Call My Name

From my first album
special thanks to Mark Nanni for the magnificent accordion embellishment

06 Father Orion

Lovely Day

Composed by Darrell Grant
Performed by Darrell Grant Quintet
Darrell Grant piano, Calvin Jones-bass, Brian Blade-drums, Scott Wendholdt-trumpet, Seamus Blake- tenor saxophone
Released: Criss Cross Records 1996
About 
The great quintet sound of hard bop (" I love the term hard bop") was the stimulus for The New Bop. For Grant that pantheon encompasses the classic: Charlie Parker-Dizzy Gillespie, Clifford Brown-Max Roach, Horace Silver, Art Blakey's Jazz Messengers, and the more recent: The Heath Brothers, and Wynton Marsalis. "Their music, performances and spirit are the heritage that inspired this recording. I have been moved and my musical identity has been shaped by this legacy," enthuses Grant. "The most essential group for me was probably Horace Silver's Quintet. I was totally into that music." The inspiration for these tunes and the approach to this music comes from the Silver legacy of bebop, blues, and the spiritual vibration, infused with the deeply ingrained spirit of the African Diaspora. "To me the quintet thing is about the writing and really making a coherent sound that everybody has a part of, everybody plays an integral part in the music. " The New Bop is a decidedly more involved date than its predecessor, particularly in the obvious investment Grant has made in composition and arrangement: "The tunes and the arrangements are much more involved, " he suggests rather emphatically.

It was Grant's intention to write an album and develop a sound that came directly from his compositional input as well as the care and feeding of music derived from outside sources. In this manner he hoped to craft a quintet sound that would turn its participants into a true band. Thus the success of this recording date is borne out not only in the spirited playing but also in the high level of interplay and communication among the players.

The essential element suite, Water Dreams was specifically crafted for this record date and this instrumental setting. " I always like to do a solo piano piece; it's just a lot of freedom. The first part, Beach is really a prelude. Part two of the suite, Three Views is Grant's variation on How Deep is the Ocean. I sat down and I played 'How Deep is the Ocean' and wanted to just re-harmonize that. It's funny, when I was listening to it and thinking about the title to that piece, I love water and I've always and an affinity for it. I was just thinking how water is an element that unites us, our bodies are like 98% water and water makes up most of the earth, but it also separates us!"

The New Bop

Water Dreams, Part 1

http://shop.rachelflowersmusic.com/releases

When I heard this song by Jacob Collier, I started imagining an orchestral arrangement of this piece. I did the orchestration using a mixture of EastWest, Garritan, and Vienna Symphonic orchestral libraries. The percussion is mainly from the Garritan Jazz & Big Band library. The piano is the Nord Grand Imperial. The organ was played on the Nord Electro 4D. The drums were the Andy Johns kit from Session Drummer 3. I did all the vocals using a Lewitt microphone. The electric bass was played on a Fender Jazz bass. The synth bass was played on a Moog Little Phatty. It was pretty wild listening to the vocal harmonies and working on getting them right! It was a lot of fun! Hope you enjoy it!

Don't You Know - Jacob Collier (cover)

10 - You Thought Not

Recorded live at the Blue Whale (Los Angeles, Ca). 

A tribute to my dear friend Ludvig Girdland...wonderful person, artist, a brilliant ray of sunshine. He was left incapacitated by a drunk driver in 2005. 

His amazing wife Tamara takes care of him in Sweden, where they live. 

I hope my music helps you to direct your positive energy and prayers to Ludvig's recovery. 

Miss you Ludvig!

Lullaby for Ludvig (Live version)

"Slinky (live) - John Scofield Quartet - Live in Cali, Columbia  - Sept. 2011

John Scofield (Guitar)
Mike Eckroth(Piano)
Ben Street(Bass)
Bill Stewart(Drums)


Slinky - Live in Cali, Columbia - John Scofield Quartet

This is my arrangement of the great piece by Bill Evans.  I combined Bill's original version from the 1956 recording "New Jazz Conceptions" with a portion of the version on the 1972 recording "The Bill Evans Album".  I think of this piece as a multi-movement classical work and the Bill Evans Trio as really a classical chamber ensemble.  This recording is from a rehearsal with Felice Bernardara on drums and Ron Rodgerson on bass.

Waltz For Debby

This is one of my favorite pieces off of Jacob Collier's "Djesse Volume 1."

With The Love In My Heart - Jacob Collier (cover)

Les fans de Bill connaissent l'histoire... mais pas ce document totalement inédit . Enregistrement des premières notes pendant que sa rythmique se met en place , en écoutant le maître !!!

Waltz For Debby

Peter Kopera

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Adam Park, Jazz Piano

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