Daniel Avery - Magic   Memory [a playlist]

Lightning (finger remix)

ᴘʀᴇᴍɪᴇʀᴇ:
Track Name: Colors of the Night
Artist: Adhémar
Release name: Notte Stellata
Catalog Code: [DFE006]
Mastering: by Kaelan at Subosc Studio
Format: Digital
Release Date: April 08, 2023

Buy Link: https://differentexhibition.bandcamp.com/album/notte-stellata

Adhémar:
▫️ SC: https://soundcloud.com/adhemarmusic
▫️ FB: https://www.facebook.com/adhemarmusic
▫️ IG: https://www.instagram.com/adhemar_music

Different Exhibition:
▫️ SC: https://soundcloud.com/differentexhibition
▫️ FB: https://www.facebook.com/differentexhibition
▫️ IG: https://www.instagram.com/different_exhibition

Crescent London:
▫️ www.linktr.ee/crescent.london

Full Tracklist:
1. Dawn Chorus
2. The Path of the Stars
3. White Moon
4. White Moon (Primal Code Remix)
5. Colors of the Night

Press Release:
Here we are with our sixth exhibition! The talented French producer Adhémar and the super hypnotic Italian duo Primal Code will star in it. All of this will be framed by an incredible painting by Vincent van Gogh. The Starry Night is a painting by the Dutch painter Vincent van Gogh, made in 1889 and kept in the Museum of Modern Art in New York. A true icon of Western painting, the painting depicts a nocturnal landscape of Saint-Rémy-de-Provence, just before sunrise. You will find more information about the painting on our social pages.

Bandcamp

PREMIERE: Adhémar - Colors Of The Night [DFE006]

Recorded at Secret Twitchdance, 1984
Romulus Cœurque: rhythms, dub treatments | Porn Flake: synths, dub treatments

Out on "Prototech" 2x12"EP, a joint release of Dark Entries (DE-179) and Serendip Lab (SERLP007).
http://www.darkentriesrecords.com/store/vinyl/hypnobeat-prototech-2xlp/#tab-description
http://www.serendip-lab.org/label/releases/hypnobeat-prototech-serlp007

Driven by the common DIY-attitude, James Dean Brown founded Hypnobeat with Pietro Insipido in 1983. Making noise with a Boss DR-55 rhythm machine, 2nd hand gear and household utensils, it was not before JDB’s encounter with Victor Sol and Tobias Freund a year later that Hypnobeat became a proper, fully electronic outfit.

The main goal was to follow a "neo-tribal" approach by reducing electronics to the hypnotic rhythm core. Affected by the emotional impact of polyrhythmic energy, the collective's live sets were often based on machine improvisations. In the studio, machine expert Victor Sol was the one who shifted the Hypnobeat sound to the desired level of technological sophistication.

Apart from a TB-303, the wide range of analog studio/live gear included up to six synchronized rhythm machines – always with a focus on the inimitable sound of the Roland TR-808. Accordingly, Hypnobeat conceived an early form of contemporary club music, somewhere within the scope of classical Electro Funk and prototype Techno, and with a proto-Acid flavour – on "the front-line of sonic innovation before Techno was even a thing."

In 1996, evolving from Hypnobeat, James Dean Brown formed Narcotic Syntax, a project he boosted together with Yapacc in 2003, with releases on Perlon, WIR and Prospector.

And after all, Hypnobeat retransformed from Narcotic Syntax. What was supposed to be a one-off solo live appearance by James Dean Brown at Serendip Festival, Paris in 2012 became the exciting new evolution of Hypnobeat with Helena Hauff joining the project a year later.

The duo's live performances are completely based on improvisation, exhausting the power of an untamed Roland horde which is unique on stage: 1 x TR-707 + 3 x TR-808 + 2x TB-303 + a formidable array of effects = provocative percussion, voodoo passion, tribal ecstasy, hypnodelic temptation, psycho-exotic magic, universal resonance, and a quantum of danger under a crypto-bohemian approach.

Hypnoweb
http://www.hypnobeat.net
Booking
hypnobeat@hypnobeat.net

Past live shows:
•	Festival Serendip, Paris
•	CTM, Berghain, Berlin
•	Grundlos Glücklich, ://about blank, Berlin
•	Les Siestes Électroniques, Toulouse
•	Écoutes au Vert, Motel Campo, Geneva
•	Insomnia, Tromsø, Norway
•	Bleak Future, Petit Bain, Paris
•	SAVE, Moscow
•	Intonal, Malmö, Sweden
•	Rural, Mountain Park Tsunan, Niigata, Japan
•	Krake, Urban Spree, Berlin
•	Arma Labelnight, OHM, Berlin
•	Atonal, Berlin
•	Kaiku, Helsinki
•	Boiler Room, Vienna
•	Dark Entries, Säule/Berghain, Berlin (JDB solo)
•	Mmodemmnight, Frankfurt a.M. (JDB solo)
•	Arma X, Funkhaus, Berlin (JDB solo)

Hypnobeat features:

The whole story
https://www.electronicbeats.net/frankfurt-diy-history
Techno Cadeau (08/2017)
https://web.archive.org/web/20220625101310/https://technocadeau.fr
Resident Advisor (01/2015)
http://www.residentadvisor.net/feature.aspx?2359

Hypnoweb
http://www.hypnobeat.net

Interview with Early Reflections, Paris (03/2023)
https://early-reflections.com/mixes/james-dean-brown

Interview with Fabric. London (03/2013)
www.fabriclondon.com/blog/view/in-conversation-with-james-dean-brown

www.empire-of-passion.com

Hypnobeat - The Arumbaya Fetish (1984)

LuST (Feat. Sex Park)

Artist: Annie Hall
Title: Atomic 20
Label: Natural Selection
Catalogue No: NS007
Format: 12" Vinyl & Digital
Release Date: 29th November 2024

Physical pre-orders available now via Juno, Bandcamp & more:

https://naturalselectionlondon.bandcamp.com/album/atomic-20

Further digital and physical pre-orders will be available soon via all good retailers, including Clone, Boomkat, Bleep & more.

Track Listing:
A1 - Atomic 20
A2 - Goji Berry
B1 - Goji Berry (Plant43 Remix)
B2 - Atomic 20 (Kodah Remix)

"London based label Natural Selection present their forthcoming release in the form of a 4-track 12" EP, courtesy of Annie Hall, entitled "Atomic 20", ft. remixes from label affiliates Plant43 & Kodah.

Born in Madrid, Annie Hall has been heavily active on the Electronica, IDM and Detroit circuits since 2007 and has seen her music released by the most highly esteemed of Electro labels such as Central Processing Unit, Delsin Records, 20/20 Vision, Detroit Underground, Semantica & more. She returns to Natural Selection, after releasing on 3 previous occasions since the label's inaugural release in 2021. Her track 'Panax Ginseng' (NS001) gained support from some of the most respected DJ's and producers worldwide, inc. Dave Clarke, The Advent, NULLPTR & more.

Atomic 20 is a beautifully crafted Electro release that maintains venomous aggression, amidst breathtaking textures and ambience. Hypnotic pads spiral into the ether, contrasted alongside heavy kicks, deep bass and meticulously programmed percussion patterns. Annie's eclectic and uniquely experimental style is fully evident throughout, taking the listener on an unpredictable, emotional journey, whether at home or on the dance floor.

The B side of the release features two well-placed, club-focussed remixes of each original A side tracks; B1 courtesy of Electro legend Plant43, with his immaculate remix of 'Goji Berry'. B2 courtesy of Natural Selection label head Kodah, with his virtuosic and powerful remix of 'Atomic 20'."

Mastered by @dadub Studios, Berlin
Cut by Simon at The Exchange Vinyl

@anniehallmusic
@plant43
@kodah

Annie Hall - Atomic 20 EP (ft. Plant43 & Kodah Remixes) - Previews

analog dreamy

Sonidos Subterraneos is pleased to premiere a new track, this time we have the great Paris based label: Silent Ground, with the track of: MVQX Feat. VALANAÏS - A Smallest Amount Of Light
"Nightshade Prophecy" is the release name!
The album contains 4 electronic music original tracks . ENJOY
Next we leave you the description of the release:

this vinyl marks the end of the third and last chapter

Artist_ Various Artists
Title_ Nightshade Prophecy
Label_ Silent Ground
Country_ France
Format_ Digital & Vinyl
Catalogue_ SG006
Release Date_ December 13, 2024
Buy_ https://silentground.bandcamp.com/album/nightshade-prophecy

Follow Silent Ground_

SoundCloud_ @silent-ground
Bandcamp_ www.silentground.bandcamp.com/
Instagram_ www.instagram.com/silentground_/

Follow VALANAÏS_

SoundCloud_ @val-rie-hendrich
Bandcamp_ valanais.bandcamp.com/IG -
Instagram_ www.instagram.com/valanais___/

Follow MVQX_

Linktree_ linktr.ee/mvqx


Follow Us
linktr.ee/ssubterraneos

Nightshade Prophecy

| PREMIERE | MVQX Feat. VALANAÏS - A Smallest Amount Of Light | [Silent Ground]

Bandcamp exclusive.
Inspired by the northern part of the Black Forest, Germany.
Part 1/3 - all 3 parts will be released on one tape in the near future.

Course Green

Moving

THE ART OF DEATH

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

Glitter

Glitter (Jon Hopkins Remix)

C O S M

C O S M (Daniel Avery Remix)

Pessimist

Bloom

Unearthed

Kristian Jabs - operating under various alias' and group's:
Pessimist
Soft Boi
Stigma
1/3 Ruffhouse
1/2 Boreal Massif


For all info of upcoming gigs and for regular music related announcements, you can follow me on instagram @pessimistmusic

To book Pessimist please contact Disconnect Agency:
mark@disconnect.li

Bloom

Pessimist

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