✵ Perlas presents a new Series of Gems that present Eps and Lps of individual Artists with the theme of expressing their particular sound and analyzing the thought of the sound producer

✵ Opening this series we have Rodrigo aka Ohm.io. DJ/producer from Asunción, Paraguay.
Resident of the great club Tango And I edit on major labels LPZ Records and Inbetween


Perlas presenta una Nueva Serie de Gemas que presentan  Eps y Lps de Artistas individuales con la temática de expresar su sonido particular y analizar el pensamiento del productor sonoro
Abriendo esta serie tenemos a Rodrigo aka Ohm.io . DJ/productor de Asunsion, Paraguay. 
Residente del gran club Tango y editó en grandes sellos LPZ Records e Inbetween.

✦ Format: Digital
✦ Artist: @ohmpy
✦ DG: @dimdeck
✦ Master: @cvtriel
🛒 www.perlaslabel.bandcamp.com/

Buy Here!

Ohm.Io - DSR

A blend of dim electronics and atmospheric soundscapes - the metaphysically enveloped selection takes on velvety vibrations & elegant elements, creating an alternating grind in loop frames. 

Ato Vari aka Mads Gravers Nielsen is a poetically sentient musician from Copenhagen, Denmark. His music has been featured on @poshisolation, @holygeometry, Buried in Slag and Debris, GERÄUSCHMANUFAKTUR, @eastern-nurseries & @perfectaesthetics.

Amulet of Tears 042: Ato Vari

Music: @tunamelt-1

Artwork: @anasisana

Amulet 042: Ato Vari

READ > inverted-audio.com/premiere-uriel-tarantula

Two years after their inaugural release, Boorloo-based imprint @pneumatic-pneumatic returns with a 7-track extended player from San Francisco-based neoteric marauder @u_r_i_e_l.

Divinity Reset

Tarantula

Uriel - Tarantula [Pneumatic]

LIES-201
Women's Hour-Agitated Slumlord
from the upcoming self titled 12 track lp
limited to 300 copies
to be released November 14th 2023

Buy Direct

Women's Hour-Agitated Slumlord (LIES-201)

vxlazr1133141123

After building up a head of steam on labels such as Craigie Knowes and Rotterdam Electronix in the past couple of years, Larionov debuts on Sheffield's Central Processing Unit with the Space Threat EP. Larionov's previous releases have shown off a musical sensibility which is both schooled in classic electro stylings and also able to reach for leftfield sonics in a way which sets the producer apart from the pack. It's a vibe that continues into this record, a quartet of busy electro joints which are characterised by a brooding, neurotic energy.

The opening title-track is precisely the sort of thing which would soundtrack a voyage to the outer-edges of the solar system. 'Space Threat' is a nervy, restless bit of machine-funk, the track moving forward at a midtempo which manages to be at once steady and slightly fidgety. The beat skitters and swerves, a perpetual-motion machine of minor-key bass, strange modular flutters and thwacking snares. All of this is draped in icy washes of keyboard - think Drexciya if they blasted into outer space rather than delving deep down in the ocean.

'Asteroid Attack' works from the same blueprint for 'Space Threat' but ratchets up the intensity a little to take the track to another galaxy. It's still powered by a livewire neurosis, all piston-sharp drums and whirligig synth percussion. However, an increased tempo, strangely poignant keyboard lines and little snatches of vocoder-drenched vocals turn 'Asteroid Attack' in the direction of modern practitioners like Cardopusher and CPU homie Silicon Scally.

Opening up the EP's B-side, 'Flying High' finds a midpoint between its predecessors, returning to the steadier pace and twitchy vibe of 'Space Threat' but maintaining 'Asteroid Attack's single-note counter-melodies and digified vocals - although here the ghostly treatment on the voice makes for a hugely eerie atmosphere. Around the four-minute mark, the track peels back the veil of synth pads and wobbling keys stabs to turn the attention wholly to the rhythm section, a choice which feels like taking a stiff drink in order to redouble your energy for the next part of the night.

'Vimana Ride' runs with 'Flying High's approach to see Space Threat out in style. There's something to the digital vocal sighs that make up the melody of this cut which gives things a really uncanny quality - it's the kind of sonic choice that Sadboys producers like Yung Gud and Yung Sherman would make, but applied wholly to the service of crafting body-popping, acid-tinged electro.

Larionov arrives on Central Processing Unit with an EP of anxiously excellent electro experiments.

RIYL: Cardopusher, Silicon Scally, Annie Hall, Cygnus

Space Threat

Larionov - Space Threat

In a convergence of two of the most celebrated names in contemporary electronic music, Karsten Pflum steps out on Central Processing Unit with the Liars EP. As anyone who has followed either Pflum’s work for labels such as Worm Interface/Furthur Electronix or the Sheffield imprint’s recent run of top-quality electro joints will have expected, this coming together proves to be a match made in heaven.

What we have here is a tour de force of modern machine music. With Liars, Pflum achieves that rare feat of making something that is at once boundary-pushing yet also thrillingly immediate, his attention to detail shining through with each well-placed snare hit or leftfield structural choice. Equally apt for home listening or dancefloor deployment, Liars is a delight for heads and hedonists alike.

Constantly evolving while also cleaving to a relentless groove throughout, opener ‘WAN1’ is a brilliant scene-setter for Liars. The track slinks between sections of seething post-Drexciyan acid and eerie vignettes which balance out haunted house synth licks with the sort of punishing bass blasts that recall early grime classics like Youngstar’s ‘Pulse X’. A sly shift of key halfway through the track only serves to redouble ‘WAN1’s restless brilliance.

After ‘WAN1’, ‘LOLA’ represents something of a gear-switch. The track’s wiggly opening bassline is a red herring - make no mistake that we’re fully into braindance territory on this one, the drums skittering across the mix as Pflum fills the track out with jungle-adjacent delays and softly insistent synth pads. As ‘LOLA’ goes on, blurts of synth and some stiffening in the drum work pushes the track into pure rhythm workout territory.

First B-side ‘MOUSFOLK’ somewhat splits the difference between Liars’ A-sides. This track has ‘WAN1’s unyielding stomp and prominent acid bass line, but the helter-skelter drum breaks and wandering keyboard lines are very much pulling from ‘LOLA’s zanier energy. As with the other joints here, ‘MOUSFOLK’ is elevated by Pflum’s composerly touch, the Dane frequently throwing in new sonic tidbits - a skippy snare tattoo, a single-note synth loop which sounds like a hovering spaceship - that reinvigorate the mix.

Pflum’s musicality is at the fore once more on closer ‘BALM’. For the first section of ‘BALM’, a rich and sombre keyboard fugue, you’d be hard pressed to say whether you’re listening to a producer of club music or a contemporary classical maestro. The way Pflum builds this central motif up with deft broken-beat drum programming, a wheezing synth countermelody and distant vocal sighs is equally delightful, the whole track coming off like a kindred spirit of the electronica-infused experiments on Radiohead’s 2000 masterwork Kid A.

A brilliantly unorthodox collection of electro-braindance hybrids, Liars is a barnstorming Central Processing Unit debut from the seasoned Karsten Pflum.

RIYL: AFX, Silicon Scally, DMX Krew, Matmos

Liars

Karsten Pflum - Liars

Premiere of the track "The Night Has Passed Already" by Vanity Productions, taken from his upcoming album on Northern Electronics.

"...Recorded during the weeks after Christian's sister’s passing, it resonates internally as the maelstrom of melancholy, transforming grief into distorted tunes. Minimalistic and bleak at the core, yet possessing vague and undeniable romanticism, morbid intensity and density, a tangible memo filled with love unexpressed, a ride through a tunnel drowning in light."
-
Artist: Vanity Productions
Track: : "The Night Has Passed Already"
Album: "The Night Has Passed Already"
Label: @northernelectronics
Format: CD + DL
Release date: January 26, 2024
Pre-order: https://northernelectronics.bandcamp.com/

Music by Christian Stadsgaard
Mixed By Malthe Fischer and Christian Stadsgaard
Mastered by Giuseppe Tillieci at EnissLab Rome
Artwork's photo by Christian Stadsgaard

꒰ঌ ໒꒱

Premiere: Vanity Productions - The Night Has Passed Already [NE99]

| Icelandic electronic musician 𝗷 𝗮 𝗱 𝘇 𝗶 𝗮 has been making waves in the dance music realm with her outstanding production finesse and dedication to cutting-edge sound design. Her constantly evolving sound is fueled by an appetite for the strange, open-minded attitude towards genres, and a thirst for experimentation.

| Since 2018 she’s been steadily releasing music on various labels across the globe such as Monnom Black, International Chrome and A7A, as well as being an integral part of the Icelandic electro crew 𝗦 𝘄 𝗲 𝗮 𝘁 𝘆   𝗥 𝗲 𝗰 𝗼 𝗿 𝗱 𝘀.  
Her set is an energetic blend of otherworldly textures and liquid basslines that effortlessly tread the line between raw power and sublime beauty.

𝗷 𝗮 𝗱 𝘇 𝗶 𝗮 ➥ instagram.com/kolbmotha
𝗦 𝘄 𝗲 𝗮 𝘁 𝘆  𝗥 𝗲 𝗰 𝗼 𝗿 𝗱 𝘀 ➥ instagram.com/sweaty.records

𝗣 𝗟 𝗘 𝗔 𝗦 𝗨 𝗥 𝗘: podcast 02 | jadzia

2 hours of pure UK electro, acid & braindance with 707-addict Jerry LaFlim & cult acid producer Roy of the Ravers !

Rinse France Podcast

TRIPALIUM CORP avec JERRY LAFLIM & ROY OF THE RAVERS - 25 Janvier 2024

Premiere of the track "Rio D'Oro" by the duo Kinzua (Lucas Brell + Marvin Uhde), taken from their upcoming release on Osàre! Editions.
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Artist: Kinzua
Track: "Rio D'Oro"
Title: "Purest State Confusion"
Label: @osare-editions
Format: 12" + DL
Release Date: April 2024
Pre-order: https://osare-editions.bandcamp.com/album/oe-022-kinzua-purest-state-confusion

"Purest State of Confusion was recorded at various locations in
Leipzig and Berlin, including at the shed-turned-studio, owned
by the bass-focused record label Fast Castle. Final touches
and mixing assistance were performed by Mike Bierbach AKA
rødhåd at the WSNWG studios. The pioneering techno producer
inflects the record with his staunch taste for aerobic club
rhythmics, teasing out the whirling tempos and pointillistic
harmonics."

Premiere: Kinzua - Rio D'Oro [OE022]

Record Label founded in Bs As Argentina by Marceas @marceaswaves
With the theme of spreading futuristic electronic music. distorted and experimental.

Artist edited : The deserter, Black N, Saigg, Ohm.io Dj Frankie T.D.D, Russell, Huaman, Saigg, Not4. Lostsoundbytes,  Anti yo, Raw Ambassor, Jeronimo, Cuerina Raw Dry, N1a, Cadena Nacional, Yozy, TLXCO, DJ Forma, Estado Critico, Gael, Extraña Sutura, Dimension Alterna, Marceas, Vltra Delta Drive, Unknown , Dim Deck, Necro Stellar, Bell riots. Dh wtj, Catriel, Dsc Life, Lady Von, 010111, Calzifer.

https://perlaslabel.bandcamp.com/music

Perlaslabel@gmail.com

Ohm.Io - DSR

PERLAS

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