Excellent track. First heard it on Simon Doty's SiriusXM mix.

eres increíble ❤️ ✈️✈️✈️✈️

👈🏽👈🏽👈🏽MY S❤️NG❤️❤️❤️❤️🥰🥰🥰🥰😘🥰🥰

going deep in memory of Nostalgie fun, memorable times of Passt even totally different reality as it is today......

Music Team Pics - SC Playlist (wk. ending 4/08/2022)

Buy/stream: https://kompakt.fm/releases/you_are_the

Berlin producer Emma Kollmorgen joins the Kompakt family with “You Are The”, her debut solo single and a paean to the uncertainty and unpredictability of love. Slowly enveloping, the song is an artfully built electro-pop hymn capturing “that feeling when you meet someone special and every sane fiber in your body spins out of control”, Kollmorgen says. Gracefully paced, “You Are The” shades in its lines with a push-pull tension that resolves, over its five minutes, to lushness.

There is not much known about Kollmorgen. Born and raised in Berlin, she spent her early years moving in and out of music – learning piano, teaching herself guitar, joining some bands, but it “never felt right”, she recalls. “(I) wanted to find my own sound and be more independent, write songs.” Attending a course to learn the basics of producing, some live performances followed, but generally Kollmorgen kept things low to the ground. A perfectionist by design, she’s also a risk-taker: “(I) love to create my own sounds – field recordings – trial and error – chopping, listening, looping…”

Kollmorgen was introduced to Kompakt by Patrice Baumel, who also supplies a beautiful remix of “You Are The”, taking the original’s late-nite melancholy out on the floor, with rolling waves of drone underpinning a steely, insistent rhythm. For Kollmorgen, though, this is just the start – there’s more to come as she patiently chips away at more songs: “I am still discovering new things while writing or singing and still want to dig deeper,” she reflects. And you can hear that depth in the emotional undercurrents that wash through “You Are The”, possessed as it is with a quiet, perceptive intensity. Perhaps Kollmorgen sums it up best herself: “Love is scary as fuck!”

Kollmorgen - You Are The (Patrice Bäumel Mix)

Composer: yourbeautifulruin 
Percussion: Shravan Raghuram
Tenor Saxophone: Kevin King 
Guitar: Sammy Gessesse
Keyboard: Joey Parker 
Mastering Engineer: Alec Ness

Cover by Awa Mally

IMMORTAL ft yourbeautifulruin (prod by yourbeautifulruin)

sad disco

Ladder

Petar Dundov - Ladder

River

Buss It All Down

Joseph Chilliams
"How I Be Dancing"
Feat. Supa Bwe
Prod. letmode

How I Be Dancing ft. Supa Bwe

en:close - The Sound Of The Jane

Eelke Kleijn - Electric Eel (Extended Mix)

Ninsa is an upcoming DJ from Amsterdam, Netherlands dedicated to bringing intense and deep music on the dance floors of the planet, maybe also mars in the future.

Ninsa:
When you produce a track with Gabriel the key ingredient is to have fun. Which begins with putting on a creative fun outfit before you sit down and go into music nerd mode behind your computer. This was the start of Glitter & Litter. A collection of glittery ideas and some littery ones we couldn't get rid of.

Gabriel:
Ninsa, Creative, intelligent, blue eyes, blond, pünktlich.. Every guy will understand that this is a girl you wanna make music with.
So we did. Honestly, after 27 years of producing techno it can be a bit boring to produce so it was fun to work together and get some ideas and vibes. Since this was a “finding the style” process, it was a 3 days trial and error session and 3 songs made it into one. Usually thats not so good but in this case, it works like a charm. It tells a story that takes you from intimate to expressive…

Buy / Stream

Gabriel Ananda & Ninsa - Glitter And Litter

Dark Horse

Eelke Kleijn - Dark Horse (Live Version)

‘Burnt Letters’ (Sasha & lau.ra): complex yet danceable, percussive yet lyrical, a galloping beat with teasers of distorted vocal giving way to Lau.ra singing pure and clear in the extended breakdown and beyond, with a heartfelt elegy to love’s evanescence.

Sasha & lau.ra - Burnt Letters

Ninsa: The interstellar “remix version” on Gabriels SoundCloud is a track that I’ve listened to many times. I love it and when we searched for inspiration we started to talk about how shitty it is that it’s just on SoundCloud and nowhere else. So we just made our own interpretation.

When we are creating, we find a balance somewhere in between of both our styles. There is no other mentor and friend that I would wish for in this music journey.


Ananda: “ Not many movies or events hit my deepest pain of being separated as much as interstellar. They did something right with this movie and the soundtrack is on point.

So in one of our sessions, Ninsa and I couldn't find something that moved us equally so we just decided to go into these chords of Hans Zimmer. 

The heaviness of the remix on soundcloud isn't so much in this one, so i decided to create contrast by also showing the happy side of that Theme in the break..

Ninsa is not only a really good friend and an amazing, hard working talent as a DJ and all that is connected to it, her passion also lights me up a little so that i feel motivated to make some more techno tracks and also enjoy playing on parties more. So big thanks for that.


Ninsa, Gabriel 04.10.2022

Gabriel Ananda, Ninsa - Stellar Interpretation Of A Heartbreaking Sci-Fi Theme

Carry On

Jan Blomqvist - Carry On (Adana Twins Remix)

Maceo Plex feat. Ishi - Moon Sky

PRODUCCIONES DE MAYO (ALGUIEN INTERESADO EN SELLAR? PUEDO HACER MUCHO MAS)

AGAIN AND AGAIN (MELODIC HOUSE & TECHNO MIX).wav.asd

Oscillations

Eelke Kleijn - Control

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Petar Dundov - Ladder

petar dundov

Recent comments

funkymonoloko

Digital Fruit Designs/Bringing People Together

Masey Dances

evader

Related tracks