My favorite track!!!!!!!!!! ❤️‍🔥

Bravo!!! I once had a chance to witness your talent in Kyiv, in 2019, at the birthday party of Lyosha Kononov (Dj Kon')  How much time has passed, but I can still say that I remember it for the rest of my life 🇺🇦😎

ROSA (US) is Michael Rosa, an artist who has made his mark with a full-length album on Deep Tech Records, and a standout recent EP on the cult Nervous Records. The Orlando-born and now Denver-based DJ and producer has a sound rooted in house music, and on this release, it is more sophisticated than ever.

The brilliantly deep and atmospheric 'Why We Love' opens up with balmy pads and smeared chords, bringing a woozy late-night feel to the dubby house drums. The crisp 'Oh’ Like That' is another futuristic house sound with rolling drums and warm bass under an ecosystem of wispy vocal fragments and trippy synth details that bring great colour and charm. Then comes 'Flowski' (Michael Rosa & Carlos Rivera mix), a deep and lithe tech house cut with bubbly synths rising through the drums next to vocal whispers.

The superb 'A Time To Do Right' is a more raw tech cut with jumbled percussion and big hits, making for an edgy late-night sound with another killer bassline. First to remix is Hipp-E, one-half of the cult West Coast house innovators H-Foundation, who fomented their fresh take on the genre and have released plenty of seminal records and a fine Fabric mix CD. His remix ups the pace and layers in some sci-fi melodies and widescreen dub chords that comfort while the well-designed drums lock you into the groove. Final remixer Alexi Delano has been a staple in the underground techno and minimal scene since the 90s and shows his class here. He brings techno energy and a spangled acid line that ups the ante and makes for something more direct and mind-melting.

https://www.beatport.com/release/a-time-to-do-right-ep/4597259

https://soundcloud.com/michaelrosa

PREMIERE: Rosa (US) - Why We Love [Fast Lane]

EX - Club Mixes from Dixon, Recondite, Tale Of Us and Dubfire

Available Now:

Beatport﻿: btprt.dj/1xJ9fSg
Bleep.com﻿: bit.ly/1DSL0te
Boomkat.com﻿: bit.ly/1IZq3uP

Download

Plastikman - EXpand (Tale Of Us Remix)

Ben Klock - October (BPitch)

Dancing Sun

These 3 atmospheric tracks are circulating for a while through the live set of Woo York.
With the best combination of epic soundscapes and melancholic melodies, it shows another wide range of dystopian music. To give the whole release another drift, we could convince the legendary techno innovator The Advent to remix Alien Worlds.
Artwork by Stepanets Kirill, layout by Nina Langel.

vinyl: https://bit.ly/2IRgo4A

digital: https://bit.ly/2mNL3CQ

Woo York: https://www.instagram.com/wooyork/

Dystopian: https://www.instagram.com/dystopian_official/

Aliens Worlds EP - Dystopian 021

B1 Woo York - Black Rain

Original Version created April 1997. (while the Comet was visible)
Played many times in summer 1997...
First official Release on Virgin / EMI (April 1998)
This re-constructed version is taken from the 25 years anniversary album "D3R-25 EINS".
Released Dec 12th 2017 on Harthouse.
HHMA 0724

D3R-25 Eins

Hale Bopp D3R-25 Eins

From Beyond

Dutch duo Abstract Division (aka Paul Boex and Dave Miller) present ‘Aftermath EP’, a four track package due *release date* on the eponymous imprint from Milan based collective Just This. Featured in the release are remixes from Peter Van Hoesen and VRIL. 
Title track is a subtle dancefloor killer with funky cyclic rhythms and peculiar harmonies, followed by ‘Isolated’, a subdued yet dizzying dose of syncopated drums and crystalline melodic inflections. 
For his interpretation of ‘Isolated’, VRIL mutates the stripped back hypnotism of the original into a maximal, angular workout, whilst Peter Van Hoesen focuses on the dizzying loops of the original, repurposing them into an immersive spiral of funk driven techno. 
‘Aftermath EP’ fuses elements of ambient and soulful techno for an understated but powerful package.

Abstract Division - Aftermath

Dots And Pearls V

Ohrenzirkus

INFO: https://www.clubbingspain.com/mp3/2019/primicia-madben-blooming-ellum-audio.html

Blooming EP

Blooming

PRIMICIA: Madben - Blooming [Ellum Audio]

Stephan Bodzin - Treibsand

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Dancing Sun

petar dundov

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