-all-over a track as "Cream." And what he delivers is perhaps the greatest marriage of German tech precision and Florida bass energy since Volume Four of the Orlando-Munich Connection comp series.

Twin Turbo - big-room anthems in the name of Truth, Brotherhood, and Inclusionality since late-mid-2011.

Twin Turbo 017 - Cream

Havard Bass - Cream (Ambivalent Remix)

TURBO 071
PROXY
WHO ARE YOU? / 8000
 
NEW PROXY SHOE-BANGERS. WHETHER YOU LIKE IT OR NOT, HISTORY IS ON OUR SIDE. WE WILL BURY YOU.

Who Are You? / 8000

Proxy - Who Are You  (Marseille Remix)

Turbo CD 028 Jori Hulkkonen MAN FROM EARTH
The world we live in, on a very fundamental level, is flawed.  On the eve of my tenth album release I'm still writing my own bio and wondering if I should refer to myself in third person, analyze the past 15 years and justify bad career moves as artistic integrity, and promote myself as the unsung hero of techno and house; a mere victim of poorly timed strokes of genius (numerous!) and being born in the wrong part of the world.  Well, sarcasm never really did become me, and irony works only if unnoticed. Double fail.  It's easy enough to google up some old Jori Hulkkonen bio with real biographical info, or check out my discography from my website so I'll spare you the boring details of my "career".  Ever since the late 80's when my obsession with all things music started to manifest itself with an increasingly verstaile record collection and eventually some synths and experiments in songwriting, it has been quite clear to me that I'm destined to create my life's work within the business. The problem is that as an idealist cynic with tight grip on realism I'm well aware that 'the biz' is a sinking ship more or less, and I'm already dancerously close to the waterline. But the good news is that I stopped caring.
Here's why:
Having released my first proper artist album in 1996 for the French label F communications (defunct now since 2008, with my album "Errare Machinale Est" as their final release -coincidence?), I've managed to do something I never thought would be possible, something that I'm the most proud of all things in my career: never becoming popular.  After nine albums, dozens of pseudonym releases on superhot labels (like Rekids and Get Physical just to mention a couple from the past few years), close to a hundred remixes, my own radioshow on national radio for more than a decade (in Finland though, so it may not count), thousands of DJ gigs all over the world under my belt (OK I never actually counted but a quick calculation tells me it must be close to 2000 now), producing and writing songs for the likes of Tiga (whom I created in the first place), and having a reputation as a producer who can make an 808 kickdrum sound like a jazzy flute, you'd expect that there was a time when I was The Shit. But I never was!  Sure enough there's a lot people who never were "big", but are they still working? Releasing albums, singles, getting remix requests and DJing all over after 15 years? No. But I am. And this I see as my greatest achievement and there's a lesson to be learned everyone: If you never become trendy it's impossible for you to become untrendy.  Will all this change now though with my hotter than hot new album on Turbo, or the buzz around my Acid Symphony Orchestra (a piece I wrote for ten tb-303's and a 707, conducted by me)? Or the rumoured collaboration with Chris Lowe of the Pet Shop Boys?
It remains to be seen but I'm dedicated to give my best shot to not let it happen.
Man From Earth, my tenth studio album, is the first "Jori Hulkkonen" album not released on the now defunct F communications.
How will this change of label affect my sound? Is this the end of ballads, jazz and ambient? Of course not -not even for me - but the album is a deliberate (as in not forced) departure from the bedroom vibes with focus on jams for the dance crowds.
Recorded at my alppIVhouz studios, most of the tracks were intended for 12" singles so they are not album tracks as such, therefore the album is maybe not as coherent and subtle as some of my previous efforts. But what it may lack in atmospheric synthpads, "scandinavian mooddesign" and social commentary it makes up in catchy basslines, sizzling hihats and semi-danceable tracks.


Jori Hulkkonen - Bend Over Beethoven

DJ & live bookings chris@elitemm.co.uk

Perc - Under Club (3hr set)
soundcloud.com/perc/perc-under-club-buenos-aires

Perc - Essaim, Paris (4 hours)
soundcloud.com/essaimparis/perc-all-night-long-excerpt-essaim-paris-20june2025

UK based techno label. Perc, Ansome, Ghost In The Machine, Steve Redhead, Million, Scalmeriya and many more.

https://perctrax.bandcamp.com