E - part 3

Frankey & Sandrino: Optical (Original Version)
Taken from Optical EP

Download/Stream: FAS.lnk.to/optical

Release date: 2022-01-14
Uploaded to Soundcloud by Frankey & Sandrino
Represented by Frills GmbH, Berlin
ISRC: GB7NR2226501
Distributed by Above Board Distribution (https://www.aboveboard.com)
© 2022 Crosstown Rebels (https://www.crosstownrebels.com)
 
Composed by Frank Beckers, Sandrino Tittel
Composed and produced by rank Beckers, Sandrino Tittel
Lyrics by rank Beckers, Sandrino Tittel
Produced by rank Beckers, Sandrino Tittel

Frankey & Sandrino - Optical

Vinyl: http://www.juno.co.uk/products/maya-jane-dont-put-me-in-your/521656-01/

Watch the trailer for the new LIVE album (CD, DVD and book) 'The North Borders Tour - Live': youtu.be/onCHyksRWiE
More info & pre-order here: http://bonobomusic.com/news/live

Maya Jane Coles : Something In The Air - Bonobo Remix

Bjorn Salvador, Middle Aged Dad - Fourth Step (Beije Remix)

Details These Events

Back in May, we Debuted a track called "Just"; you might just have heard of it. @feelmybicep are no strangers to breakout belters, but even by their standards this one has been picking up a heap of plaudits. So naturally we're more than willing to help facilitate their next step toward world domination, especially given as it arrives via their own cherished namesake imprint.

This, the title track from another forthcoming collaborative release with Hammer (an artist the Belfast boys are putting serious muscle behind) is equally tense and beguiling. It hooks you in from the word go, with a nagging piano lead, ooft-y mini breakdown and shiver-inducing sirensong calling through the mist. Close your eyes and you can imagine "Dahlia" laying waste to festival stages – oh wait, that actually did actually happen at Bicep's homecoming BR. Go figure.

You can physically feel FMB005 from September 7th.

Pre-Order

Bicep & Hammer "Dahlia" - Boiler Room Debuts

Two prime Berliner power duos bring their creative forces together in their first joint production, after having previously collaborated on remix duties. 
Emerging from a dark lair overpassing techno and house, Dirty Planet finds the artists putting their collective stamp on the dance agenda, with Kruse & Nuernberg bringing forth their knack for aptly crafted melodies and Mat.Joe packing up dancefloor heat through rhythm and percussion. 

Seems Real kicks off with a zippy synth sequence that plays around a perfect balance of melody and seductive rhythmics. The eerie vocal hook sets a dreamy ambiance as the cut unfolds brimming with subtle bleeps. 

Aside from the bumping bassline that surfaces from the get-go, another element that’s instantly felt on Dirty Planet is the panting vocal sample. Laying a nervous mood from the first beats, the track explores a variety of frequencies by the way of percussive alternations filled with claves and clangs. 

With its united production efforts, Dirty Planet offers up two strapping tracks that bypass the brain and aim straight for the body.

Dirty Planet

LMF038 - MatJoe xx Kruse & Nuernberg - Dirty Planet

Out now on digital and vinyl -
Juno - bit.ly/CRM168
Phonica - bit.ly/CRM_168
Deejay - bit.ly/CRM-168
Beatport - bit.ly/crm_168

As the Summer draws to a close Serge Devant returns once more to Damian Lazarus’s Crosstown Rebels with the highly infectious ‘This Moment’ EP. Serge original tracks are accompanied by a great Dinky remix, to complete this great package.

Opening up the EP with ‘This Moment’, Devant has created a track that implores the listener to stop and take in all the vibrations, effects and melodies. This is a piece of music that intricately weaves together a hefty bass, curious sounds and an addictive horn. Pay close attention to ‘In Time’ and you will be absorbed once more in an enchanting world where all you can do is follow the rhythm of the drums. On the flip and Dinky adds her signature vocals, and hooky synth stabs creating a deep and textural remix of ‘This Moment’.

TRACK LISTING

A1. This Moment
A2. In Time
B1. This Moment (Dinky Dub Remix)
B2. This Moment (NU Remix) Digital Only

Serge Devant

This Moment

Serge Devant - This Moment

The Lattice

The Lattice (Frank Wiedemann Remix)

The Motherland

Nicolas Masseyeff - Mugen (Original mix)

Pre-order on Beatport => https://www.beatport.com/release/virgo-ryzin/2179964

Hot on the heels of his recent ‘Control Freak’ release for the label, Selador bossman Dave Seaman is back flexing his muscles on his label once more, armed with another bountiful package that signals intent for 2018.

We premiere Joeski's remix from the EP who's welcomed back to the label after his last remix for Dave formed part of the ‘Justified Replacement Of Lulu’ release back in 2014. This time he employs an Afro flavour for a heritage inspired mix that takes us back to our roots. It began in Africa!

Dave Seaman - Virgo Rysin (inc. Audiojack, Joeski, Sascha Braemer and Loco & Jam remixes)

Pre-order on Beatport

Premiere | Dave Seaman - Virgo Ryzin (Joeski Remix) [Selador]

Mona044

Megalon

Oslo

Traces to Nowhere

Understand

Glowal - Il Cosmonauta (Free Download)

Artist: Ivory
Title: Sense
Remix by: Kadosh
Label: Family N.A.M.E
Release date: March 25th
Buy: https://www.beatport.com/release/sense-ep/2889904

Photography by www.elenakulikova.com

PREMIERE: Ivory - Sense (Kadosh Remix) [Family N.A.M.E]

Solid Snake

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


The Lattice (Frank Wiedemann Remix)

petar dundov

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