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Komenda (INVŌKER Remix) | DHI | Premiere

The fourth Applied Magic release comes courtesy of Komenda, two alluring Süßboys from the flatlands of the North German Plain.

All tracks are unique in their own little way, just like the minds that created them. A manifestation of the idea that art must constantly move forward, that there are still new ideas and uncharted territories out there. You just have to seek them out.

Tunno could be best described as the sound of a dying dial-up modem, sending stuttering morse code to the depths of interplanetary space. Reminiscent of 90s bleep sound, warped and filtered through a prism of contemporary, cutting edge dance music.Guaranteed goosebump material!

356 really has its own pulse. 5 to the floor, straight yet broken, an everchanging, perpetually repeating mantra that just sticks in your head and never leaves you again. An unlikely earworm if you just let it catch you.

French hypertalent INVŌKER's remix for Tunno takes the original and wraps it up in a warm and cozy blanket. Classic Detroit pads meet a colorful, almost Balearic sound design with the monochromatic, angular original melody still shining through, transporting it from outer space to outside - somewhere near the beach.

The whole package is topped off with an artwork by David Kochs, who is not only a singular producer and DJ but obviously a really good designer as well.

One of our main missions is to help you discover some of the most outstanding artists.

Join us on this musical journey, you won't be disappointed, be sure to follow it on SoundCloud!

☁ ☁ ☁ ☁ ️follow the artist --> @appliedmagicrecords @komendamusic @iaminvkr

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Share our playlist in SC.

Applied Magic 004

PREMIERE: Komenda - Tunno (INVŌKER Remix)

Stefan Z - No Words - My Favorite Robot Records

Mano Le Tough - Return To Yoz

Coyu - Just Nin (Andre Lodemann Remix) - Suara

YOU DON'T SAY

Free Download

Woman in Red

Following his successful remixes on SUOL (for Fritz Kalkbrenner’s 'Void‘, January 2015 ) and Culprit LA (for Aidan Lavelle & Robbie Akbal’s ’Stars’, November 2014), Objektivity is proud to welcome André Hommen's second EP, "Battery Park" as its next release.

André Hommen - Battery Park - Objektivity (2015)

‎Dixon‬'s sets are always so different, his track selection is spot on perfect.
Moorthon II
It seems having a pretty wide emotional range.
Something that makes me feel really happy or really sad or somehow nostalgic or just anything..
I could feel emotions, pouring out of the keys he played ...

Frank Wiedemann :
Facebook : https://facebook.com/Frank.Wiedemann....

Ame :
Facebook : https://facebook.com/ame.innervisions
Soundcloud : https://soundcloud.com/ame

Innervisions :
Facebook : https://facebook.com/innercityvisions
Soundcloud : https://soundcloud.com/innervisions
Website : https://innervisions.net

Buy the song here : 
Beatport: http://btprt.dj/1S80i2l
Itunes: http://apple.co/1RoL4cf
Spotify: http://spoti.fi/1LuMa3I


Frank Wiedemann  - Moorthon II

Unfold is out now: atomnationrec.lnk.to/Unfold

￼01. Di-rect – You & I (@fran-seven Edit)
￼02. @olafstuut – Siren (@dauwd Remix)
￼03. @oldegods – None Of These Bitches (In Daikanyama)
￼04. @applescal – Harmony Two
￼05. @sau-poler - Esperits
￼06. @koett - Blacksad
￼07. @daviddouglasmusic & @young-montana – No One
￼08. @polynation – Why You (@love-over-entropy Remix)
￼09. @portablesunsets – Loft Mentality
￼10. @gidgeofficial – Fauna Pt II

Applescal - Harmony Two

The Lattice

The Lattice (Frank Wiedemann Remix)

Mona044

Megalon

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


The Lattice (Frank Wiedemann Remix)

petar dundov

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