NEVER FALL

Monoicle Eyed Bugs (STEPDOWN MIX)

Jean Bernard Raiteux 
Les Demons
FKR086
LP | Digital

The unreleased Euro pysch score to the French/Portuguese X-rated version of The Devils meets The Witchfinder General! Synchronised by Spanish anti-establishmentarian, sexual liberator, die-hard independent filmmaker and unrepentant voyeur Jess Franco (Vampyros Lesbos/De Sade). Composed entirely by French composer Jean-Bernard Raiteux aka Jean-Michel Lorgere (Sinner/Harlem Pop Trotters) and presented here in full soundtrack form for the first time.

Proudly claiming the dubious accolade of the Spanish sexploitation version of The Devils as the distributor’s most bankable asset, this previously banned 1973 European witch flick would rip the art house facade from Ken Russell’s well polished box office smash and push the envelope way beyond the closet titillation of the gentrified new wave controversy seekers. Delivered on a comparable shoestring budget as the 55th feature in Jess Franco’s filmography of approximately 203 completed movies, The Demons (Les Démons), directed under the Anglicised pseudonym Clifford Brown, took many of the Franco’s sexually stylistic watermarks (epitomised in his Vampyros Lesbos trilogy) adding witchcraft, possession and nunsploitation against a rural Mediterranean backdrop before disappearing into the woods. Whilst clearly taking inspirational plot cues from Michael Reeve’s The Witchfinder General (UK 1968) and drawing comparisons with scenes from Eiichi Yamamoto’s Belladonna Of Sadness (Japan 1973) this B-Movie reduction of Franco’s wide palette of colourful ingredients has in recent years provided enthusiasts/champions/defenders of the workaholic horrotica bastion with a rare and treasured addition. Future-proofed by an essential component, omnipresent in Franco’s films, it is the mysterious commercially unobtainable soundtrack music that cements the unwaning interest in his risqué brand of unconventional shock/schlock sinema (not hindered my the enigmatic title card misinformation that often surrounds the original composers) and the music herein that has given Franco’s harshest critics a second chance/reason to reevaluate this man’s unapologetic art.

Following on from Finders Keepers previous expanded release of Bruno Nicolai’s score for Franco’s 1970 adaptation of De Sade (FKR069) this record stands as another tribute to Franco’s life which he lived through the mechanisms of a camera with relentless zeal and a passion to challenge every aspect of movie making along the way. UNDERground, OVERambitious, RIGHT on, LEFTfield, BELOW the radar but ABOVE criticism. INdulgent and OUTrageous, but never middle of the road, Jess Franco was many things but he wasn’t pretentious and never delivered art for art’s sake and I feel honoured to have spent time with him. Franco was in fact a realist, he kept both feet firmly on the ground and a keen eye behind the right side of the lens and if Jess did have any demons his films were his exorcisms, the critics were the bloody judges and his legacy (through the medium of X-rated cinema of variable quality) is immortal.

www.finderskeepersrecords.com

Jean Bernard Raiteux - The Weakness Of Rosalinda

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Volume 5 [via XLR8R]

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And Feel Real

You've Lost

Albanian Hymn  Feat Fattú Djakité

ESCATIC TO FINALLY SHARE THIS SONG WITH YOU°
THANKS FOR ALL YOUR SUPPORT ON THIS MUSICAL JOURNEY!

if you drive through my mind… 
all the images you will see
pretty pictures 
all the time 
killed these fantasies of mine
hope you don’t cry
hope you don’t cry
so rewind,
to the child
all the messages she received
scrambled into code
worms within her head.      
hope you u don’t cry
hope you don’t cry
-------
Check out the Drive EP .... THNX FOR ALL YOUR SUPPORT XXXX
lnk.to/DriveEP

Drive

'Mantra Moderne' is a stunning, contemporary masterpiece that fuses Anatolian Psychedelia, Brazilian Tropicalia, 60’s European pop and American jazz. A must for fans of Khruangbin, Portishead, Arthur Verocai, Goat, Caetano Veloso, Tom Zé, Os Mutantes, Cortex and co.

The duo is formed of Kit Martin, who lives between London and France and plays all instruments on the album, and Merve Erdem, vocalist and multi-disciplinary artist from Istanbul, now based in London. This is their debut album.

The album explores universal themes such as love, loss, decay, language and ideology, mixing three different languages: English, Turkish and French. Written and recorded by the duo - Kit composed all the songs and Merve wrote the lyrics - in rural France during 2018, each song was completed within a 12-hour window, pawning contemplation for spontaneity.

Dubbed by Kit and Merve as ‘lo-fi-hi-fi’ in reference to the high-end tube equipment that helped it find its way to 8-track cassette tape. The style owes its sound to narrow tape width, valve distortion, spring reverb, the mixture of high end gear with lo-fi equipment as well as a disregard to the norms of hi-fi studio techniques. All instruments were analogue and no samples were used. The instruments that are used range from tablas to darbukas, balalaikas to ouds, MS20 synths to Farfisa organs and a lot of cuica. The mixing techniques were done on-the-fly, tracking immediately to tape: compression, EQ, delay and reverb; meaning mixing could not be revisited!

The deluxe edition of ‘Mantra Moderne’ features two previously unreleased tracks - ‘Kozmos' and 'Rain (باران)’. It also includes remixes of album tracks from Baris K, Halal Cool J, and Natureboy Flako (who also contributes an unreleased cover version of ‘Senden Baska’).

Tracklist:
1) Senden Başka
2) Mantra Moderne
3) Tyranny 20
4) Pangea
5) Kuytu
6) Yanımda Kal
7) Yürüdüm, Büyüdüm, Çürüdüm
8) With A Sense Of Grace
9) Durma
10) Kozmos
11) Rain (باران)
12) Durma (Baris K Dub)
13) Senden Baska (Natureboy Flako Remix)
14) Kit Sebastian vs Halal Cool J
15) Senden Baska (Natureboy Flako Cover)

Kit Sebastian - Rain (باران)

Anybody - Portico Quartet Remix

Anybody (Portico Quartet Remix)

Multi-award winning experimental pop auteur, Sasha Perera aka Perera Elsewhere is a producer, musician, songwriter and DJ who has garnered critical acclaim from Pitchfork, NPR, BBC, FADER, Vogue, KCRW and many more. Her use of technology to create and to experiment with her voice, lyrics, trumpet, percussive beats, bass frequencies, sound design and existential ideas all led to what fans and press initially coined the ‘Doom-Folk’ sound of the Perera Elsewhere project. She found a home on Los Angeles based label Friends of Friends where she has released 3 albums that have seen her sonic imprint graciously evolve. Her music evokes a hybrid of comparisons such as Mica Levi, Dean Blunt, Jon Hassell and Massive Attack.
Journeys have punctuated Perera Elsewhere’s life perspective and career, taking her from London’s vibrant club scene to Berlin’s bass experimentalist underground. All of which developed her shapeshifting approach to music. Elsewhere, but always rooted. No matter where Perera has found herself musically–from live shows & DJ sets at institutions such as Berghain, the Guggenheim, the Hamburg Philharmonic, Sonar Festival and Boiler Room.
Her music has been licensed for Ava Du Vernay’s ‘Queen Sugar’ series, by Oscar winning director Paolo Sorrentino for his ‘Loro’ film and recently by Apple for the promotional launch of their faster than ever M2 chip.
A true multi-hyphenate, Perera’s open and autodidact technique is also highlighted by a long list of side releases, collaborations as well as bespoke compositions for moving image, theatre and audio-visual installations for leading global institutions such as Bass Museum Miami (2022 and ZKM in Karlsruhe (2024). She produced 4 songs for German icon Nina Hagen’s recent album (2023).
Perera Elsewhere won ‘Best Act ’at the VIA awards 2022, the only independent award for musical innovation in Germany. She also won Sony Music Germany’s ‘Female Producer Award’ in 2024.
Perera’s published works have led to invitations by renowned institutions such as Ableton, Native Instruments, Yale or Berlin’s University of Arts and the award- winning Errrormusic programme to share her creative knowledge via studio sessions, workshops, teaching, and mentoring.   Sasha has also worked with the British Council and Goethe Institute as an artist and co-curator or mentor on music projects and music-tech education initiatives across Asia and Africa .  She recently composed the sound for a Kampnagel dance/ theatre production titled' Reparation Nation.'  Perera Elsewhere is clearly at home in many places.

Bookings : andrea@worldrhythm.net
Licensing / sync : leeor@fofmusic.net 
Composition/ remixes / other projects : info@pereraelsewhere.com 

 www.pereraelsewhere.com

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