Gregor Tresher's Break New Soil playlist

Metal Master - Spectrum (Bart Skils & Weska Reinterpretation)

Nova

Discipline EP

You Know What I Was Thinking

Secret Cinema & About Sofiya - You Know What I Was Thinking (Original Mix)

Bunny

Bumpum

Dimensional Fold

Desert Whisperers

Into the Silent Water

A Dark Fable

Iris

MMYYLO is a French producer who has created a niche within techno for his
distinctive approach, fusing analogue synthesizers, guitars, haunting vocals, and
hypnotic rhythms. Here he drops two tracks for Oliver Huntemann’s relentless
Senso Sounds imprint, perfectly merging his own aesthetics with the label’s philosophy.
Innelvisun is a deeply grooving techno burner built around a perfectly crafted arp
sequence that mutates over the track’s run time.
Innelvistep continues the journey with another killer arpeggiated synth from
MMYYLO’s preferred Juno-60, and with the layering of washes and pads builds up
an intense and thrilling vibe.
Of these two tracks MMYYLO states: "I built these tracks following my usual
process. First, I look for inspiration on the synthesizer I always use the Juno-60.
Once the arps are in place, I focus on the vocals and their effects. Then I look for
a guiding line with effects, harmonies, etc. Both tracks were created at the same
time, based on the same foundations. I always try to maintain a groovy, danceable,
and dark atmosphere”.

Download & Stream

MMYYLO - Innelvistep

Sian’s CHAOS album is a sonic maelstrom that shatters the status quo of electronic music—a visceral descent into a fractured soundscape where dark disco collides with techno. From the opening salvos, the Miami-based alchemist conjures a tempest of snarling basslines, crystalline pads, and ghostly, dissonant vocals.
Featuring a wide range of talented collaborators from around the world, the production shakes speakers and penetrates the mind. Gigantic sub-frequencies rattle subwoofers, while polyrhythmic patterns spiral into a vortex of 808 drums. This is music for a world on the brink—like dancing on the edge of oblivion. Sian’s darkwave DNA pulses beneath the surface, infusing the record with intoxicating cinematic force. CHAOS strikes straight at the raw, beating heart of dance music.

@djsian @idoruofficial

#Sian #Idoru #Cafius #indiedance #techno #melodictechno #octopusrecordings

Chaos

The Void

04 - INIGO KENNEDY - Punctuation Marks - Skryptöm records 105

💓 “HEARTBEAT ON THE FLOOR” – Soulful Tech House by 💓

Where rhythm meets emotion.
Heartbeat on the Floor is a deep, soulful Tech House journey driven by warm basslines, groove-led drums, and intimate club energy. Blending underground tech grooves with smooth, soulful house influences, this album is built for late-night dancefloors, dimly lit rooms, and bodies locked into the rhythm.

Each track pulses with feeling — rolling low-end, crisp percussion, and subtle vocal textures that move between raw club pressure and emotional release. Designed for DJs and dancers alike, Heartbeat on the Floor captures that moment when the beat connects and the room moves as one.

🎧 Feel the rhythm. Follow the groove. Let your heartbeat hit the floor.

#HeartbeatOnTheFloor #SoulfulTechHouse #TechHouse #SoulfulHouse #DeepHouse #HouseMusic #UndergroundHouse #ClubGrooves #LateNightHouse #GrooveDriven #HouseVibes #WarmBasslines #DancefloorEnergy #Afterhours #HouseNation #ElectronicMusic #MinimalHouse #DeepGroove #DJFriendly #ClubMusic #HouseLovers #UndergroundSound #NightlifeMusic

Deep Soul Control

The Drift

Introspectives

South of the Clouds, Pt. 2

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Dimensional Fold

petar dundov

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