Name: Vista - Strings & Harp (no ext. verb / decca mic only / rough, no legato bal) - by Jasper Blunk by Performance Samples
Duration: 34 s
Description: Using a very early version of the library.

Oh my god, ive been looking for this particular sound for my whole life. Cant wait for it!And OUTSTANDING Piece!

I see :) I'm not the only one who's touched by the melody. Is this demo track somewhere available in full length? I'm willing to buy Vista along with it ;) (I'll buy Vista anyway).

I am not sure what is weeping more here: me, the violins, or my wallet.

The Strings sounds so beautiful and supports the melodie really good!

I had never payed attention to film music before I heard John Barry's "Out of Africa". That changed the path of my music and the tone of those strings became a huge inspiration in my composing. I spent so much time over the years trying to recreate it electronically.  My primary criteria when considering a string library has always been; how close does it come to capturing that "that sound". They never came close until I heard Con Moto. Now Vista just wraps that up and puts bow on top! I am very eagerly waiting for the release :-)

Come on! I hear that change there! I *NEED* the continuation... beautiful piece. You should finish this music and release it. And VISTA sounds amazing.

wow...just wow. the composition itself is so amazing and so beautiful. can´t even describe it

Buy on iTunes

L'Ultimo Giorno D'Inverno

Habituals

Charms

Kantwell - Signals

Ten directions is a Eastern cosmogony’s term that means "in all directions throughout the space." These directions are the eight of the compass: east, south-east, south, southwest, west, north-west, north, north-east, plus the Nadir – to the down - and Zenit - at the top.  These "Ten directions" are often matched to past, present and future to describe the set of all places – Ten Directions - and times - Three Times.
 At any time and in any place existed a sound that awakens and resonates at a specific emotional state. A call that is heard and collected by those who were looking for it for a long time and in any direction.
 
While playing or composing, I take refuge into myself, directing the sound through the ten directions of space. Then, I let my thoughts meander both in the internal direction, the innerself, and in the outer, the discovery and the meeting. The union of these two states arouses emotion, subtle matter that can be felt by those who are listening and are on the same frequency and in tune.

 The launch of the thought starts from the silence, and then, one key after another, starts moving and traveling through the air like an arrow into space. The sound is without obstacles, in the ten directions, and resonates through the invisible world of vibrations. Announces itself and enters the inner space. It comes to ears, the hearing organ, and shakes all the other senses. It kidnaps, touch the nerve centre and pervades us. It meets and joins up with something that is already there, and is welcomed as it was expected all along.

 The sound is clear, it radiates and spreads everywhere, and comes back, in a two-way process, creating contact points and unexplained bridges. Is a dimension that affects and charms because we recognize it, surprised and excited at the same time. As a light, it illuminates hidden areas through the mind and the heart, and reaches the deepest part of our inner. The listener and the player finds themselves alive in a sensitive state, and this sharing creates the communion, the union of sound and spirit, music and noise away from fiction, which dwells always and everywhere in the ten directions.

Ten Directions

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In 2022, T.S. Eliot’s poem "The Waste Land" celebrated its 100th anniversary. Its central themes—solitude, estrangement and a wounded world with an alarmingly uncertain future—are even more pressing today than they were 100 years ago. Boris Rogowski’s soundscapes embody the mood perfectly: The fear and darkness as much as the faint, yet stubborn hope for the light of a new day. 

Irina Borissova
2nd Violin

Anna Krimm
Viola

David Menke
Solo Piano, Musical Direction

Roland Münchow
Flute, Tenor Saxophone

Michael Preuss
Cello

Boris Rogowski
Piano, Harmonium, Electric Guitars, Mandolin, Programming, Vocals

Alexander Sachs
1st Violin

Claus Schulte
Drums 

Buy on Bandcamp

If There Were Water

Artist - Sappheiros
Genre - EDM
BPM - 105

Been a while since I made something like this, hope you enjoy! :)



Vibrant

A preview of the original soundtrack I composed for a gorgeous mobile platform game that's due to come out next year. The game follows the journey of a benevolent sprite as he attempts to restore balance and beauty to his world.

http://inarigame.com

Inari (Soundtrack Preview)

Using a very early version of the library.

Vista - Strings & Harp (no ext. verb / decca mic only / rough, no legato bal) - by Jasper Blunk

Performance Samples

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Andreas Gajewski

Dave Parker

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