Thought Isolation Chamber

Bulgaria

Marionette

Marionette (Stephan Bodzin Remix)

Realm Of Consciousness Pt. II

Timeshift

Inspired by the recent phenomenon of "3I/Atlas" comet pass through our galaxy we created this hypnotic ambient dark melodic progressive voyage: glacial synth pads and sub-bass rumbles evoke infinite drift, laced with glitchy arpeggios and a relentless 128 BPM pulse that builds tension without climax—pure cosmic drift for late-night stargazers.

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thank you

Secret Locations

3I/ATLAS

09/12/25

3I ATLAS (Alternate comet mix)

The Seed (Version 2)

Step back into the dancefloor moment where nothing else matters - https://ffm.to/q8zyxpa

Let It Go Tonight is a high-energy, feel-good album inspired by classic club vibes and timeless party energy. Built on uplifting grooves, bold melodies, and hands-in-the-air rhythms, this release is all about release, freedom, and living fully in the night.

From euphoric builds to joyful drops, every track is designed to spark movement, smiles, and pure dancefloor connection. Whether you’re cruising late at night, throwing a party, or chasing nostalgic club energy, Let It Go Tonight delivers nonstop vibes and positive momentum.

🎧 No stress. No worries. Just let it go tonight.

#LetItGoTonight #EDMHouse #DanceMusic #PartyHouse #ClubAnthems #FeelGoodEDM #ElectronicMusic #NightlifeVibes #DancefloorEnergy #HouseMusic #ClubbingMusic #UpliftingHouse #RetroDance #90sInspired #FestivalVibes #HandsInTheAir #DJFriendly #PartyMusic #EDMLovers #HouseNation #SoundCloudMusic #NewMusic

Weekend Anthem

AL001. 24th June 2016. Realm Of Consciousness.  

Afterlife and Tale Of Us are proud to announce ‘Realm Of Consciousness’, a 10-piece compilation
expanding the Afterlife totality into a label. The label and events will complement each other with one
aim; to bring the crowd into another dimension of music perception with enthralling production to that
ignite the senses.
The ‘Realm Of Consciousness’ voyage commences with Tale Of Us’ Lies - a fitting introduction with
quivering keys and restrained percussion that engenders an ominous suspense ahead of Monoloc’s
enigmatic industrial techno crunch, Phoenix. Shifting through the haunting chords of Recondite’s dynamic
Murphy’s Law, to the brooding synth of Poseidon by Ukrainian duo Woo York, the realisation of Afterlife
utopia is upon us. The repetitive, mesmerising synth and effective reverb that Somne creates with Triangle
is an odyssey within itself. From there, John Hester’s expertly woven ‘Logan’ is a feverish techno stab that
transverses through the emotional senses, transitioning to Locked Groove’s adroitly crafted Emeralds, to
Ryan James Ford’s ambient, albeit percussive, techno cut Toree Bahrstad. Die Wiederkehr is the outcome
of Obscure Shape & SHDW’s collaboration, which incorporates facets of techno and trance that have
been shaped with real guile and finesse. Mind Against round off the compilation with Gravity - a
mystifying ambience and a fitting title as we touch back down to planet earth.

Tracklist
1. Tale Of Us - Lies
2. Monoloc - Phoenix
3. Recondite - Murphy’s Law
4. Woo York - Poseidon
5. Somne - Triangle
6. Jon Hester - Logan
7. Locked Groove - Emeralds
8. Ryan James Ford - Toree Bahrstad
9. Obscure Shape & SHDW - Die Wiederkehr
10. Mind Against - Gravity

Realm Of Consciousness

AL001 - Monoloc - Phoenix

The Fat of the Land

Breathe

Matador Itajai Original Mix

B1 Somewhen - 200V2

Laconia

Je te vois

EP: 1

No Number Yet

Seleccion Natural Parte 6 EP

Reverberation

Übermod

Polina

Unconscious Perception EP

Unconscious (Original Mix)

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Übermod

petar dundov

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