Composition, sound design, mixing, detailing all great.

Super well produced.  That kick and bass thing is just so tight.  I'd be well pleased to get a sound like that.  This will do well.

Lovely break here - into a very pleasing section.  Nice.

Interesting lead sound -- it kind of sticks out sonically, but sure is an interesting sound.

This track made for the KVR One Synth Challenge. All sounds created by the VSTi "Synth1". 

DAW: Reaper

Track Details:
27 * Synth1
27 * ReaEQ
6 * LFX-1310 (autopanner)
2 * OTT
1 * Pecheneg Tremolo
6 * Twin Delay
1 * Oril River
1 * MaxxBass

Master:
Stillwell 1973
MSED
Ozone 9 Elements

Meter
SPAN
YouLean Loudness Meter

Stats:
LUFS: -16.7
DR: 10

Electronica meets the Doc - OSC #179 - Synth1

For the final version with lead sound replaced and improved mix...i hope
https://soundcloud.com/zio-mau/flow-rd-edit?si=6c84c9f786d5428aa6b9ebd1b807717f&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Flow

ZioMau - Flow

A Force Field - in a Horse Field!

Entry for OSC #179.

21 instances of Native Instruments FM8 - All designed from scratch.
DAW: Reaper

Lots of FX on-board the FM8 (inc all the reverb).
DD Filter, Utility, Autopan, Compressor
Reaper: JS Channel Time Delay, ReaEQ, ReaXComp
Khs Gain
Limiter No6
SPAN
Youlead Loudness Meter

The Brudenell Chown Gate

NEW REMASTERED VERSION: https://www.youtube.com/watch?v=7UjlYWB_t98

Submission for One Synth Challenge #179 (Any Synth)
Contest thread: https://www.kvraudio.com/forum/viewtopic.php?p=8820437#p8820437

Created with "CA2600" virtual synthesizer from Cherry Audio. 31 instances used to create a track.

This instrument is an emulation of a very famous and rare ARP2600 semi-modular synthesizer from the 70's. It allows the creation of some very interesting and complex sounds, mostly inspired by retro sci-fi movies and electronic music of the era.

Follow me on Twitter: https://twitter.com/infravolt

***Additionally, you can find download links on my Patreon page https://www.patreon.com/infravolt. The links for this track will be available for public till the end of February. After that, they will be available to purchase in the shop.***

Above The Dunes

Above The Dunes (OSC#179)

UPDATED version (sorry for losing old comments and likes)

My submission to the January 2024 OneSynthChallenge (#179) - www.kvraudio.com/forum/viewtopic.php?t=605582

Oldschool melodic electronic combined with some tech elements.

Used synth: PhasePlant (37 instances). All presets made by myself.
FX used: TR5 Equal, TR5 One, TR5 Bus Compressor, TR5 Brickwall Limiter, TR5 EQ PG, TR5 EQ-PG, TR5 Opto Compressor, TR5 Stealth Limiter, Antress Modern Exciter. DAW: Renoise

30 Jan 2024

PeterBPL - Double Split

Immanencer presents:  A Sawdust Sandwich

or

"Fun With Saws Without Risking Any Fingers"

Created entirely using the JP6K synthesizer for the January 2024 KVR One Synth Challenge number 179, this track marks a tribute to the mighty supersaw oscillator that debuted within the Roland JP8000 synth in 1996.

The JP6K synth (by Adam Szabo) is based on just the supersaw oscillator from the JP8000/8080. This oscillator is free-running, mono, can morph between saw and supersaw waveforms, and includes a noise oscillator. There's a filter (HP/LP/BP, 12 or 24dB/oct), and on-board effects are limited to a delay, bass knob, and treble knob.

Sawdust Serenade

Sawdust Serenade (JP6K synth)

Entry for KVR One Synth Challenge #179
All sounds made from init with Audio Nebula's AuroraFM (Thank you so much Ryan!)

Well... Maybe Tomorow (AuroraFM)

Made for OSC 180 using 16 Regency CLAP synths wrapped in Ildaeil (no parameters automation)

DAW Ableton Live
stock effects: compressor, some overdrive, reverb, equalizers.
MAX 1 on master bus

The Stolen Riff

Deep House Volume 7 – Smooth Departure weaves jazzy textures, warm chords, and a refined groove into a timeless listening experience. This collection flows with elegance and ease – blending chill-out lounge vibes, late-night sophistication, and classic deep house elements. It’s the soundtrack to a stylish escape, a smooth farewell to the ordinary. Perfect for long drives, rooftop evenings, or introspective moments alone.

That One Look in Berlin

In a world where AI seems to take over everything, this show recycles / revisits musical experiments from the now 30-year-old zzz.ch website.
I feed fragments of past compositions into AI to generate, remix, and reinterpret them as an infinite stream of slop. I also reverse-play the process, shaping outputs by hand.
As the machine shifts through styles with only a partial grasp of the original, it may offer a glimpse into how we can engage this inevitable technology in a more sensuous and playful way. slop.is

PeterBPL - Double Split

Peter B

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