The Reverant Church of Linux

Extract from Natasha Barrett: Urban Melt In Park Palais Meran, taken from Heterotopia, released March 4th, 2022.
https://natashabarrett.bandcamp.com/album/heterotopia

Heterotopia

Natasha Barrett: Urban Melt In Park Palais Meran - Extract, from album "Heterotopia"

Setvenere - Time

Machine Room

A Better Artificial Skin

This is a preview of a work in progress.  If you are part of Pixelgasm (or want to be) and you dig it; and you would like to add to it: download it, turn it down 12 dB in your DAW, and then record stems and send them to me (David) at ggd2@hotmail.com or contact me on facebook.com/themuzzl3

Original track written and arranged by @geneBerlin and his track (featuring @theMuzzl3 ) is found here: https://soundcloud.com/geneberlin/prologue-run-free-geneberlin

Additional arrangements by @Infinati and @theMuzzl3

Run InfinAtily Free Blue Pix (Work In Progress)

Acousmatic composition realised in 6th-order 3D ambisonics. This is an short extract from the middle of the composition, rendered to 'normal' stereo. The original composition is 17'00. More info here:
http://www.natashabarrett.org/Involuntary_Expression.html

Full length on: https://www.sargasso.com/product/natasha-barrett-leap-seconds/

Involuntary Expression Stereo Extract. Full length now released! See info

A new independent record label celebrating musique concrète, field recordings and the interplay between these disciplines. 

This label is a recognition of the place field recordings have found in our culture, both in their raw state and as compositional inspiration. The work of composers Luc Ferrari, Beatriz Ferreyra, Pierre Henry and Pierre Schaeffer are an inspiration to us, along with the sound recordists Chris Watson, Bernie Krause and Jana Winderen.

Our first three releases explore the power of location sound as a trigger for emotion and memory, the music within the everyday sounds around us, and how musique concrète tape techniques – transforming concrete sounds from the real world – are being used today. These albums are complementary in their modernism – united as products of particular places and times:

Iain Chambers' The Eccentric Press comprises two symphonies of industrial and domestic technology, composed solely from recordings by the pan-EU Sounds of Changes project.

Factitious Airs (Electronic Music) is the first solo album by veteran composer & broadcaster Robert Worby: a visceral collection of contemporary electronic music, in which tiny fragments of other musics are fractured, manipulated, combined and rearranged.

Thames is a collection of field recordings by The London Sound Survey following the river from central London to its estuary, seemingly taking us back in time to a quieter place, where nature reasserts itself over man-made sounds.  

Limited edition vinyl pressings are presented in striking graphic designs by Matthew Young, with complementary high quality download audio.

Factitious Airs (Electronic Music)

Robert Worby - To Come Speedy Upon Them

Persistence of Sound is a new independent record label celebrating musique concrète, field recordings and the interplay between these disciplines

Robert Worby - To Come Speedy Upon Them

Persistence of Sound

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