OFERENDA-SHRINE

Kwabena Kwabena - Adult Music (feat. Samini)

Hoje terra vai tremer
Hoje terra vai tremer
Vulcão da Bahia é tambor de Ilê Aye
Vulcão da Bahia é tambor de Ilê Aye

Onda para na pedra
Pedra não segura mar
Quem segura mar é lua
Num agrado pra Iemanjá

Liberdade é um bairro
Que a alma quer visitar
Lave a boca, limpe os pés
Na pisa que for levar

Somo crioulo doido e somo bem legal.
Temos cabelo duro é só no black power.
Somo crioulo doido e somo bem legal.
Temos cabelo duro é só no black power.

Que bloco é esse? Eu quero saber.
É o mundo negro que viemos mostrar pra você (pra você).
Que bloco é esse? Eu quero saber.
É o mundo negro que viemos mostrar pra você (pra você).

Branco, se você soubesse o valor que o preto tem.
Tu tomavas banho de piche, branco e, ficava negrão também.
E não te ensino a minha malandragem.
Nem tão pouco minha filosofia,não?
Quem dá luz a cego é bengala branca em Santa Luzia.

Que bloco é esse? Eu quero saber.
É o mundo negro que viemos mostrar pra você (pra você).
Que bloco é esse? Eu quero saber.
É o mundo negro que viemos mostrar pra você (pra você).

Somo crioulo doido e somo bem legal.
Temos cabelo duro é só no black power.
Somo crioulo doido e somo bem legal.
Temos cabelo duro é só no black power.

Eu sou filho de preto
Sou brasileiro
Eu sou filho de preto
Sou brasileiro

Branco, se você soubesse o valor que o preto tem.
Tu tomavas banho de piche, branco e, ficava negrão também.
E não te ensino a minha malandragem.
Nem tão pouco minha filosofia,não?
Quem dá luz a cego é bengala branca em Santa Luzia.

Que bloco é esse? Eu quero saber.
É o mundo negro que viemos mostrar pra você (pra você).
Que bloco é esse? Eu quero saber.
É o mundo negro que viemos mostrar pra você (pra você).

Somo crioulo doido e somo bem legal.
Temos cabelo duro é só no black power.
Somo crioulo doido e somo bem legal.
Temos cabelo duro é só no black power.

Composição: Paulinho Camafeu

Ilê Aiyê  Que Bloco É Esse

Emisión 5

The classic Baden-Powell song played over the traditional rhythm for Xango : Aluja

Canto De Xango

Stream

Ibeyi - River [Ronnie Zyon : Acceron Ra Refix]

Criss Waddle (R2bees) ft Mugeez - P3p33p3  Prod by DJ Breezy

Criss Waddle (R2bees) ft Mugeez - P3p33p3

Michael Ozone is a brilliant producer based in Melbourne, Australia who made this remix for the Aby Ngana Diop Remixes digital EP, out now. http://bit.ly/1JW81fr

Michael Ozone's Liital Rhythm -- Aby Ngana Diop Remixes ATFA011

Xire Orixás Ketu


Inspired by oxum the goddess of love and rivers

Ambiente do rio es inspirado en oxum la diosa del amor de agua dulce



Ambiente Do Rio

Vassi para Omolú in B-flat minor  
Soprano saxophone: Glaucus Linx / Bass flute and bass clarinet: Carlos Malta / Rum: Antoine Olivier / Rumpi: Ogan Licinho (son of Mother Lindinha of Gantois-Ilê Lara Omim)Lê: Ogan Ely de Omolú (Axé Oxumarê) / Gã: Ogan Emerson Munrra Axé Tumba Junsara)
	Vassi para Omolú expresses the agonizing wail and inner suffering which extend beyond the heart and manifest themselves in deep and pungent melodies, prayers and cries offered to Omulú the Orixá of healing. In this song, we are blessed with the contribution of the great multi-instrumentalist Carlos Malta. He brilliantly contributes textures and counterpoints revealing the spiritual depths of this composition. Carlos Malta offered us the vision of his "third eye"! 
Axé, Mr Malta !!

Vassi para Omolú é o lamento de agonia e sofrimento interiores que extravasam os corações e se manifestam em melodias profundas e pungentes, como preces e gritos, 
dirigidos ao Orixá da cura. Nessa música contamos com a participação excepcional 
do grande multiinstrumentista Carlos Malta. Ele contribui, de maneira brilhante 
com suas texturas e contrapontos que revelaram as profundezas espirituais que
 residiam nessa composição. Carlos Malta nos presenteou com o seu “terceiro olhar” ! 
Axé, Mr Malta !!

Vassi Para Omulu em Si Bemol Menor

Saxofone soprano: Glaucus Linx / Rum: Antoine Olivier / Rumpi: Dofono de Omulú / Lê: Jose Izquierdo / Gã: Ogan Joilson São Pedro / Karkabous Gnawa: Cyril Atef. 
A melodia d'inspiração Norte Africana é muita expressiva e faz bastante uso dos “quartos de tom”  sonoridade inerente ao universo islâmico. Essa música e dedicada à Oxum, orixá da feminidade, da beleza, e do amor, mas com uma abordagem mais espiritual, inspirada do Sufismo (seita mais purista do Islã) onde a espiritualidade mostra a sensibilidade e sensualidade das melodias orientais, sem cair na facilidade da sedução carnal; o gozo é êxtase espiritual. Ora yê yê ô!  O grande percussionista franco-iraniano Cyril Atef toca os “karkabous” (castanholas  de metal) utilizadas pelos Gnawas, músicos/médiuns da África do Norte 
(Marrocos, Mauritânia e Argélia). O Mestre Chileno da percussão, Jose Izquierdo, também contribui seu suinge único.

Ijexá Gnawa

June 23rd marks the arrival of the long-awaited proper reissue of Amara Toure’s groundbreaking Afro-latin studio works captured between 1973 and 1980. Analog Africa has prepared a special gatefold double LP version on 140g vinyl, encompassing the three singles he recorded under the Black and White ensemble between 1973 and 1976 along with the highly coveted Orchestre Massako group’s stunning 1980 LP Accompagné Par L’Orchestre Massako. This is the entire known works of the mystic composer and it is stated in the press that after he recorded Accompagné Par L’Orchestre Massako, he would never been seen again and his whereabouts are unknown to this day. Breaking ground out of the rich legacy and musician development system Dakar, Senegal, producer Ibra Kasseì created, the origins of Ibra’s movement begins in the late ’50s when fusion music around the world was beginning to stretch outside of sketch forms. Cuban styles of son montuno and patchanga were infused with local folk traditions and modern instrumentation of each successive generation, producing a hybrid of West African and Caribbean music that is intoxicating and hypnotic in every rhythm, harmony and overtone. Senegal was buzzing with new creativity through the ’60s and beyond, met with an array of highly advanced musicians and visionaries. Nightlife music for those that wanted something beyond the radio hits and presented with a passionate essence that connected many people in the region of the time.

Amara Toure was brought up in a progressive movement unlike any other and by the time he was able to head his own groups and record his own content from the experience he gained networking with Ibra Kassei, African music had finally hit a global scale. When you open up the lid on the musicians who never made it outside of the regions known for strong music activity, an overwhelming list of artists come up and there is no question that Amara Toure ranks amongst the top of these creators. Originally from Guinea-Conakry, Amara Toure remained underground and raw during his tenure producing records, creating some of the most earth-shattering grooves and harmonies from any West African artist ever. To have his works in one album from the exceptional team at Analog Africa is a dream come true, updating pre-existing copies of originals that run in the triple digit numbers amongst hardcore collectors and doing a great job at preserving the analog warmth of the originals. The singles material was recorded in Cameroon while the 1980 content was done in Libreville, Gabon. Absolutely breathtaking guitar, percussion and horn heavy music that is timeless without question. For the vinyl junkies, this one has been pressed on deluxe gatefold double LP as a 140-gram vinyl and is presented in four-color screenprinted covers and also comes with a screenprinted poster. Limited edition to 1,500 copies, so order now if you want to secure a vinyl copy as these will surely run out quickly. Analog Africa does various reprints on back catalog titles out of print but these are never announced ahead of time. One can only hope they will run multiple campaigns for these prints as this music is too good for words.

Get it HERE

Salamouti  - Amara Touré et l´Orchestre Massako

LIEN DE TELECHARGEMENT : http://adf.ly/1Qr58j

SAIK X LUTIN - TIREUR D'ÉLITE ( AFROTRAP REMIX BY SKAYTAH )



RETRIEVE ALL PLAYLISTS ON OUR FACEBOOK GROUP: www.facebook.com/groups/RadioMawimbi/

TIM KARBON @ la Confiserie 5/03/16.
www.facebook.com/events/1669337436657985/


Radio Mawimbi #17 W/ Tim Karbon (Vox Populi Records) & Hagan (Beatwerk)

For more information on this project, visit www.havanaclubrumbasessions.com

The latest chapter in the longstanding relationship between Gilles Peterson and the music of Cuba, it sees him explore the roots of rumba through a project comprising a feature-length documentary and a collection of remixes to be released in 2016.

Produced in collaboration with Cuban rum maker Havana Club – that created the Havana Cultura platform to promote contemporary Cuban culture –, it's another episode in a six-year relationship that's already given vital exposure to different aspects of Cuba's thriving music culture through the Havana Cultura album series.

*The acclaimed Havana Cultura album series – fruit of a collaboration between Gilles Peterson, Brownswood Recordings and Havana Club – includes two major collective productions, Havana Cultura: The New Cuba Sound (2009) and Havana Cultura: The Search Continues (2011); the Havana Cultura Sessions EPs featuring Danay Suárez (2010) and Daymé Arocena (2015); and two electronic music albums, Havana Cultura Remixed (2010) and Havana Cultura Mix: The Soundclash! (2014).

Yuka Music (Mo Kolours Remix)

From www.DavidByrne.com

John Fitzgerald is one of the most passionate collectors of music we here at Luaka Bop have ever met. He is one of those people who just cares about finding great music, and then genuinely wants to share it with as many people as possible. In the world of record collecting, DJing and working with obscure music from the past—this kind of feature is much more rare than you might think.

For this month's show, DJ Fitz, as most people know him, has put together a mix of his favorite songs from the Middle East and Magreb, focused on the golden era of disco and funk. The mix features a few very rare 7"s he found (under a fish bowl!) during his first visit to Turkey in 2006, and others he's come across since then: the great Ahmed Fakroun from Benghazi, Libya, is featured twice, while the brothers Ziad, Elias and Gassan Rahbani have a few songs, too. Their mother, the legendary Lebanese singer Fairuz, appears towards the end of the show. As always with our show, we don’t attempt to make a representative selection of a whole region or era, it’s just the favorite songs of whoever is making this month’s show… smile

Besides DJing and record collecting, Fitz works with a lot of artists from all over the world. His “day job” is as a booking agent (he recently had the fantastic Mamane Sani, an organ player from Niger, play at his house in London!), and for many years he worked as a tour manager, with bands such as Animal Collective, tUnE-yArDs, Gang Gang Dance, and others. Whenever we release something at Luaka Bop, we sometimes (get lucky?) and the release gets championed by various influential artists or DJs around the world. As time goes, I can usually trace many of those people back to Fitz. It's like a big family tree, with him as the roots. I’ve started calling him "the source of all things good". He is always turning me on to a lot great stuff I've never heard before, too! (Here's the most recent example of that.)

To hear more mixes by DJ Fitz, check out his page on mixcloud and his popular podcast called “the DOODCAST”. For upcoming DJ gigs, please visit his website (he is playing the Film Festival in Istanbul next week, if you are lucky enough to be there).

Hope you like the music!

And thank you to David Macleod for the sound editing! 

Love,
Luaka Bop

APRIL RADIO: MIDDLE EASTERN & MAGHREB DISCO FUNK FROM THE GOLDEN ERA (1975-1985) by DJ FITZ

Footwork/Soul.
Rel: Dec 16th
12" Vinyl + Digital
Buy: https://eglorecords.bandcamp.com/album/if-u-wan-2-find-me
itunes: https://itunes.apple.com/gb/album/if-u-wan-2-find-me-time-is/id1181842491

Steve Spacek 'If U Wan 2 Find Me' - Out Now!

Discotexas subsidiary, Forbidden Cuts returns with another of its club-focussed EPs,
this time a jazzy affair from Oma Nata, a mysterious Portuguese artist living in
Hamburg.
The man behind the Oma Nata moniker has released a wide range of music but with
this project focusses on a more moody, vibrant and exotic sound that takes in
everything from Latin American influences to West African jazz as well as classic
house.
First up, the fantastic ‘Twisted Luck’ is a freeform house number with jazz trumpets
and finger clicks, low slung bass and blues vocals all coalescing into a vibrant groove.
A mélange of melodies and saxophones, chords and percussive lines all take turns in
being the lead and it’s the sort of swinging track to get any floor moving.
The equally brilliant and busy ‘A Break Forever’ is all jazzy chords and prickly
percussion. It’s loose yet loopy and will get anyone up on their toes thanks to its
excellent St Germain style deep house vibes.
These are two fresh and original tunes that bring real originality and invention to house
music.

Connect:

www.facebook.com/omanata
www.facebook.com/forbiddencuts

Twisted Luck EP

A Break Forever

off of MeYouWeYou, out May 21 on Smalltown Supersound

RocketNumberNine - Rotunda

Taken from the album 'Power Punch' released on Brownswood Recordings 8th April 2013.

Itunes: https://itunes.apple.com/fr/album/sunken-wrecks/id624656443?i=624656738

Greedbag: http://brownswoodrecordings.greedbag.com/buy/power-punch/

Bandcamp: http://brownswoodrecordings.bandcamp.com/album/power-punch-2

Amazon: http://www.amazon.fr/Sunken-Wrecks/dp/B00C10MA2I/ref=sr_1_1?ie=UTF8&qid=1369841272&s=dmusic&sr=1-1

OFERENDA-SHRINE

Pablo Micha