11.11

PART 2a: starting from around midnight

Last month I played an all-night set at Nowadays in NY, which I’ve described to many friends since as probably the best DJing experience of my life. 

As a DJ you’re constantly seeking a connection with those you play to, and sometimes it’s there, sometimes not. But I have never felt so intimately close to, and in tune with, an audience – whose faces I could barely even see – for the entire duration of a night. 

I’d slept for 2 hours, was jetlagged to the point of delirium and woefully underprepared for a 9-hour set. By the last hour and a half I had a crippling stomach cramp and was falling asleep on my feet. But by some cosmic rave miracle I had somehow slipped into a groove from the beginning and found myself tracing an arc that felt like it was drawing itself, as if all I had to do was relax and watch my own hands play the music. There were moments of intensity and euphoria and nostalgia and energetic catharsis, but throughout the entire set I felt fully empowered to meander in deep, subtle and confounding directions, somehow confident that wherever I went, the dancefloor would follow. 

The final stretch descended into a nostalgic parade of old and poignant favourites which, coming out of a recent period of personal upheaval, kinda knocked me sideways and left me frequently close to tears. I was a physical and emotional wreck by the time I finished. But it was a completely magical experience from beginning to end, which felt shared in a very genuine way by everyone in the room, and honestly I don’t care if anyone would listen to a 9-hour recording these days because I just want there to be a document of the night in its entirety out there for posterity. 

So here you go – a four part recording of the whole set, hopefully conveying at least some of the joy I felt on the night. Heartfelt thanks to Nowadays and to every person who was there. ♥️

Objekt @ Nowadays 23 October 2021

All night @ Nowadays [23/10/2021] – Part 2a – 12am

friday at sustain-release 2021, 12-2am. thank you karen nicole for the photo :)

thank you @sustain-release-nyc

livwutang @ Sustain-Release Year 7

almost 4 hours bubs to bubs @kiernanlaveaux live from de sound room September 2022

CCL b2b Kiernan Laveaux Live @ Public Records [09.09.2022]

Munich meets Miami in a B2B that's a dream come true. A perfect brew of DnB, hip hop, techno, ambient, and bouncy mesh brings together two of the scene's most innovative forces. Skee Mask, the master of acoustic manipulation and dark atmospheric textures, teams up with childhood friends duo INVT, with their hypnotic, trippy Latin-scented audioscapes and intricate drum programming. An immaculate blend of INVT's gritty rhythms and Skee Mask's otherworldly sonic engineering.

INVT b2b Skee Mask - Climate Of Fear - April '24

My set closing out Room 2 on the Saturday night of Freerotation 2024.

Pariah @ Freerotation 2024, Baskerville Hall, UK (06/07/24)

The third offering in our mix series is a live recording of Priori and Cousin's dj set at Sustain Release 2024. Recorded on the last morning between 6am and 1pm on what was meant to be an ambient stage, it featured everything a 3 day festival closing set should. Eclectic picks, strange and emotional sounds, dubious transitions and a few feigned endings. Massive thanks to all the dancers, the Sustain staff (Aurora, Ash and everybody else who put their blood, sweat and tears into this), the music makers, the birds, the stars. 

Much love,

P & C

@secondcousins x @priori-ties

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naffcast003 ⦾ Cousin & Priori ༻ Sustain Release 2024 Bossa Nova Stage closing set ༺ ❁

The tunnel is a magical stage and im very grateful to have been asked to play the Saturday late afternoon set, before one of my biggest electronic-music inspirations, voices from the lake. I took the opportunity, considering the impeccable programming, open minded crowd, and perfect soundsystem to play a more slow building, delicate festival set - which felt very true to my real taste, and an homage to many of my deepest and longest standing inspirations. Thank you so much to the entire Draaimolen team for the trust.. and for the other worldly reality you have created in this very special festival. - Kia

Kia at Draaimolen Festival 2024

The supremely talented DJ Plead launches us into a mind warping world of percussive pleasures and dexterous genre bending, with his trademark agile club rhythms and pacy low end palpitations on full display in episode 303!

@1djplead

Q. What inspiration did you draw upon when planning this mix, and what type of listening environment could you imagine it being easily enjoyed in? 

A. I actually looked through my rekordbox history from a recent Animalia night I played in Naarm and drew some inspiration from that. When listening back to the mix I can imagine it being played for a semi-casual game of Futsal or something like that. I feel like there are some light-footed tracks in there that would be useful to some nimble futsal players. 

Q. Are there any songs in the mix that are especially close to your heart, and what is it about these cuts that resonate with you so much?

A. Mata by Nidia & Valentina

It's taken off  a truly sublime Album that I draw lots of inspiration from. It's simultaneously organic and loose and club-playable, which is a tough one to get right. It's something I’m constantly trying to achieve but they seem to have done it effortlessly. 

Dotted by Cliques

I actually tried to google to see if I’ve ever put this tune in another guest mix before. I probably have, so I’ll apologise for that now. Cliques has always had a big influence on me since I started producing music. They’ve since stopped producing themselves which is a shame but I always play their old tunes out if I can. RIP Cliques..

Q. One of the things I’ve been fascinated with in your DJ sets (the Sustain-Release set for example) is your mixing of polyrhythms to seamlessly bridge tempos throughout a set. How did you first get inspired to experiment with this style and what are some of otherwise conflicting genres/sounds that have blended nicely?

A. My DJing style is at times an extension of my music production. I think this might be a good example of that. The sustain release transition from 150 to 100 is using a tune that I produced years ago in a 3/4 time signature. I’ve produced a few tunes over the past few years that are able to do that. It just allows me at times to bounce around to different worlds and stops me from feeling stuck in a tempo-range. I haven’t done it so much recently but I’d like to get back into doing it. It can create a really strange feeling for the audience. At Sustain-Release, a lot of the audience were on hallucinogens so it felt appropriate to get trippy in that way. It's harder to pull off in a nightclub environment.

I’m no longer sure what the original inspiration for experimenting with this style was. Playing a lot of tunes that have a polyrhythm in them can often make you feel like you have the option to dance at two different tempos.

MDC.303 DJ Plead

For her 2024 set at MUTEK Montréal, Brooklyn-based DJ Ayesha performed a one-hour mix of original music made during a period of healing and exploration whilst recovering from a brain injury.

If you’re a fan, become a Supporter: crackm.ag/subscriptions

Live from MUTEK Montréal: Ayesha

@zeynep
To celebrate 6 years of Passing Notes and International Women’s Day just passed, I enlisted the help of Berlin-based Syrian DJ, curator and goddess Zeynep. Zeynep’s voice is no stranger to Passing Notes, she joined me live in the studio with the Harmony Rec crew for episode 256 back in February 2024. Today, she returns in sonic form from afar, to showcase her fervent musical voice.

A dynamic selector who strikes a captivating balance between smooth lusciousness and unruly bodaciousness, Zeynep’s performances are impassioned trips through deeply dug mesmeric trance, seductive prog, and ecstasy-inducing rare gems - an intoxicating signature that has earned her a residency at Prague’s Harmony Rec. Her sound fosters an undeniable connection to the primal, collective joy of the rave, igniting spaces with a femme-forward intensity that resonates with those who crave liberation, pleasure, and transcendence.

Beyond the decks, Zeynep is also a passionate curator and community builder, committed to shaping electronic music culture in meaningful ways. Her deep involvement with Harmony Rec. reflects her dedication to fostering heartfelt connections within the underground music scene, ensuring that the spaces she plays in aren’t just dancefloors but homes for those who find freedom in the music.

Zeynep - PN 313 (6 Years of PN)

CZ Wang

Based in New York, CZ Wang is a DJ, producer, and engineer with deep ties to Vancouver’s influential Mood Hut collective. Over the past decade, he has played a pivotal role in shaping underground sounds, both as a selector and behind the scenes, contributing his skills to collaborations with artists like Huerco S, Nick Len, Okay Kaya, Daniela Lalita, DJ Python, Ana Roxanne, Jack J, and untitled (halo).

He holds residencies at Public Records and Eavesdrop, and regularly performs at renowned festivals like Sustain-Release and Warm Up MoMa PS1. His sets can also be heard at iconic clubs including Nowadays, Bar Part Time, Sunday Sunday, and Renate.


CZ Wang 是一位駐紐約的 DJ、製作人與工程師，擁有深厚的 Mood Hut 廣受讚譽的溫哥華音樂集體背景。在過去十年中，他作為選曲人和音效工程師，對地下音樂場景產生了深遠的影響，並參與了 Huerco S、Nick Len、Okay Kaya、Daniela Lalita、DJ Python、Ana Roxanne、Jack J 和 untitled (halo) 等藝術家的合作。

他目前在 Public Records 和 Eavesdrop 擁有駐場 DJ 位置，並在 Sustain-Release、Warm Up MoMa PS1 等音樂節上演出，此外，還常常出現在 Nowadays、Bar Part Time、Sunday Sunday 和 Renate 等知名俱樂部。

CZ Wang @TOHA Radio 2025.04.29

For Trushmix 239 we got Thurlow Joyce in the mix.
A producer and DJ based between Vancouver, and Berlin. His most recent record, Lemon Citrus, was released on NAFF last year and explores dub techno, trance, and other styles with additional music from Priori x Regularfantasy.

In the mix he presents varied styles of techno on the more early nineties progressive side, with some added elements of micro house, house, trance and ambient.
A one hour and twenty two  minutes of vibes.

Enjoy!

Trushmix 239 - Thurlow Joyce

Amelia Holt at The Swirl, Horst Arts & Music 2025

Endri w/ Flint & Alex - Aaja Channel 2 - 06 07 25

Downtempo mix by Moopie, Melbourne-based head of A Colourful Storm record label

Moopie - Timeless Series #52

(lip) service edt. 5 Maara

Love Letters Closing Set @ Mansions - June 2025

livwutang live from The Beach Stage at Love International festival 2025

Live from the Adriatic 2025: livwutang

Presentamos el arranque de nuestra serie: FASCiNOMA MIX 001 — Alo, @alo-sound reconocido amante de la música que ha dedicado más de la mitad de su vida a la investigación, colección y difusión, colaborando y creando diversos proyectos relacionados al quehacer sonoro en México. 

El vinilo es su formato predilecto y en su práctica como DJ explora su amplia colección libremente, seleccionando el sonido adecuado en cualquier ocasión. Alo extiende su práctica por diversos caminos donde la escucha activa es origen y destino. 

Más aire doblado aquí:
https://soundcloud.com/alo-sound
https://alo-sound.bandcamp.com

#fascinoma #fascinomamx #vinylmix #vinylonly #dubtechno #hypnotictechno #mexicocity #underground #djdset #dubwillsaveus #notdjalo #alo

FASCiNOMA Mix 001: Alo | Vinilo, Dub, Down Tempo, Techno & Underground México

Last month I got to perform an hour of new musical ideas surrounded by many friends at Sustain Release :)  

In this set I test a lot of new sonic directions, leaning into my love of spiraling synth lines, tactile drums, and sounds that evoke playful little creatures (so I've been told) :D

This was my first time at Sustain and I'm so grateful it was memorable. Big thanks to everyone who got freaky with me in the Gymnasium! I know there were a lot of other options...

One disclaimer : For the first 5 minutes of this set I couldn't  really hear my monitors (time for in-ears I think). But know that what you hear sounded way better in the room :P

11.11

SchorschLeroni