I feel, as in the 80's with this song, well executed :)

A hard and moving composition, that's how it should be, a good piece of music :)

Big fan of this Peter.  Amazing work given the humble tools

this is a beautiful track , nice driving beat great synth work !!!!! :)

One Synth Challenge #96: Nabla

A single instance experiment for OSC 167. Recorded in Reaper 6.

—Synth—
ReaSynth (1 instance)

—Effects—
ReaEq
ReaComp
ReaXcomp
ReaDelay
ReaVerb
ReaVerberate
ReaPitch (formant filter only)
ReaFir
ReaLimit

Marmoreal Gaze (OSC 167)

Made For KVR OSC 167 Using Mulab 9
Uses five instances of My Mux synth Guitar patch, along with my Synthdrums for kick and snare, my PolySequence patch for hats and a modified factory sawstrings patch.
Cover artwork by Jenny

KVR OSC 167 Any One DAW Synth

GiddyUp (My New Mux Synth Guitar)

https://www.instagram.com/acotesounds/
https://www.instagram.com/alleykaydj/
https://www.instagram.com/phtm.dino/

https://okaysynthesizer.com

Okay Music Show ft. Acote & Alley Kay b2b Dino

Out now: https://orcd.co/REKIDS241

Radio Slave's 'Venti' is released on Rekids on May 17th and is a twelve-track celebration of Matt Edward's most prominent alias' history. Starting life as a series of singles that began in 2023, 'Venti' sees Edwards explore lower tempos, House, Disco, and the Pop reinterpretations that birthed the moniker back in 2001.

'Like everyone else, my life slowed down during the pandemic, and then I decided to move from Berlin with my family after being in the city for 15 years. This all led to a new perspective, and 'Venti' is a direct result of that - a new perspective on my career, history, future, and the current state of dance music.’ - Radio Slave

From Venti’s opening track onwards, a glistening piece of piano-led house that's become an anthem at Sean Johnston and the late Andrew Weatherall's lauded ALFOS parties, it is clear that Edwards is keen to celebrate the past but through the lens of now. A Radio Slave favourite, 'Wait A Minute', is updated to include a powerful vocal from Nez. Kylie's 'Can't Get You Out of My Head' - a track that kicked Radio Slave into the modern dance music consciousness is reinvented as an Italo-inspired cover featuring Michael Love Michael delivering glorious vocals. 'Wild Life' and 'Wake Up', another two tracks that, as singles, dominated house and disco sets of the great and good in 2023, feel simultaneously fresh while paying homage to the origins of House - message-heavy vocals and all. A cover of Audion's 'Mouth to Mouth' and Edwards' tribute to Terry Hall, the Fun Boy Three reimagining 'The Lunatics' are keen displays of Radio Slave's knack for taking on beloved tracks and making them his own.

The lasers-set-to-stun cut-and-paste nu-disco of Radio Slave’s 'Jaws' is a muscular and timely reminder that the punch of a track lies in its feel rather than tempo, while Edward's command of dub aesthetics and unmatched ability to stretch grooves into a tension-filled journey shines through on 'New Balance' and the epic closer, 'Thirty-Six'. Never one to entirely give into the throes of the 4:4, the cinematic electro of 'Stranger In The Night' and Balearic Cagedbaby collab 'Amnesia' round out 'Venti' as the whole Radio Slave experience - as intense as it is subtle.

One of the most prolific and critically lauded electronic music artists of the past two and half decades, Matt Edwards was born in Catford, London, in the early 1970s. When acid house hit the city, Edwards was deep in the scene, and he's remained there since. Residencies at the groundbreaking Ministry of Sound and an 'unofficial' residency that has seen him become one of Panorama Bar's most booked DJs during his 15-year stint living in Berlin have provided the grounding for an enviable tour diary that continues today.

His Rekids imprint, a label that has platformed some of dance music's biggest names, has been regarded as a high benchmark for two decades with Matt as sole A&R. Collaborations with legendary artists such as DJ Hell and Robert Hood, releases for Running Back, R&S, Innervisions, Figure and more, and a remixography that simply couldn't be repeated in modern music show just how important Radio Slave is.

Radio Slave & Cagedbaby - Amnesia

Welcome to the 306th edition of Club Room! This episode comes with a twist, or better, a whisker. That's right, my cat decided to take the spotlight, leaping onto the records amid my mix. So, when the mix unexpectedly pauses, know it's just my cat hitting the decks. But as I'm all for supporting cats and art, I let the moment play out. Hope you find it as "purr-fect" as I did.

David Mayer - Dont Need Your Love
Promet - Conexion
Yesca - Pedro Would Dig This One
Alinka - Lake Shore Drive
Mark Broom - Klashjamz
Avison, Jackmaster - Bump
Big Miz & Van Damn - So In Love
Elisa Bee - Young Tool
Hannah Holland - Roller
Greg Gow - Get up
Black Girl White Girl - Hush Baby
Chrissy - You Dont have to worry (Big Rave Mix)
Biesmanns - High All the Time Dub version

Club Room 306 with Anja Schneider

Blue Glowing Man Dance Experience 2024

Pumuki - Cerca De Mí

Out now: orcd.co/rspx65

Dave Angel’s 'Revolt' EP on Rekids Special Projects is an emotionally steamy and intense offering with jolting drums and outspoken words. The title track, ‘Revolt’, brings subtle funk while the synths are imbued with plenty of Detroit-inspired soul designed to light up any dancefloor. Angel’s 'May I Have This Dance' shows a different side, with zippy lead synths amplifying the vibes as hunched, dubbed-out rhythms march down low and keep you locked into the groove.

Following up his 2023 ‘Glide’ EP on Radio Slave’s Rekids, Dave Angel now makes his debut on its RSPX sister label with the ‘Revolt’ EP. From remixes for the likes of Carl Cox, Orbital and Underworld to underground classics on labels like R&S, !K7, and his own Rotation Records, Dave Angel’s ever-evolving sound has made him a core part of the scene for over three decades. With ‘Revolt’, Dave once again shows his uncontested production skills with an infectious double A-side record oozing character.

Dave Angel - May I Have This Dance

For the second instalment in our Common Ground mix series, we are excited to share this live recording of Toronto legends Rafael Khan and MC Caddy Cad from our last jam at La Piscina. 

We hope you enjoy this expedition through the dark and rolling side of drum ’n’ bass. Keep it locked for the full hour to catch some surprises at the end.

Special thanks to Rafael and Caddy Cad for keeping the dancefloor moving all night long.

Follow Rafael Khan:
https://www.instagram.com/rafaelkhan

Follow MC Caddy Cad:
https://www.instagram.com/dac_cad/ 

Follow Common Ground and stay up to date on future events: 
https://www.instagram.com/commonground.yyz/

Common Ground Mix 002 - Rafael Khan & MC Caddy Cad - Live @ La Piscina (Jan'24)

"Super Flu - Volkwein (Kollektiv Turmstrasse Remix)" - out today on Monaberry!!

Release:

After the unbridled success that was "Volkwein", Super Flu's collaboration with The Dortmund Philharmonic, the always on point Monberry label now revisits the package with the help of some fine contemporary remixers, namely Kollektiv Turmstrasse, Monkey Safari and Bebetta.

Super Flu, aka Herzblut Recordings regulars and German pair Felix Thielemann & Mathias Schwarz, really conjured up some magic with the original so these remixes, which reinterpret in fine style, are more than welcome.

First up are Kollektiv Turmstrasse, a rare act that infuse their sound with something more - extra soul, depth and meaning. On their remix of the title track, they go for a trademark deep, brooding and slowly unfolding vibe with subtle synth modulations, buried drums and a rising sense of tension.

The curious and off kilter German duo Monkey Safari are up next. First they rework 'Bratzke' with a sensitive sense of touch. Underlapping, rubbery drums roll below churchy and hymnal chords. Softly spoken vocals add intimacy and you can see this one really making for quite a moment on the right dance floor. Secondly, they serve up a digital bonus remix of the same track that makes less use of the vocal and places plenty of emphasis on their lush arrangement and true sense of musicality.

Lastly we have Bebetta, a playful producer who infuses her music with charming melody and a real sense of personality. She has also recently won the Tresor Newcomer Award for her impressive DJ sets around Berlin. Her version of 'Volkwein' is patient and spacious. Glowing harmonically it soothes mind body and soul with playful patterns and clever use of filters.

This EP is an elegant and magical release that proves house music can be so much more than a physical and functional thing, and can instead stir real emotion when in the right hands.

www.facebook.com/kollektivturmstrasse
www.facebook.com/pages/Super-Flu/…65485989?fref=ts
www.facebook.com/pages/Monaberry/…04540299?fref=ts

Super Flu & Dortmunder Philharmoniker - Volkwein (Kollektiv Turmstrasse Remix)

Snare - Nibble 96

Track created for One Synth Challange #96, using only the VSTi Nabla (Full Bucket) as the sound source.  FX processing using native DAW or free 3rd party VSt's.

DAW: Reaper 5.33

Track details:
26 * Nabla
24 * ReaEQ
11 * TAL Reverb II
 2* TAL Reverb 4
 1 * TAL Dub Delay
 2* Twin Delay
 4 * Pecheneg Tremolo
 1 * Classic Delay
 2 * Classic Compressor
 2 * Classic LImiter
11  * JS Midi Note Filter
  1 * JS Bass Manager/Booster
  3 * LFX-1310 (autopan)

Master:
TDR VOS SlickEQ
Ferric TDS
Limiter No. 6

DR: 12

Enjoy

DoctorBob - Hey Jay - (OSC#96 Nabla)

submission for the KVR One Synth Challenge 96: Nabla

Darksynth FX - Dreams of Peace

Made for KVR OSC 96
FL Studio 12.3
16 instances of Full Bucket Nabla
DAW FX's:
1x Soundgoodizer
5x Fruity Reeverb
1x Fruity Delay 2
1x Fruity Limiter
1x Fruity Parametric EQ 2
3x Maximus
3x Fruity Stereo Shaper
Other FX's:
3x Amplio 2

Deep Blue (Full Bucket Nabla)

psmacmur - Carbon Dioxide (Nabla)
My entry for KVR One Synth Challenge #96: Nabla

Back to my '90s melodic techno comfort zone.  Special thanks to Full Bucket for giving Nabla to the world; bjporter for agreeing to Nabla for this OSC, and to rghvdberg & everyone else who shared tips on DAW automation kicks over the last couple of months.  Not as much more time-consuming than conventional kick patches as I'd feared.

Made in Studio One 3.3.1 x64

28 Nabla instances in the project.  Each one of them is great.  Tiny CPU hit, but great sound.

DAW FX:
Multi Instrument x4
Compressor x5
ProEQ x25
Room Reverb x1
Spectrum Meter x1
VU Meter x1

Free FX:
A1StereoControl-x64 x3
Freeverb3 Hibiki x1
Freeverb3 NVerb x1
Limiter6 x3
MJUC Jr x1
Molot03 x3
OTT x3 
Roth-AIR x4
Sanford Reverb x1
Saturation Knob x5
TAL Reverb x1
Tonecarver Delay8 x1
Transient x3
TSE R47 x1
Voxengo Stereo Touch x6
Voxengo Tube Amp x6
WG Doffset x6

DR8

Carbon Dioxide (Nabla)

Join the challenge by going here: https://shorturl.at/bhBFQ

I'm no musician, but I like to play with synths

Carbon Dioxide (Nabla)

peter-macmurchy

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CupcakeRob

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