Deep Techno

Davidovitch „Jardin De Minuit„ (Traum V261) is available on all good sales and streaming platforms. Listen here in high quality: https://geni.us/traumv261

See more at TRAUM webpage:  
www.traumschallplatten.de/traum/v261.html

Jardin De Minuit

Davidovitch - Jardin De Minuit

The Valley Of Songs EP Release Date // February 23, 2015

Woo York - Odyssey (Original Mix)

Techno, Experimental, Electronic, IDM/Glitch, Old School House, Ambient

Emerge from the Alert

Senegal - 6

[ Anesthia ]  DYB

Polar Inertia - Vertical Ice

At The Turn Of Equilibrium

Everlasting Love

Acidic Uniformity EP

Contact Point (Original Mix)

Trip From Baikonur EP

Trip From Baikonur

Buy on Beatport: https://www.beatport.com/release/amsterdam-gets-physical-2018-by-reboot/2396839

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https://soundcloud.com/reboot-frank-heinrich
https://soundcloud.com/get-physical-music

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Amsterdam Gets Physical 2018 by Reboot

PREMIERE: M.A.N.D.Y. — Planlos In Seattle (Reboot's TOMTOM Rework) [Get Physical Music]

Continuum I: Terra Nova

Elusive (Original Mix)

Monoloog

Download

Namatjira - Monoloog

Artist: Various Artists, Beije
Title: Spring Emotions Vol. 1
Label: Polyptych
Release Date: 2019-03-15

PURCHASE >> bit.ly/2HvI6CL <<

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Stay connected w/ Music is 4 Lovers:
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Spring Emotions Vol. 1

Capstone

>> DOWNLOAD <<

Beije - Capstone (Original Mix) [Polyptych] [MI4L.com]

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Artist: V.A. 
Title: Quintessence Vol.3
Label: Inner Symphony
Format: Digital
Release Date: September 06th, 2019
Cover Art: Can Çetinkaya
Cat No: IS030

After twenty-nine releases, Inner Symphony is proud to present the third volume of its yearly album, “Quintessence”. The album features flawless melodic originals by Soul Button, Mashk, Anders., Rustboy, biskuwi, Baset, Morphing Spot and Monarke & SEVN. Emotive, profound and uplifting ethereal techno are the key descriptors of this third volume. The album which gives a fresh new take into an already exciting collection of soulful electronic songs.


TRACKLIST
01. Soul Button - Buoyant (Original Mix)
02. Anders. - Parapluie (Original Mix)
03. biskuwi - Kerfuffle (Original Mix)
04. Alex Rusin - Wake Up Time (Original Mix)
05. Rustboy - Precious Thing (Original Mix)
06. Mashk - Parisian Rendez-Vous (Original Mix)
07. Morphing Spot - Obsidian (Original Mix)
08. Baset - Oceana (Original Mix)
09. Monarke & SEVN - Brahma (Original Mix)

#etherealtechno #deephouse #melodictechno

Quintessence, Vol.03

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Morphing Spot - Obsidian (Original Mix) | Inner Symphony

Out May 25th on 12" & digital: https://smarturl.it/WGVinyl070

Matthias Meyer and Ryan Davis re-link for another superb outing on Watergate.

If you know, you know. Matthias Meyer and Ryan Davis make sweet music together, like Brad Pitt and Angelina Jolie once made babes. Tunes that melt you into the floor and roll dancefloors from Tulum to Tblisi. Their debut collaboration ‚Hope‘ was a dawning highlight of 2017 and Beatport Deep House no.1, while ‚Love Letters from Sicily‘, was a lustrous late summer anthem, reinforcing their knack for the sublime.

Their latest opus ‚Crying Juno / Cafuné‘ begins where its predecessors left off, taking life after Matthias and Ryan exchanged ideas back and forth over a period of months before finally settling in the former’s Holzmarkt studio in Berlin to finish giving the tracks their form. Together they’ve crafted a masterful yin and yang between joy and melancholy. ‚Crying Juno‘ is the buoyant leader, propelled by an insistent groove and ‘80s synths, both bittersweet and undeniably uplifting. ‚Cafuné‘ continues with the orchestral themes that gave us ‚Hope‘, as sweeping strings and keys swell over a bed of delicate percussion, gradually building into a delicious groove.

Matthias Meyer & Ryan Davis - Crying Juno

Damabiah - Blossom

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Everlasting Love

petar dundov

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