Gregor Tresher's Break New Soil playlist

Dimensional Fold

Desert Whisperers

Into the Silent Water

A Dark Fable

INCOMING : Archie Ward - Back To The Start #OnlineSongs
Release date : 15/08/2025
BUY : https://cygnusmusic.link/nvemewb

Self release on my label Online Songs.

☎️ Connect ☎️
https://soundcloud.com/archieward

INCOMING : Archie Ward - Back To The Start #OnlineSongs

LCOE007DE - Ivan Smoka & Robert Calvin - The Bad Life '2023 Remaster' [Last Cat On Earth]
Originally released on Invader Music Sampler 01 Vinyl. July 2005.
This is the first release selected of some Smoka´s classic tracks, remastered and upgraded to enjoy on actual dancefloors.

Written and produced by Iván Lajarín & Roberto Gemelín.
Mastered at Pobla Studios

https://soundcloud.com/ivansmoka
https://www.instagram.com/ivansmoka.dj/

#LastCatOnEarthRecordings #IvanSmoka #Electronic #Techno #Dark #Energy #Club #LastCatOnEarth

Ivan Smoka & Robert Calvin - The Bad Life

Ivan Smoka & Robert Calvin - The Bad Life '2023 Remaster' [Last Cat On Earth]

A mini-EP of fragile strength. Poetry meets dancefloor. Memory meets decay.

With BDS028, Belly Dance Services presents a delicate yet arresting collaboration between Ravage Sentimental and Nick Hanzo. Their mini-EP Ruins of Us unfolds like a forgotten diary — intimate, poetic, and eerily cinematic. Spanning 3 tracks, the release is a meditation on decay, memory, and the quiet gravity of endings.

A1 – Ruins of Us
Ruins of Us is a rave ballad with techno elements — emotive yet restrained, pulsing with quiet urgency. The track paints the aftermath of love’s collapse with lyrical precision, asking the question that echoes long after heartbreak: "Why did we fall without a fight?"
"We’re like the ruins of a castle, once strong, now crumbling, no battle."

B1 – Un Rêve Sans Fin (Original Mix)
Drawing on Baudelaire’s poems Ciel brouillé, Incompatibilité, and Femmes damnées, Ravage Sentimental delivers a French spoken-word piece that reads like a whispered invocation. The original mix is sparse and dreamlike, shimmering with ambient haze. The voice of Death speaks gently, offering eternal sleep as a form of grace:
"Et je t’endormirai dans un rêve sans fin."
"And I will put you to sleep in an endless dream."

B2 – Un Rêve Sans Fin (Club Mix)
Together, Ravage Sentimental and Nick Hanzo transform the piece into a haunting club rework. Balancing deep melancholy with propulsive energy, the club mix invites dancers into a trance-like state - where Baudelaire's visions swirl in low light, guided by hypnotic pulses and distant echoes.

Ravage Sentimental & Nick Hanzo - Un Reve Sans Fin (Club Mix)

Artista: @alicebz
Remixer: @thegameboyz
Sello: @melomana-records

El sello Melómana Records presenta su lanzamiento número 51 con Binary Rituals, el nuevo EP de Alice B, y entre sus cortes destaca el explosivo remix de Gameboyz. Fundadores del sello, el dúo extremeño ofrece aquí una relectura cargada de breaks, electro y nostalgia rave, donde la línea ácida original se convierte en protagonista absoluta, envuelta en grooves clásicos y un pulso futurista diseñado para incendiar la pista.

El resultado es una versión de alto voltaje, contundente y festiva, que mantiene el ADN de Language of Future pero lo proyecta hacia un terreno más abrasivo y directo, pensado para el club y el festival. Con este remix, Gameboyz reafirman su capacidad de transformar referencias clásicas en armas contemporáneas para DJs que buscan impacto inmediato.

Alice B – Binary Rituals sale a la venta el 5 de septiembre de 2025 vía Melómana Records, consolidando al sello como uno de los más inquietos e innovadores de la escena ibérica.

Melómana Bandcamp

PREMIERE: Alice B – Language of Future (Gameboyz Remix) – Melómana Records

En esta ocasión contamos con una sesión del artista mexicano curador de Subnormal Music, MVDKID. Con una fusión de sus estilos preferidos para la pista en una selección de tracks compuesta por algunas vertientes del sonido Disco moderno, club y el Indie Dance.

[Mixtape Collections] - MVDKID | DJ Set @ Subnormal

"Cargo Cult" EP is not just a collection of songs. This study of human tendency to create illusory systems of faith and rituals in pursuit of unattainable or false ideals, criticism of the consumer society and blind, as well as deep immersion in personal existential dead ends and disappointments. This is a powerful conceptual frame for creating a memorable, thinking and emotionally charged musical work; created, produced and mixed by mandruvá & Ruksby.

External imitation without understanding the essence, blind faith in the ritual as a means of achieving the desired, the gap between action and the real result, the creation of illusory systems to obtain an unattainable good. The combination of "primitive", acoustic, ethnic sounds (drums, percussion, folklore motifs) with cold, mechanistic electronics, industrial, noise. 

This reflects a mixture of traditional and modern, ritual and technology. Repeating rhythms, mantras, looped samples, increasing tension - creating a sensation of the transient state of the participants in the cult.

To wrap up this EP, we’re thrilled to have three outstanding producers on board once again: Mverto Futura from Guatemala, along with TKUZ and Leonor from Mexico — each delivering their own distinctive soundscapes to shape “Cargo Cult”


Lakshmi (Leonor Remix)

Mindwear

We love our star themes on Club Mackan. And the next release is no different. We welcome Berlin-based James Rod with a stellar two-track EP, Astrolosis. With remixes from Aleito and Marcus Christiansen, this release is a journey through cosmic melodies, galactic grooves, and star-born transformations.

The title track, "Astrolosis," shines with a bright, uplifting melody that never quite sits still. Like a star undergoing metamorphosis, its sound keeps shifting while its core remains the same—steady bassline, euphoric tone, and clever layering. It's cosmic, happy, and hypnotic.

"Giorgiolate" follows with a groove that feels like a disco beat turned cinematic. The bassline takes the lead, constantly evolving and commanding the spotlight. Not-so-subtle FX and nuanced shifts in rhythm keep the track dynamic, giving it a sense of propulsion through space.

Marcus Christiansen's remix of "Astrolosis" injects drama and edge into the original. With a bit of acid and a powerful build-up, the remix builds tension like a dying star—only to explode into euphoric release, a true supernova moment.

Aleito, on the other hand, turns "Giorgiolate" into something far darker. Think dark matter made audible. Pitched-down percussion and haunting melodies make his version feel like it belongs in a distant, unknown galaxy.

Tune in, set your course, and let the soundwaves carry you across the stars.

https://www.beatport.com/release/astrolosis/5483345


James Rod
https://www.instagram.com/jamesrod84/
https://soundcloud.com/jamesrod

Marcus Christiansen
https://www.instagram.com/marcuschristiansen/
https://soundcloud.com/marcuschristiansen

Club Mackan
https://soundcloud.com/clubmackan
https://www.instagram.com/clubmackan/
https://clubmackan.bandcamp.com/

James Rod - Astrolosis (Marcus Christiansen Remix)

Polaris unveils a new remix series, highlighting the creative exchange between its artists. Darlyn Vlys and Audio Junkies deliver two powerful and contrasting reinterpretations.

Darlyn Vlys turns Fury into a sleek, nocturnal ride blending cold-wave synths, electro body music energy, and a sharp, analog edge. It’s dark, pulsating, and fiercely elegant, a nod to the raw glamour of early underground techno.

Audio Junkies bring tribal heat to AFFKT’s Bodypa with a peak-time-ready remix. Driven by sharp percussion, an arpeggiated bassline, subtle vocoders, and deep, textured layers, this hypnotic rework is precision-crafted for heavy club systems.

https://soundcloud.com/darlynvlys
https://soundcloud.com/mmyylo

MMYYLO - Fury (Darlyn Vlys Remix)

TDWS - Blackbird

Introspectives

South of the Clouds, Pt. 2

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


A Dark Fable

petar dundov

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